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THE MOST COMMON FORMATS FOR MUSIC AND OTHER AUDIO FILES, AND HOW THEY ARE RELATED TO EACH OTHER

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THE MOST COMMON FORMATS FOR MUSIC AND OTHER AUDIO FILES, AND HOW THEY ARE RELATED TO EACH OTHER

And for the direct competitors of the universal MP3 format, they can count on a lot today.

Due to continuing inconsistencies in home storage of the WAV format, it was eventually discontinued. But for professional studios, he says, the basics of the job. Especially when recording live vocals or instruments. Just convert the recorded material from WAV to MP3 at the final stage.

music format

However, music can be represented in some other popular formats nowadays. For example, many times (especially the Internet) they use these data types like OGG, AIFF, AMR, etc. But the real competitor of MP3 has become the newest and best audio FLAC etc. Of course, for MP3 you can convert all parameters to the maximum, but the playback quality of FLAC represents much higher. Also, it is a single file and the separation occurs directly on the track due to the player or startup software. In other words, listeners see each track individually, but can switch between playback tracks. For the MP3 format, this also seems possible to merge multiple tracks through it, thus creating a single file. But here it is in this version fast switching between tracks will not be possible (normal fast forward should be used, that’s all).

However, not everything is bad. The fact that music or audiobooks are all popular formats today allows them to be easily converted, even keeping the original parameters of the audio material. Based on this, and for sound processing and conversion and audio editors, almost all programs call converters. Any program of this type (MP3 editor or converter) detects the original and final type of audio files, is unambiguous and can produce direct and reverse transformations. Let’s explain this specific example.

WAVE THEORY AUDIO EDITOR FOR MP3 FILES
Many types of software are used in audio processing today. First, look at the narrow application of so-called audio editors. The most prominent representatives of these can be called giants Sony Audio Forge, Sintrillium Cool Editing Pro, which was later acquired by Adobe and renamed Audition, Acoustica Mixcraft, ACID Pro and many others.

mp3 editor

The principle on which they operate is that, for convenience, all MP3 audio programs have a typical waveform, as originally used for WAV files. This method determines the appearance and opportunity enough to edit any type of conventional audio material in WAV format. Other than that, the fact that you can do basic copy, cut, paste, etc. E., it’s just a matter of getting the frequency characteristics and bitrate changes, not to mention using a lot of extra effects that plug into VSTs via DirectX or a generic host bridge studio thing.

In its simplest form, the conversion can be done using the standard file menu, which contains the line “Save As…” (Save As…) or the export function present in MP3 format. Thus, all the process is reduced to just the final selection of the format (MP3 here as an example) and activation of the recording mode. In this case the conversion will be done automatically saving the current configuration parameters and the frequency characteristics. I don’t like the original version? ?Nothing is easier than changing the format to MP3, pre-specified with higher settings. However, one thing needs to be considered here: if the raw material is of such poor quality that special remediation or even professional tools will not work for audio it is necessary to use Repairs here, the intervention of various filters, etc. D. For the layman, it will cause great difficulties.

As is clear, there is absolutely no difference between the audiobooks we are dealing with: MP3, music or just recorded voice or noise. By the way, audiobooks are supposed to have a much lower sound quality by default. This is understandable, since the file has to take up minimal space and, in general, the perceived sound characteristics of speech are not that important. Finally, is this a professional recording of a particular set of albums?

However, if you use some standard operations, even without specific knowledge, it’s fine to achieve good results, especially since there are such built-in templates, based on any application for specific operations. Of course, it will be very difficult for the first time to achieve a perfect sound, but if you study the plan and understand how it works, it will work like clockwork, and as a result, it will take a lot of time.

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[Music] File format types Part 3

[Music] File format types Part 3

Lossless compression format

This format compresses the original data while preserving it.

FLAC
A THE C
During playback, it can be decompressed and returned to the original uncompressed format, so the sound quality is the same as the original data.

Although the file size can be reduced compared to the uncompressed format, it is still about half, so the file size is larger than the lossy compressed format and it takes longer to encode and decode.

Also, at present, it is often not handled by major music distribution sites, and the number of devices that can play it is less than that of uncompressed formats. The most common of these formats is “FLAC”, and Apple uses a unique format called “ALAC”.

FLAC (Free Lossless Audio Codec)
A lossless audio codec developed as open source.

It is not subject to patent restrictions, is not owned by any company, and has no license fees for its use.

