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THE MOST COMMON FORMATS FOR MUSIC AND OTHER AUDIO FILES, AND HOW THEY ARE RELATED TO EACH OTHER

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THE MOST COMMON FORMATS FOR MUSIC AND OTHER AUDIO FILES, AND HOW THEY ARE RELATED TO EACH OTHER

And for the direct competitors of the universal MP3 format, they can count on a lot today.

Due to continuing inconsistencies in home storage of the WAV format, it was eventually discontinued. But for professional studios, he says, the basics of the job. Especially when recording live vocals or instruments. Just convert the recorded material from WAV to MP3 at the final stage.

music format

However, music can be represented in some other popular formats nowadays. For example, many times (especially the Internet) they use these data types like OGG, AIFF, AMR, etc. But the real competitor of MP3 has become the newest and best audio FLAC etc. Of course, for MP3 you can convert all parameters to the maximum, but the playback quality of FLAC represents much higher. Also, it is a single file and the separation occurs directly on the track due to the player or startup software. In other words, listeners see each track individually, but can switch between playback tracks. For the MP3 format, this also seems possible to merge multiple tracks through it, thus creating a single file. But here it is in this version fast switching between tracks will not be possible (normal fast forward should be used, that’s all).

However, not everything is bad. The fact that music or audiobooks are all popular formats today allows them to be easily converted, even keeping the original parameters of the audio material. Based on this, and for sound processing and conversion and audio editors, almost all programs call converters. Any program of this type (MP3 editor or converter) detects the original and final type of audio files, is unambiguous and can produce direct and reverse transformations. Let’s explain this specific example.

WAVE THEORY AUDIO EDITOR FOR MP3 FILES
Many types of software are used in audio processing today. First, look at the narrow application of so-called audio editors. The most prominent representatives of these can be called giants Sony Audio Forge, Sintrillium Cool Editing Pro, which was later acquired by Adobe and renamed Audition, Acoustica Mixcraft, ACID Pro and many others.

mp3 editor

The principle on which they operate is that, for convenience, all MP3 audio programs have a typical waveform, as originally used for WAV files. This method determines the appearance and opportunity enough to edit any type of conventional audio material in WAV format. Other than that, the fact that you can do basic copy, cut, paste, etc. E., it’s just a matter of getting the frequency characteristics and bitrate changes, not to mention using a lot of extra effects that plug into VSTs via DirectX or a generic host bridge studio thing.

In its simplest form, the conversion can be done using the standard file menu, which contains the line “Save As…” (Save As…) or the export function present in MP3 format. Thus, all the process is reduced to just the final selection of the format (MP3 here as an example) and activation of the recording mode. In this case the conversion will be done automatically saving the current configuration parameters and the frequency characteristics. I don’t like the original version? ?Nothing is easier than changing the format to MP3, pre-specified with higher settings. However, one thing needs to be considered here: if the raw material is of such poor quality that special remediation or even professional tools will not work for audio it is necessary to use Repairs here, the intervention of various filters, etc. D. For the layman, it will cause great difficulties.

As is clear, there is absolutely no difference between the audiobooks we are dealing with: MP3, music or just recorded voice or noise. By the way, audiobooks are supposed to have a much lower sound quality by default. This is understandable, since the file has to take up minimal space and, in general, the perceived sound characteristics of speech are not that important. Finally, is this a professional recording of a particular set of albums?

However, if you use some standard operations, even without specific knowledge, it’s fine to achieve good results, especially since there are such built-in templates, based on any application for specific operations. Of course, it will be very difficult for the first time to achieve a perfect sound, but if you study the plan and understand how it works, it will work like clockwork, and as a result, it will take a lot of time.

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Audio formats. Understanding the differences

Audio formats. Understanding the differences

There are many different audio formats.

You can’t even imagine how many audio formats there are. Now we will consider only the most popular ones, and if you need complete information, you can find it on Wikipedia.

Audio formats
Sound is itself an analog phenomenon. In order for it to register on a computer, it must be digitized. Digitized audio takes up a lot of space. Therefore, they use special algorithms to encode and compress data: codecs. Codecs provide encoding / decoding of audio / video data, as well as compression / decompression of such data. Download a set of codecs for Windows:

The type of media file format (audio or video, no difference) is determined by its extension. For example, MP3 files have the extension .mp3. The codec for this format is always the same: MPEG Layer-Ç. But for the MP4 format, the codecs may be different.

