lossless sound quality


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lossless sound quality

lossless sound quality
lossless sound quality

The principle of these audio compression methods is to keep as much as possible the parts that are easy to hear for the human ear.

lossless sound quality
lossless sound quality

 

In the main constant bit rate (CBR) mode, audible data in the audio is removed and it is easier for the human ear to hear. The more information that is retained for the part, the less information that is retained for the less audible part. As sound complexity increases, the degree of sound quality degradation becomes more apparent. For example, when listening to pure human music voice performances and performances combined with background music, pure The degree of degradation of the compressed music of the human voice is less obvious than that of the original file.

As for the lossless sound quality provided by today’s streaming platform, there are many formats, but strictly speaking, these formats, including flac and ALAC, belong to lossless compression (non-destructive data compression) rather than quality. lossless sound in a narrow sense, but due to its performance it is almost the same as WAVE, but the file is small, the decoding speed is fast, and it can be used in streaming services, so it is also a representative format of lossless sound quality that has entered the era without CD support, and it is also the current music streaming service.

Also, MQA like Tidal is a more controversial format, because although MQA is lossless audio compression in a broad sense, it focuses on driving high-quality music files that are above CD quality at a size similar to those of CD quality flac files. , but it can also be restored to the original high-quality audio format, but the controversial point is whether the higher compression ratio can maintain the same real auditory sense as the original high-quality audio has always been controversial. At the same time, MQA requires a specific device to perform hardware decoding. Yes, many devices can only decode MQA through software.

▲Currently called Hi-Res Audio generally refers to sound quality higher than that of a CD, but to be certified, the device must support the processing capability of the 24-bit 96kHz format.

However, since MP3 and AAC are previously planned destructive music compression formats, their purpose is to compress CD-level sound quality into smaller files, so most encoding specifications are presented in one presentation. CD-level 16-bit 44.1 kHz or 16-bit 48 kHz; but MQA is a format with a small file size that locks in high sound quality requirements. Basically, the MQA format will be music equivalent to 24-bit PCM or higher.


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lossless sound quality

lossless sound quality

lossless sound quality
lossless sound quality

Although lossless sound quality and high-quality streaming services have appeared on the market for a while

lossless sound quality
lossless sound quality

Like Apple isn’t the first to make true wireless earbuds, but it has ridden the wave of the market, with Apple’s launch of so-called hi-fi. compressed sound quality in Apple Music. In fact, after the lossless compression commonly known in the audio industry, lossless sound quality and high sound quality have instantly become a hot topic for many people to discuss, but whether the benefits of quality Lossless sound systems are really Obviously, the author will devote some space from theoretical concepts to practical levels. The difference is a simple overview, but the following arguments focus on easy understanding, so some of the descriptions are not entirely accurate.

What is lossless sound quality? What is the sound quality of the music we usually listen to?
The photo mentions * Introduction to KKBOX sound quality (including format), release year, sound quality, including numbers, KKBox, streaming media, Hi-Res Audio and Hi-Fi

▲ Both AAC and MP3 are destructive compression, while FLAC and ALAC are lossless compression

Before we get into the details, let’s talk about what is called lossless sound quality; From the author’s concept and cognition, the so-called lossless sound quality is a relative word rather than an absolute word. The main source is the relative word born due to the appearance of the MP3 music compression format; after the music industry went digital, digital music files were generally recorded via PCM encoding, and WAVE files were generally used on CDs. The time and space situation that MP3 was born into was because hard drive capacity was generally small at the time. To store a large amount of music data in storage space, you probably need to compress the files.

The reason why MP3 cannot be called a lossless format is because it essentially compresses the original WAVE in a way that limits the bitrate by combining concepts like the psychology of sound. The bitrate compression mode, compared to the bitrate of the original WAVE file, compresses at least in a range of 1:4 to 12:1. The higher the bitrate, the greater the amount of retained information. For example, AAC format also adopts similar audio psychology for compression, but the efficiency is better than MP3. Therefore, most of the lossless sound quality of most streaming platforms currently uses AAC as the mainstream.

The audio formats with the best sound quality

The audio formats with the best sound quality

audio formats
audio formats

First of all, divide all types of music files into three parts as follows:

audio formats
audio formats

 

Uncompressed file formats: .WAV, .AIFF

Lossless compression formats: .FLAC, .ALAC (Apple Lossless)

Destructive compression formats: .MP3, .AAC, .WMA, .OGG

Below are their respective advantages and disadvantages.

 

1. Uncompressed file format
Uncompressed music files are just like the concept of Raw files. Essentially no compression will of course have the best sound quality. (The sample rate and bit rate of the original recording are also very important. If the compressed music file is converted to an uncompressed file, the music won’t magically improve the sound quality.)

The most common disadvantage of uncompressed files is the file size. Generally, the file size of a song is around 25 ~ 40 MB. While that capacity is no longer an issue for cloud hard drives, it is still an issue for email. Also big (25MB max for Gmail attachments). Also, some portable music players or devices may not be able to play such music files.

Advantages: original sound reproduction, no compression, lossless, easier to use in post production

Disadvantages: large file format, fewer supported devices

 

2. Lossless compression format
The term “compressed and lossless” seems contradictory, but compression does not necessarily affect sound quality. More precisely, it’s more like “compressed to save space”. It’s like compressing a high quality file into a .ZIP and decompressing it when you want to use it, the quality of the file will not be affected.

Therefore, this type of file has a compressed capacity, but the file will be decompressed during playback to restore sound quality. Although the concept of reducing capacity without affecting sound quality is great, the downside is that support for this format is extremely low and in order to decompress the file during playback, an additional codec is required to use it, and it will. also take some performance.

Advantages: small file capacity (about 1/2 ~ 1/3 lossless files), good sound quality

Disadvantages: Decompression can eat performance when used, and support from hardware or software is extremely low

 

3. Destructive compression format
The destructive compression format is currently the most common music file format, the main reason is that it has the greatest compatibility with portable devices (mobile phones, MP3 players, etc.), and the files are small and have a space of limited storage. , users can store more music (compressed capacity is about one-tenth of lossless sound quality), and most of the music provided by today’s streaming media is files in this format. There is always a price to pay for smaller files. Compared to lossless formats, this destructive compression will affect the audio range that the original sound can present and will cause some distortion. So, to be safe, keep the compression rate above 320 kbps as much as possible.