Also, the sampling frequency is 1Hz – 655.3kHz (655,350Hz), and the number of quantization bits is 4 to 32 bits, so the so-called high-resolution music (including the frequency elements beyond the range human audible) can also be encoded. . However, since it is lossless, the compression rate is low and the file size is only about half. First of all, iOS 11 now supports playback from the “File” app.

ALAC (Apple Lossless)
Apple Lossless is a lossless compression format developed by Apple for iPod.

It can maintain the same sound quality as a music CD, but the compression ratio is not as good as lossy compression formats like MP3. With lossy compression, the deterioration in sound quality is noticeable, so it may be better to use it for classical music only.

This format was released as open source on October 27, 2011. You can use it freely under the free Apache license.

Relationship between bit depth, sample rate, and bit rate
Music data has numbers like bit depth and sample rate that indicate the amount of music data per second.

And the product of the two is the “bit rate”.

Sampling rate
Also known as the sample rate. Shows how many tens of thousands of sounds are collected per second.

The higher the value, the greater the number of divisions, which results in a smoother sound and improved sound quality.

By the way, the CD is 44100Hz.

Bit depth
Also known as quantization bit count, bid reduction, sample bit count.

This shows how much capacity is given to the split data.

The louder the sound, the better the sound and the sound quality will be improved.

The CD is 16 bit.

Bit rate
It is displayed as bps and shows the amount of data per second.

It is the product of the “sample rate” and the “bit depth” mentioned above.

In the case of a stereo file, there are two sounds, so if you formulate it …

Sampling rate (Hz) x bit depth (bits) x 2 = bit rate (bps)

A high bit rate means that the “sample rate” and “bit depth” are large and the sound quality is good.

By the way, in the case of CD

44100 (Hz) x 16 (bits) x 2 = 1411200 (bps)

Will be.

Why is there so much format
Each has its advantages and disadvantages, and you can make better use of your data by using it correctly.

For example, if you want to save this album with the best sound quality because you don’t care about the amount of data, import it with “WAV” or “AIFF” and save it with the highest possible bit rate. If you have a compatible device, “FLAC” and “ALAC” are also storage saving options.

“Sound quality is secondary! I want to import a lot of songs to my smartphone!” For those who want to import with “MP3”, they can import at as low a bit rate as possible (although 128 kbps or less is not often used as a music file). It may be convenient to use music as data according to the style.

By the way, the Apple Music I use is 256kbps of “AAC”, so it can be said that it is a format that emphasizes the balance between sound quality and data savings.

[Music] File format types Part 2

[Music] File format types Part 2

Lossy compression format

This compression format is probably the one you use the most.

MP3
CAA
WMA
Vorbis
This is the file format.

“The human audible range is 20Hz ~ 20000Hz”
This file format has the advantage that the file size can be suppressed while maintaining a certain level of sound quality by compressing and truncating the high-frequency part that humans cannot hear.

However, the downside is that the sound quality is lower than the original data.

Among them, “MP3” is the most popular file format, and as a successor, “AAC” is often used, which was created to achieve higher sound quality. Furthermore, “WMA” and “Vorbis” are also in this format.

MP3 (MPEG-1 Audio Layer 3)
It is one of the audio formats used in the “MPEG-1” video compression standard.

It is a popular format and many popular digital audio players support it. If you compress it into this format, you can play it on many players other than iPod.

It is generally said that if you specify a bit rate of 192 kbps or higher for MP3, it will be almost indistinguishable from the original music.

Recently, the capacity of the player has increased, so I think it is good to capture at 320 kbps, which is the highest sound quality of MP3.

There is also a method called VBR (variable bit rate), which efficiently obtains optimal data while changing the bit rate in a song, as opposed to CBR (constant bit rate).

However, when using VBR, the bit rate may be partially higher than necessary depending on the song, and some players may experience problems such as interrupted sound due to insufficient performance.

AAC (advanced audio coding)
It is one of the audio formats used in the “MPEG-2” and “MPEG-4” video compression standards.

ITunes has selected this AAC format as the standard compression format as a highly efficient and superior alternative to MP3.

However, there have been times when compatibility between products was poor in the past, and in rare cases, AAC files created by third-party software may not be playable on iPod. When using the AAC format, the bit rate should be 128 kbps or higher, especially 256 kbps or higher if you want high sound quality. The songs that are managed in the iTunes store are also in AAC format and have the extension “.m4a”.