Some formats, such as MP4 and FLV, can contain streaming audio and video. So, if you see a file with the extension .mp4, you can’t definitely tell that it contains only music or only video, or a movie – audio and video. After all, initially in such formats, the possibility of transmitting both audio and video was raised.

We all know that once information is compressed, it can be lost. Therefore, all codecs can be divided into two groups: with loss of quality and without loss of quality. Don’t be intimidated by the word “lossy”: As a general rule, codecs cut off “unnecessary” information that is invisible to our eyes and ears (almost invisible).

Lossless compression codecs include:

FLAC (Free Lossless Audio Codec);
APE (Monkey’s Audio);
ALAC (Apple Lossless Audio Codec).
And here are the lossy codecs:

If you are a fan of sound then it makes sense to look for music in FLAG format. For normal home listening, the most popular MP3 format is sufficient. Also, to experience the total difference between MP3 and FLAC formats, you need professional sound reproduction equipment; unfortunately, the tablet does not belong to said team. So I don’t see any reason to download FLAC music to a tablet.

Now let’s take a quick look at the audio formats themselves:

WAV is the first (or one of the first) audio formats. It is used to store uncompressed audio recordings. One minute of recording in WAV format requires 10MB. An audio CD is usually copied in this format and then the resulting WAV files are compressed with an MP3 codec to save space.
MP3 (MPEG Layer-3) is the most widely used audio format. It reduces the sound with a loss of quality, but only the sound that is not heard by the human ear is cut off. As a result, a person does not hear the difference and the sound takes up less space. The main characteristic of this format is the bit rate. The higher the bit rate, the better the sound quality. Uncompressed audio CD has a bit rate of 1411.2 Kbps. The highest sound quality in the case of MP3 format is achieved at a bit rate of 320 Kbps. Anything below 320 Kbps is of worse quality . The difference between 128 Kbps and 320 Kbps is already felt by ear, so if you can download recordings with a higher bit rate, go for it.
WMA (Windows Media Audio) is a format developed by Microsoft for the Windows operating system. Microsoft tried to create a replacement for MP3, but, as time has shown, it failed.
OGG is an open format that supports encoding of audio with various codecs. The most widely used OGG codec is Vorbis. In terms of compression quality, the format is comparable to MP3, but less common in terms of media player and audio player support. If you can download music in MP3 and OGG format, you should choose MP3 because your audio player may not support OGG format.
AAC is a proprietary audio format that provides better sound quality than MP3. It is currently the best lossy audio coding algorithm. A file of this format can have the extensions aac, mp4, m4a, m4b, t4p, t4g.
FLAC is a lossless compression format. It does not make any changes to the audio stream, so the sound encoded with it is identical to the original. Used for listening to sound in high-level sound systems.
Video formats
There are no fewer video content formats and standards than audio formats. Let’s start with the international standards that define the data storage and encoding format of multimedia files:

About audio formats

About audio formats

audio formats

Installations
Installation first. There is no perfect format. Different types of audio require different approaches.

Audio Formats

Second installation. It is impossible to do something good with poor quality.

Third installation. There are three approaches to comparing quality: the discriminating edge (heavyweights), the comforting edge (consumer audio), and the intelligibility edge.

Fourth installation. Disputes in a weight category are useless and are called “holivars”. The arguments in different weight classes are meaningless: “heavy is heavier than light” and “light is lighter than heavy.” Disputes (especially between heavyweights) can only take place with the support of the “blind method”.

A brief introduction
Bit rate is one of the most important metrics for measuring digital audio recordings. It is measured in kilobits per second (for short: kbps, just kilobits, kbps, kbps, kbps, etc.).

On the fingers: answer the question “how much memory occupies a second of audio”.

All kinds of transformations are already underway: there are eight bits in a byte, 1024 bits in a kilobit, 60 seconds in a minute, 60 minutes in an hour, and we arrive at the following empirical data:

bit rate 1400 = 1 hour takes 615 megabytes on disk
320 bitrate = 1 hour takes 141 megabytes on disk
bit rate 192 = 1 hour takes 84 megabytes on disk
bit rate 24 = 1 hour takes 11 megabytes on disk
Naturally, we all want to use disk space sparingly. This is where the format war begins. 11 MB is sixty times cheaper than 615 MB. Megabytes is the cost of storing audio recordings.

The price of storage can also be expressed in bills, dividing the cost of the disk by its capacity. For an archive of audio recordings, the storage price is far from being as critical as for an archive of video recordings.

Furthermore, the storage price can be conditionally expressed in man-hours, if the playback device has a much smaller capacity than your general archive of audio recordings. It takes time to regularly download new tracks to the device.

The storage price can also be expressed in square meters of work area. 500 audio CDs will take up a lot of space and require furniture solutions, but a small external hard drive fits in your pocket.

If there is a different price, then the question of quality arises: then we assume that the lowest bitrate has the lowest quality. So we come to the main question: where is the limit of reason, where is the ideal “price / quality” ratio.

The most approximate division of audio formats in descending order of average bitrate:

uncompressed audio
lossless compression
lossy compression

Uncompressed audio is the pure signal without conversion, “as is”, the equivalent of WAV or audio CD. Classic parameters: 1411 kbps, 44100 kHz sample rate, 16-bit audio.

Codec is an abbreviation of the words (KO der and DEC oder). An encoder is a program that packages a pure audio signal in the desired special format. A decoder is a program that converts a special format into a pure audio signal. In modern English, the two terms were transformed a bit: below code and below code, which corresponds to the direct Russian counterparts for coding and racing coding. And do not confuse encryption and encryption: these are two very different processes, although externally there is a lot of similarity.

For an ordinary person, only a player that can work with this format is required (that is, it has a decoder). The “encoder” itself is only required to “create” such files.

Lossless compression – Typically used for collectible audio material. It is generally believed that this format can be converted exactly to Audio CD.

Better is this compression:

Save disk space by about half
The file format assumes the storage of additional information (artist, album, track number, track name, etc.)
The compression formats themselves differ:

format openness and compression algorithms
player support
overhead encoding, decoding costs
compression ratio
The overhead costs are negligible for the average person and the compression ratio of the codecs differs slightly. Main actors: FLAC, APE, WAVPACK, ALAC.

Lossy Compression – Provides a much higher compression ratio by discarding unimportant audio details. The smaller the size of the file we are trying to compress, the more details we will need to discard. In addition to the disappearing details, technical artifacts also appear.

What audio formats are there and how are they different?

What audio formats are there and how are they different?

Audio formats

When recording sound, the question arises which audio format to choose for disk storage. Almost all of today’s recording programs offer a multitude of options here, from highly compressed MP3 to uncompressed WAV files.

However, it’s easy to lose track in the jungle of different formats. We clarify what audio formats are available and what are the differences between the formats. FROM MP3 TO WAV, EVERYTHING YOU NEED TO KNOW ABOUT AUDIO FORMATS When you save your audio recordings digitally, they are in a specific format.

Audio Formats

Describes the structure of the file and contains all the audio signals. A distinction is generally made between two variants: uncompressed audio formats, which contain all the data, and compressed. With these, certain information is cut from the file. Compressed music formats can also be divided into lossless and lossy.

Uncompressed formats include the following: PCM (Raw Data) AIFF (Audio Interchange File Format) WAV CDDA (Compact Disc Digital Audio) The main compressed formats are: MP3 WMA (Windows Media Audio) / Lossless WMA AAC (Advanced Audio Coding) FLAC (Free Lossless Audio Codec)

This is what defines lossless formats. Uncompressed audio formats store all data in an audio file, including what the human ear cannot or can barely hear. This takes up a lot of storage space on the data carrier, but the sound quality is excellent. Lossless files are compressed to a certain extent to reduce file size.

However, this is done in such a way that no noticeable loss of quality can be detected. All original data is preserved, only the layout of the data is changed. These are lossy formats. One of the most popular lossy formats is the MP3 music format. Parts of the original file are removed to reduce storage space. Ideally, only information from the file that is not perceptible to humans is removed.

The higher the compression level, the smaller the file, but the quality also suffers with each further reduction. PROCESS YOUR AUDIO FILES EVEN MORE – SAVE STORAGE SPACE AND COMPRESS The most common uncompressed music formats are WAV and AIFF. If you record audio files on a digital audio workstation, you typically export them in one of these two formats and then process them.

If you want to save the data without any loss, but the original data must be preserved, first compress the files with an appropriate audio program in a lossless format, for example as a FLAC file. This takes up less space on the data carrier, so you can save a lot on external media and transmit the data.

Since all the information is still contained in the file and is simply unzipped when you open it, you can process these music files optimally: cutting, adding additional effects or soundtracks, or splitting the file, and all without the quality of the sound is affected. If you want to share your music and audio files, upload them to the network, send them by e-mail or if you want to save many files on a data medium, compression is essential.