WMA (Windows Media Audio)
A music compression format developed by Microsoft for the Windows operating system.

It is used in many Windows music distribution software and digital audio players. It is said that the file size can be reduced to half that of MP3 if the sound quality is the same. WMA format files are converted to AAC / MP3 format when imported into iTunes.

However, it is not possible to convert downloaded and purchased songs with copyright protection (DRM) to AAC format / MP3 format.

[Music] File format types

[Music] File format types

Does everyone like music?

I think many people enjoy music downloading or streaming instead of CD these days, but what kind of format is music stored as data?

I researched the differences, advantages, and disadvantages of each format.

Types of audio compression

For music file format

Uncompressed
Lossy compression
Lossless compression
There are three types:
File-based compression can reduce file size and reduce download time and storage capacity.
Uncompressed format
As the name implies, it is an uncompressed file. The point is the original data.

The most used formats are:

Wav
AIFF
The advantage is the accuracy of the data. However, it also has the disadvantage of a large file size and uses approximately 10MB for a 1 minute audio file.

It is common to use “WAV” for Windows and “AIFF” for Macintosh.

WAV (WAVE)
A standard Windows audio file format established by Microsoft and IBM, also known as the WAVE format.

It is generally uncompressed and has good sound quality, but it is a very large file.

WAV format files are converted to AAC / MP3 format when imported into iTunes. You can specify compression for WAV, but there seem to be not many usage examples.

AIFF (Audio Interchange File Format)
This is a standard Macintosh audio file format established by Apple Inc. Like WAV, it is not compressed and has good sound quality, but it is a very large file. There is also AIFC, an extended format with lossy compression.

Everything you need to know about audio formats.

Everything you need to know about audio formats.

Whether you use iTunes or buy and download digital music, you will find a number of terms and abbreviations that describe digital audio files. This alphabet soup can be quite confusing. What are audio file formats or codecs? What is the bit rate and what is the sample rate? What does it mean when the music is “high definition”?

This article explains what you need to know about digital audio files. I’ll tell you the difference between lossy and lossless files, explain why bitrate matters (or not), and help you understand the various file formats you can encounter.

Compression: lossy and lossless
When you buy a CD, the audio on the disc is not compressed. You can rip (or import) CDs with iTunes or other software, converting CD audio into digital audio files for use on a computer or portable device. In iTunes, you can copy in two uncompressed formats: WAV and AIFF (other software supports other formats). Both formats simply encapsulate the PCM (Pulse Code Modulation) data stored on CD so that it can be read as audio files on a computer, and their bit rate (you’ll find the one below) is 1411 kbps.

WAV and AIFF files can be quite large. Therefore, digital audio files are compressed to save space. There are two types of compression: lossless and lossy. Lossless includes formats (or codecs for short codec algorithms) such as Apple Lossless and FLAC (Free Lossless Audio Codec). Lossy includes the ubiquitous MP3 and AAC formats. (AAC, which stands for Advanced Audio Coding, is actually MP4, the successor to the old MP3. Although Apple adopted it in the early days of iTunes, Apple was not involved in its creation and does not own the format.)

You can also view other audio formats, although they are less common. These include Ogg Vorbis, Monkey’s Audio, Shorten, and others. Some of these codecs are lossy and some are not. However, if you use iTunes and Apple hardware, you will only find WAV, AIFF, MP3, AAC, and Apple Lossless, at least for music.

iTunes can copy or import audio files in these formats. Select the one you want to use in iTunes> Preferences> General> Import Settings.

When you copy or convert an uncompressed audio file to a lossless format and then play that file back, it is a perfect copy of the original (provided the data was read correctly from the CD). Thus, you can convert from one lossless format to another without quality loss.

However, when you copy to a lossy format, if you later convert the file to another format, it loses some of its quality. This is similar to how a photocopy of a photocopy does not look as good as the original.

Some people prefer lossless formats because they play audio like CDs. Lossy compression is a tradeoff to save space, allowing you to store more music on your portable device or hard drive and speed up downloads. However, most people cannot tell the difference between a CD and a lossy file at high data rates, so if you’re ripping your music to sync to iPhone, lossless files are superfluous.

Lossless ripping is a good way to back up your files as you can convert them to other formats without losing quality. And you can have iTunes automatically convert them to AAC files when syncing. Check out this article for more information on this automatic conversion, as well as other lossless file questions.