You can also do this by using a corresponding audio program, some of which you can download for free from the Internet. Compression reduces the file size to a greater or lesser extent depending on the degree. At the same time, the audio file information that cannot be restored is lost. Be careful when compressing. Bit rates – this is what determines the quality of an audio file

Bit rate describes the amount of data that is processed in the music file per second. The higher the value, the higher the quality of the file. Uncompressed files typically have a bit rate of 1411 kilobytes. For example, if you convert a WAV file to MP3 format, you can set the bit rate, for example, to 192 or 320 Kb per second. THE DIFFERENT AUDIO FORMATS AT A GLANCE

What music format is suitable for what purpose and what are the sound differences?

Here you can find out when you should ideally use which format. Uncompressed formats: PCM, WAV PCM describes the raw data of an audio file. The format allows very high bit rates and therefore very high quality. The data is in the original and the sound corresponds to that of an audio CD. However, the PCM format consumes a lot of memory and cannot be played with all common audio programs that are designed for the MP3 format, for example. Therefore, you need a special program to process the flat file.

Mp3, the winner

In the era of broadband connections, fiber optics and HD videos on YouTube, MP3 remains the reference format for audio files. We are now so used to listening to music in compressed formats, and often through poor quality playback systems, that it is difficult for us to remember what listening to music really means. The recent evolution from download to hit-and-run streaming has only made the situation worse by further devaluing the value of music. When was the last time you listened to a record from start to finish without interruption, spending those 30-40 minutes on “simple” listening activity?

Premise: This post is not a crusade against Spotify because I use it myself for new releases or to have some background music at work, it is not even an analog vs. digital (or vinyl vs. CD vs. MP3) post because on this topic en Much has already been said. My goal is to make you understand what you are missing, in qualitative terms, if you listen to music in compressed formats.

Sampling and theoretical aspects.

Audio recording on a computer or digital medium assumes that the signal passes through an analog> digital (AD) converter, so that the continuous electrical signal generated by microphones or musical instruments is transformed into a digital signal (series of 0 and 1) This process is called sampling. The final quality of the recording depends on several factors: converter quality, sample rate, and bit depth.

To make an easily understandable comparison: When shooting a movie, the “analog” reality perceived by our eye is stored in a movie that takes 24 frames per second. If we consider the standard of the audio CD (44.1 kHz, 16 bits), for every second of music 44100 pictures are taken from the computer to the continuous electrical signal. If with the sampling frequency we have simply established how many times in a second the waveform will be analyzed, with the bit depth we assign to each sample a numerical value: 2 ^ 16 = 65,536 possible values.

If you wonder how it got to 44,100, I refer you to the Nyquist-Shannon sampling theorem.

When we press the record button on our computer, through the PCM (pulse code modulation) sampling process described above, the files are saved in uncompressed WAV or AIFF format.

Lossless files and lossy files

PCM files take up a lot of space on our hard drives because, as we have seen, there is the data necessary to describe the analog waveform in as much detail as possible. Indicatively, a WAV or AIFF file as audio CD will occupy 10 MB for every minute of music.

To overcome this problem, remember that in the early 2000s storage space cost around $ 10 / GB, while today the price is around $ 0.03 / GB (source): Audio formats have been introduced that , through an algorithm encodes and decodes information, reduces the size of the file. These codecs fall into two categories: formats with lossless compression and formats with lossy compression.

As the name implies, lossless compression indicates a reduction in file weight (usually around 50%) without loss of information. Leaving the world of audio aside for a second, ZIP and RAR files are clear examples of this type of compression: at any time we can “unzip” such a file and have access to the original information again without this no way has changed.

The most common file formats are: FLAC (Free Lossless Audio Codec) and ALAC (Apple Lossless Audio Codec).

Lossy compression, on the other hand, implies that some of the original audio information is somehow removed to obtain a file that weighs even 90% less than the PCM.

By what criteria is information removed without “compromising” the original audio too much? Since our hearing is an imperfect instrument, codecs exploit two principles of psychoacoustics: the minimum threshold of audibility (the human ear does not perceive all frequencies in the range between 20Hz and 20kHZ equally) and masking (a weaker sound). is masked, making it inaudible, by a louder sound.)

Compression algorithms, however advanced, introduce a number of artifacts into audio files that, if played back in discrete quality audio systems, can be easily recognized or at least noticed even by an inexperienced ear. Several studies have shown that an untrained ear does not distinguish the difference between an uncompressed file and an MP3 with a bit rate equal to 256kb / s or more.