Bit rates
The best way to measure the quality of an audio file, relative to its original quality rather than its musical or engineering quality, is to look at its bitrate. The bit rate of audio files is measured in thousands of bits per second or kbps. I mentioned earlier that the CD contains 1411kbps audio, and when you convert that audio into a lossy file, its bitrate is much lower.

The higher the bit rate the better, so a 256 kbps MP3 or AAC file is better than a 128 kbps file. However, this is not the case for lossless files. Lossless file transfer speed depends on the density and volume of your music. Two lossless tracks on the same album can have bit rates of, say, 400 kbps and 900 kbps, but when played back, they reproduce the original CD audio at the same level of quality. Lossless compression uses as many bits as necessary and no more.

Audio file formats

It all starts with Pulse Code Modulation (PCM), the basis for digital audio, which was founded in 1937 and is characterized by two properties: sampling rate for measuring the waveform amplitude and bit depth for measuring possible digital values.

Examples of digital formats for audio sampling are:

– WAV (waveform audio file format)

– MP3, AAC, WMA, Vorbis

– FLAC (Free Lossless Audio Codec) ALAC (Apple Lossless Audio Codec) and APE

WAV:

The same format is used to record audio CDs. Different qualities are available (8-16 bit, 11 to 44 kHz). The higher the quality, the greater the memory usage.

MP3, AAC:

The files. MP3 and AAC are the most common formats when you need to store music on a computer or phone, and exchange or download music on the network and on the Internet. MP3 is a “lossy” format that loses some audio quality to achieve a significant increase in file size. An MP3 has a size of approximately 1 MB per minute.
The difference to lossless formats is that if you convert the file to a less compressed format like WAV, the quality sacrificed during compression will not be restored. For lossy formats such as MP3, the audio quality is measured using the bit rate value, which is generally specified in “192 kbit / s” or “192 kbit / s”.
The higher the bit rate, the more detailed the sound becomes.

FLAC, ALAC, APE:

These formats compress audio using algorithms.
The difference between compressed files and FLAC is that FLAC is specifically designed for audio and therefore has better compression rates without data loss.
As a rule, a .FLAC takes up half of the storage space of a WAV in megabytes and maintains the “CD quality”.
A FLAC can be converted to WAV without loss of quality and is the preferred format for those who want to listen to music with the best quality and great speakers.

Is the audio quality subjective?

In theory no, but in practice it’s very subjective.
To hear real differences between the quality of an audio CD and an MP3 file, you need to use high-end headphones or speakers.
In addition, it also depends on what you are listening to and what type of music, in different formats, can have significant or almost no differences in listening.
If you are looking for the best compromise between file size and quality, you should experiment with the different formats and test whether you have a better experience with MP3 with higher bit rates or even with the playback of FLAC files.

Most important audio formats

MP3

MPEG Audio Layer III
-Compressed digital format with loss.
-Its compression size: 11 to 1
-Compresses the audio using a lossy algorithm to obtain a smaller size, decoding the signal, allowing less bits to be consumed, which translates into less weight and less quality.
-Extension: .MP3
-Good compatibility. Can be played on almost all audio players
-Easily distributable online
-Better quality-space ratio
-Loss of the original sound, implies a decrease in quality throughout the format
-Supports two channels
-Distortion in frequency bands where the brightness and sparkle (5000hz-20000hz) are located.
-Increase in the bass and subwoofer frequencies (250hz – 40hz) due to the dynamic compression of the sound that causes a different equalization from the original recording.
-present patterns between tracks

AAC

Advanced Audio Coding
– Lossy compressed digital format
-It is an audio compression system developed by the Fraunhoffer Institute, AT&T, Sony and Dolby Laboratories.
– It is an audio broadband coding algorithm with higher performance than MP3.
-Extension: .m4a, .m4b, .m4p, .m4v, .m4r, .3gp, .mp4, .aac
-Play files from the hard disk of a computer with a quality that can be similar to the CD using significantly less space than an mp3.
-This system increases the quality of the mp3.
-Loss of original sound
-Subject to patent

WAV

Waveform audio format
-Uncompressed digital format.
– Windows own format
– Used to store sounds on PC, supports mono and stereo files at various resolutions and sampling rates
– Extension is .wav
-High sound quality
-Provides faithful listening to the audio
-It works in Windows applications and in common equipment with a CD player.