The most common lossy formats are: MP3, OGG Vorbis, AAC.

The victory of MP3

Since its introduction in the mid-1990s, MP3 has established itself as the industry-standard consumer format fueled by file-sharing through peer-to-peer channels, where, with slow connections, the heaviest file was the one it was downloaded, the longer it took to obtain it, and since the market introduction of MP3 players in which we tried to store as much music as possible and, therefore, we resorted to very compressed files.

In the transition from the era of downloading to that of small transmission files, they ensure smoother and smoother data transmission.

Despite, therefore, the evolution that has taken place in recent years in the speed of Internet connections and the reduction in the price of storage systems, only in recent years have services been created to buy files from High-quality online audio (HD tracks) or HD streaming services (Tidal).

Examples and audio files.

The main services we use to buy or listen to music use these compression levels (all information is taken from the official websites of each service at the time this publication was written).

Spotify: OGG Vorbis files at 96 kb / s (normal mobile quality), 160 kb / s (normal desktop and web player quality, high mobile quality), 320 kb / s (premium users: high desktop quality, very high quality mobile).
iTunes: By default, CDs are imported into 128 kb / s AAC files. Files in the iTunes Store are of this quality, except for “iTunes Plus” songs converted to AAC at 256 kb / s.
Pandora: 64kb / s AAC (free users), 192kb / s AAC (premium users).
YouTube: HD videos (720 or 1080p) have an audio quality equal to 384kb / s, SD videos (360, 480p) have an audio quality equal to 128kb / s.

Understanding digital audio formats

When it comes to digitally distributing our music it is important that we understand what they are
the different formats, which are the most used and which are the best in terms of the
Relationship between size and quality.

PCM digital audio

WAVE

The name comes from the acronym waveform audio file format and is a used file
usually on computers with the Windows operating system.
WAV or WAVE files contain audio in LPCM format (Linear Pulse Code
Modulation) This is a way to encode an analog audio signal to the domain
digital by using equidistant samples over time of amplitude values
of the analog signal.
The quantity of samples is given by the sampling rate or sampling rate,
while the amount of possible amplitude values is determined by the
Bit depth or bit rate.
The sampling frequency of the CDAUDIO for example is 44.1 kHz and 16 bits. exist
higher sampling rates such as 48 kHz, 88.2 kHz, 96 kHz up to 192 kHz at
this system.
On the other hand, WAV files are uncompressed audio and are generally used in
stages of recording, editing, mixing and mastering for being of high quality.
The higher the sample rate and the greater the number of bits, the file size will be
our hard drive
In general for professional uses at least a frequency of
44.1 kHz sampling and a depth of 24 bits preferably.
The standard extension for this type of file is: .wav

AIFF

The name comes from Audio Interchange File Format or audio file format
interchangeable, this format was developed by Apple computers and is used to save
and manipulate audio on computers.
It is like WAV a file type without compression or lossles therefore allows
Processing for professional applications such as recording, editing, mixing and
mastering as well as for professional video uses.
Another similarity with WAV files is that it is PCM audio (press code
modulation) that for practical purposes it is the same as the LPCM.
The standard extension for this type of files is .aiff

MP3

Also known as MPEG1 or MPEG2 audio layer, it is a form of coding
of digital audio in which psychoacoustic models discard information from
Audio that is presumed is not audible to most users.
As an example a file created with a resolution of 128 kbits / s is equivalent to 1/11
the size of a file on an audio CD.
The main purpose of using this type of coding is to reduce the size of the
files and be able to send / download faster, especially through
from Internet.
Being a file type reduced in quality IS NOT RECOMMENDED for
recordings, editing, mixing or mastering of professional audio.
For this reason we recommend NOT to use it to send us your clues to
mix / master

Most used audio formats

In this article we will talk about the most popular Audio Formats and used for both Music production and Entertainment.

Lossless Audio Formats (lossless)

Also known as Loosless, they are audio formats without loss of sound, its main feature is that it resembles original audio with excellent quality.

Its main disadvantage is the size of the file since when capturing it and converting it into digital audio format, files from 50 to 100 megabytes become depending on the number of minutes and resolution.

Normally it is usually captured with a resolution of 16 bits at 44,100 hertz which is the audio quality handled by a compact disc.

Although today it is usually captured at 48,000, 92,000 and up to 192,000 herts that can vary to 16, 24, 32 and up to 64 bits.

WAV (audio file format)

Undoubtedly this is the best known and most standard format, it was created by Microsoft and is called audio formats without signal loss.

Its main feature is that it closely approximates the capture audio signal, which gives us great sound quality. Therefore it is an audio format widely used for audio editing with Music Production Softwares.

Its main disadvantage is its weight is that 5 minutes of audio is approximately 50 megabytes, which becomes a format that takes up a lot of storage space.

AIFF (audio interchange file format)

This format was created by Apple, it is also an audio format without signal loss.

It closely resembles the original sound at the time of capture but also occupies almost the same space as the Wav.

CDA (audio cd track)

Perhaps you have seen this format before, however it is not exactly an audio format rather it is a shortcut which is part of the audio data of a compact disc. This format is created when you burn a CD with some software such as Nero or Alcohol 120%.

When exploring an original compact disc on your computer you will find these files with that extension.

However, when copying these files to your computer you will not be able to reproduce them since they are only small shortcuts that do not contain the music information, they are only used by stereos, homemade modulars or cars.

In order to have these files you will have to convert this format to one that is readable by your computer, which can be Wav or Aiff or other audio formats with some CDA conversion software to other formats.

FLAC (free losseless audio codec)

This audio format is the most popular since it has no signal loss but with compression, which greatly decreases the file size apart from the fact that it is possible to reverse the compression to have the original version again.

It works very similar to the ZIP file but optimized for audio with the advantage that you don’t have to unzip it in order to listen to it.

Its main disadvantage is the incompatibility to reproduce it in any audio software or mobile devices, therefore you must have installed an application capable of playing it with the appropriate codec.

Audio Formats with Loss (loosy)

Also known as Loosy, they are audio formats with sound losses but with compression as the main feature since these files are reduced considerably such as a Wave or Aiff file could be compressed from 50 to 5 megabytes.

Being compressed by means of some audio compression codec eliminates all irrelevant and imperceptible information for the human ear.

You should practically have a fairly sensitive ear to be able to differentiate losses.

These formats are mainly used for portability in Usb memories, Compact Discs or audio devices such as Ipod, MP3, Cell phones, Tablets, Lap Tops and even Desktop Computers and some car stereos or CD, DVD, Blue Ray players, among others.

MP3 Audio Format

It is the most popular and commercial format used since the 1990s, precisely in 1993 created by the Fraunhofer IIS Institute by Karlheinz Brandenburg.

Its main feature is its low data weight and its compatibility with most audio playback software such as Itunes, Windows Media Player, the extinct Winamp among others.

However, it should be mentioned that this format when compressed eliminates audio information that may be almost inaudible by the human ear.

BITRATE (BIT RATE)

It is practically the one that determines the quality of the MP3 that can be from 8 to a maximum of 320 kbps (kilobytes per second).

It is usually compressed at 128 kbps which is a standard for internet radio, streaming platforms such as Soundcloud or Spotify that usually convert to this quality by default.

At the lowest amount of kbps, streaming is guaranteed to be fluid for most internet connections, but it also loses sound quality.

Although considering this happens to second term since many of the users usually reproduce it with headphones in the street, school, public transport, motorcycles or computer speakers in offices at low volume.

If you are a professional DJ I do not recommend mixing with this format since you will not get the best results in amplified sounds, preferably acquire the versions without loss of signal to strengthen your live presentations.

CBR AND VBR METHODS

The CBR (constant bitrate) method practically converts the audio with the constant dynamic range, while the VBR (bitware variable) method varies its dynamic range.

The advantage of the CBR method is that it converts with greater speed and a lighter audio file is obtained although its disadvantage is that its quality is diminished.

The advantage of the VBR method is that when the audio file is converted, a higher sound quality is obtained since it retains the dynamic range, that is, if your theme has sounds with lower and higher intensity, they will continue to obtain a more dynamic sound.

Another significant advantage is that you can include metadata such as ID3, which you can store information such as the title of the song, the name of the band or artist, year, album and a small image which can be the cover that when reproduced in Itunes or Windows Media Player will be displayed.

AAC format

It is a compression audio format with loss of signal which produces a sound very similar to the original.

The ACC format is an extension of MPEG-2 created by MPEG (moving picture experts group), it is often used for Internet radio broadcasting and by Apple for Ipods with Itunes software, also used by Ahead Nero, Winamp and Nintendo DSi.

Another use is for encoding MP4 videos and recently for the new STEMS audio format created by Native Instruments which is a multitrack format used by DJs.