– Includes support for almost all current audio codecs
– Compatible to convert into various formats by means of the appropriate software.Example switching from Wav to Mp3
-It takes up a lot of disk space
-Poor quality-space ratio
-Difficult to distribute online due to the weight of the file
-Allows to capture in the same file up to 6 hours

FLAC

Free Lossless Audio Codec
– Lossless compressed format

-Extension: .flac
-Higher quality in high fidelity equipment
-Information is continuous between separate tracks
-It does not delete information from the original content
-It is an open source format.
-Code and decode quickly
-It takes up a lot of disk space
-It is not supported by all portable players

AIFF

Audio Interchange File Format
-Uncompressed format without loss.
– Format typical of native applications of Mac OS X for example iTunes
-Extension: .aiff or .aif.
-High sound quality
-Requires large storage space

OGG VORBIS

-Compressed format loss
– Stream-oriented container, which means that
can be written and read in one step, making it suitable
for streaming on the internet.
– Free software version to MP3 and AAC.
– Intended to allow maximum encoder flexibility
Extension: .ogg
-It is free, open and not patented
-Similar to MP3
-Good value for space
-Improved same-size MP3 quality.
-It is not supported by all players
-Loss of original sound

WMA

Windows Media Audio
– Lossy audio compression format, although there is a more recent lossless development
-Windows version to compress audio
-Extension: .wma
-Ideal for real-time streaming
-Reduce size of large files
– Inclusion of support in Windows Media Player
-Lower quality
-It takes space
Real Audio
-Media player with various functions and Internet connection tools
Example: listening to music and watching videos hosted on the Internet (streaming), and creating and playing extensive playlists.
–
– Ideal for live streaming over the network due to its streming ability
– the coding allows adapting it to the user’s reception capacity depending on their internet connection speed.
-Can be used in different operating systems (Windows, Linux, Mac OS)
– Ability to transfer files to other multimedia devices
-Reduction in file sizes

-Incompatibility with some browsers
-High RAM consumption

APE

– Lossless compressed format
-Extension: .ape
-Save space
-High quality
-Better file compression rate
-It is not compatible with most players.
-Slow to compress and decompress files

Understanding digital audio formats

When it comes to digitally distributing our music it is important that we understand what they are
the different formats, which are the most used and which are the best in terms of the
Relationship between size and quality.

PCM digital audio

WAVE

The name comes from the acronym waveform audio file format and is a used file
usually on computers with the Windows operating system.
WAV or WAVE files contain audio in LPCM format (Linear Pulse Code
Modulation) This is a way to encode an analog audio signal to the domain
digital by using equidistant samples over time of amplitude values
of the analog signal.
The quantity of samples is given by the sampling rate or sampling rate,
while the amount of possible amplitude values is determined by the
Bit depth or bit rate.
The sampling frequency of the CDAUDIO for example is 44.1 kHz and 16 bits. exist
higher sampling rates such as 48 kHz, 88.2 kHz, 96 kHz up to 192 kHz at
this system.
On the other hand, WAV files are uncompressed audio and are generally used in
stages of recording, editing, mixing and mastering for being of high quality.
The higher the sample rate and the greater the number of bits, the file size will be
our hard drive
In general for professional uses at least a frequency of
44.1 kHz sampling and a depth of 24 bits preferably.
The standard extension for this type of file is: .wav

AIFF

The name comes from Audio Interchange File Format or audio file format
interchangeable, this format was developed by Apple computers and is used to save
and manipulate audio on computers.
It is like WAV a file type without compression or lossles therefore allows
Processing for professional applications such as recording, editing, mixing and
mastering as well as for professional video uses.
Another similarity with WAV files is that it is PCM audio (press code
modulation) that for practical purposes it is the same as the LPCM.
The standard extension for this type of files is .aiff

MP3

Also known as MPEG1 or MPEG2 audio layer, it is a form of coding
of digital audio in which psychoacoustic models discard information from
Audio that is presumed is not audible to most users.
As an example a file created with a resolution of 128 kbits / s is equivalent to 1/11
the size of a file on an audio CD.
The main purpose of using this type of coding is to reduce the size of the
files and be able to send / download faster, especially through
from Internet.
Being a file type reduced in quality IS NOT RECOMMENDED for
recordings, editing, mixing or mastering of professional audio.
For this reason we recommend NOT to use it to send us your clues to
mix / master