WMA Audio Format

We cannot ignore the WMA (windows media audio) format that was basically the alternative to MP3.

On this format I will not deepen as it is very little used and incompatible in most mobile devices.

It is only compatible with devices such as Windows Phone, Xbox and Microsoft operating systems. However, if you download a multimedia application for example on your Android phone that supports WMA, then you can listen to it.

The WMA audio format has 3 versions:

WMA Pro: Supports multiple tracks like AC-3
WMA Lossless: Compress with loss of signal
WMA Voice: Aimed at human voices which is used
on Skype and WhatsApp.

AC3 Audio Format

The AC3 audio format also called Dolby Digital which is an alternative to MP3 since it allows the inclusion of multiple audio tracks generally 5.1 for Surround surround audio

What is the difference between MP3 and FLAC

What is the problem with the popular MP3 or why FLAC is of better quality? Actually, in addition to these 2 formats, there are others with different specifications that differentiate them from each other.

In this article we will talk about the most important formats and their characteristics, in this way you can choose the one that suits you.

What is bitrate?

The difference in the size of the files is noticeable

You’ve probably heard this term before, but if you don’t remember it or don’t know what it means, I’ll explain it. Bitrate is translated as the bit rate, that is, the amount of bits or data that are processed in a unit of time. When referring to audio, we usually use the measurement of kilobits per second (Kbps). For example, the music available on iTunes is usually 256 Kbps, which means that there are 256 kilobits of information stored in every second of the song.

The higher the bitrate of a file, the more space it occupies on your hard drive. Usually, a music CD uses a large amount of memory space, so since the early 1990s, researcher Karlheinz Brandenburg developed the audio compression standard we now know as MP3. When an audio file is compressed, the space destined for it is smaller, however, this means that it loses part of its sound quality. For that reason, the different audio formats available are divided into 2 categories: with losses and without losses.

Lossless Formats

Lossless or lossless formats, as they are known in English, retain the sound quality of the original source intact. This means if you compress a CD in any of these formats, your digital music files will have the highest quality.

FLAC. Free Lossless Audio Codec is the most used sound codec, making it one of the best options for storing music without losing quality. Unlike other formats such as WAV and AIFF, the compression it uses decreases the space it occupies. In addition, it is free and free software, so anyone can use it and is compatible with a considerable number of players.
WAV and AIFF. These 2 formats do not use compression, so it could be said that they are exact copies of the original sound source. Although both are of the same quality, what differentiates them is the way they store the data. AIFF was created by Apple, while WAV is used universally. The problem with these formats is that since they do not have any compression, they take up too much memory space. They are normally used in audio editing.
A THE C. Apple’s lossless format is very similar to FLAC because it uses compression, the detail is that it was created by the company founded by Steve Jobs. Although its compression method is not as efficient as that of FLAC (it occupies more space), the advantage is that it is compatible with iTunes and iOS devices.
Formats with losses

Lossy, or lossy, formats are the most common, most systems and players recognize them and compress a lot, which allows large amounts of music to be stored in a small space. One advantage is that if your bitrate is high enough, it will be difficult to distinguish the difference you keep with the original source.

MP3 Its name without abbreviation is MPEG Audio Layer III, and it is the most popular lossy format, so much that it has become the benchmark in the category of digital or downloadable music on the Internet. Although it is not the most efficient format of all, it is the one with the highest compatibility, so it is the first option to choose between lossy formats.
AAC Advance Audio Coding is similar to MP3, although a bit more efficient in compression, which means that your files take up less space while matching the quality of the MP3. Although not as popular, it has the advantage that Apple players support it.
WMA As the name implies, Windows Media Audio is the proprietary format of Microsoft. It is very similar to the 2 previous formats and does not really offer any advantage over them. The disadvantage is that it is not so popular, so it is not compatible with many systems.

Which one should you use?

After having reviewed the main formats of both categories and their characteristics, we conclude that the type of file to use will depend on the habits and tastes of the user. In general, MP3 and AAC are widely recommended, because they are compatible with most players and the quality of both becomes quite good if it is encoded with a high enough bitrate (192 Kbps onwards). If your demands in audio quality are not the highest, any of these 2 formats is ideal thanks to the little space they occupy.

Storing your music collection in FLAC will require many GB of storage

However, storing music for posterity in MP3 or AAC may not be the best idea, since converting from one format with losses to another with losses will produce files with much lower quality. On the other hand, FLAC is the best for preserving music for the future, because it will keep the quality intact and allow converting to other formats in the future, in addition to occupying less space than WAV or AIFF.

If your interest is to enter the world of audiophilia, without a doubt lossless formats are the option. Thus, it is necessary to consider that to notice the difference between a high quality MP3 file and a FLAC, you must have high fidelity headphones or speakers and have a trained ear. Of course, the storage issue is also important, the amount of gigabytes or terabytes you will need to store all your music will depend on the size of your collection.

In conclusion, the format you intend to use will depend on your musical demands, both in quantity of music and in its quality. You just have to remember that the important factors are compatibility and avoid converting between 2 formats with loss and, above all, enjoy music in the way you like best.

WHAT IS THE BEST FORMAT TO LISTEN TO MUSIC?

There are many, but after trying almost all of them, here we tell you which is our preference for quality and file size.

As part of our new discovery, we want to share what our experience has been in the vast market of formats offered in digitalized music. The not so common OGG used by Spotify; the AAC incorporated by Apple Music and even the MP3 used by the Google Play Music and Amazon Music service. They all offer different qualities so you will undoubtedly notice a difference when listening to your favorite songs.

We could even include uncompressed formats such as FLAC, AIFF, or even DSD and WAV. Apparently superior qualities, since, if you are like us who do not have a specialized audio equipment for this purpose, it does not make much sense to bring a file of more than 50 MB on your sixth generation iPod with a capacity of 64Gb.

Removing that from the medium, this article we want to dedicate it exclusively to compressed formats in order to show the benefits and benefits of knowing how to choose the best of all. It is important because, taking it into account, it can also help you solve the dilemma of which streaming music service would suit you best.

3. MP3 (MPEG-1 Audio Layer III or MPEG-2 Audio Layer III)

Mp3 Starting with the most common of all, the MP3, a format that although we can give it the merit of being the first to emerge to digitize the music, it is not so in terms of quality. It is also true that its size makes it the best for allowing a song of five minutes occupying about 10 Mb on average of your internal memory of the cell phone and / or music player. However, its coding and the way in which it cuts digital information to be able to offer a small weight file is one of its clearest disadvantages.

In practice, this is reflected when you put a song like Angel de Massive Attack, where the bass is deep and in detail – that is, you have the “boom” caused by the lower frequencies, in addition to the pick of the strings of the low- you don’t enjoy generating artifacts that distort the signal.

For that reason, the MP3, German format founded with the idea of offering music in the first digital era of computers, is not the best there is in the market … By the way, not long ago it was announced that its creators declared it dead.

2. OGG Vorbis

Ogg was like the direct competition in its time, of MP3. Created by a programmer and vocational musician from the United States named Chris Montgomery, it is clear evidence that when your passion is combined with your work, the results are extraordinary.

Recalling a little the history of OGG to contextualize, it emerges in the nineties as a need to find a better way to encode and compress digitized information. And maybe that is one of the reasons why Spotify chooses this format to play and stream the music: friendly, versatile and small in size, it is definitely better than MP3.

The quality of the same role we mentioned earlier is far exceeded. Not only the bass frequencies sound better defined, but the media and the treble ones are balanced a little – so to speak – to offer better sharpness and detail of the instrumentation in general.

However, it is not the best there is in the market, since besides it is difficult to achieve, there is something that is lacking to be our first choice: we would say that, it is something like the “tone” of the sound.

1. AAC (Advanced Audio Coding)

aac is our first choice. With a sound coding that allows you to eliminate less information from an analog signal, the result is quite noticeable when you compare a song with this extension, with that of the other two formats. The bass sounds completely deep and defined without distorting anything, in addition to the medium and treble being highlighted allowing a wider dynamic range than the MP3 and OGG.

It is the holy grail of compressed music formats. We would even dare to say that the AAC offered by the iTunes Store and Apple Music is as good in quality as a FLAC or WAV. If you put one followed by the other, the only notable difference you can find is the amount of the volume. While an uncompressed format offers you more sound, that other format invented by the Fraunhofer Institute in conjunction with Sony, Dolby and AT&T, has slightly less volume, but with the same quality.

So, the AAC is the best format you can get: it has a fairly small file size; it has a “tone” of music that enhances all the details of the instrumentation and voice in the songs; and having even specializations by sound engineers at Apple to include in their record materials their “Masterized for iTunes” versions, there is no way to make a mistake when choosing it as our favorite.