MP3 vs Lossless

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MP3 vs Lossless

Meta Description: Discover the difference between MP3 and lossless audio formats and understand which one suits your listening preferences.

Introduction

Music is an essential part of our lives. It can evoke emotions, motivate us, and even help us relax. The format we listen to music in can have a significant impact on our listening experience. Two of the most popular audio formats are MP3 and lossless. While MP3 is widely used, lossless audio formats are gaining popularity. This article will explore the differences between MP3 and lossless audio formats and help you understand which one is best for your listening preferences.

MP3 vs Lossless: What’s the Difference?

MP3 is a compressed audio format that reduces the file size of audio recordings while maintaining reasonable sound quality. Lossless audio formats, on the other hand, preserve the audio quality of the original recording. Let’s delve deeper into the differences between MP3 and lossless audio formats.

Compression

MP3 audio files are compressed to reduce the file size. This compression results in some data loss, which affects the audio quality. Lossless audio formats, such as FLAC or ALAC, compress audio files without losing any data. This compression is possible due to the fact that these audio formats eliminate redundancy in audio data.

Audio Quality

MP3 audio files have a lower audio quality than lossless audio formats. The audio quality is reduced due to data compression. Lossless audio formats maintain the audio quality of the original recording, making them a better choice for audiophiles and music enthusiasts who want the best possible sound quality.

File Size

MP3 files are significantly smaller in size than lossless audio formats. This small size makes MP3 files easy to share and store, making them a popular choice for digital music distribution. Lossless audio formats, on the other hand, are larger in size, which makes them more challenging to share and store.

Compatibility

MP3 audio files are compatible with a wide range of devices and media players, making them an accessible audio format. Lossless audio formats, on the other hand, have limited compatibility and require specialized software or hardware to play them.

Head-to-Head Comparison: MP3 vs Lossless

Let’s compare MP3 and lossless audio formats head-to-head based on the following factors:

Audio Quality: MP3 compresses audio data, which results in reduced audio quality. Lossless audio formats preserve the audio quality of the original recording.

File Size: MP3 files are significantly smaller in size than lossless audio formats.

Compatibility: MP3 files are compatible with a wide range of devices and media players. Lossless audio formats have limited compatibility and require specialized software or hardware to play them.

Portability: MP3 files are easy to share and store due to their small size. Lossless audio formats are larger in size, making them more challenging to share and store.

Ease of Use: MP3 files are easy to use and require no specialized software or hardware. Lossless audio formats require specialized software or hardware to play them.

Based on the above comparison, MP3 audio files are an excellent choice for those who value portability and ease of use, while lossless audio formats are a better choice for audiophiles who value audio quality over file size.

FAQs

Q: Is MP3 audio quality good enough? A: MP3 audio quality is good enough for most casual listeners. However, audiophiles and music enthusiasts may prefer lossless audio formats for their superior audio quality.

Q: Are lossless audio formats worth the larger file size? A: Lossless audio formats are worth the larger file size for audiophiles and music enthusiasts who value audio quality over file size.

Q: Converting MP3 to Lossless Audio Formats

It is possible to convert MP3 files to lossless audio formats like FLAC or ALAC. However, this conversion does not improve the audio quality of the original MP3 file. The converted file will have the same audio quality as the original MP3 file. Converting an MP3 file to a lossless format only increases the file size and does not improve the audio quality.

Choosing the Right Audio Format for You

When choosing between MP3 and lossless audio formats, it is essential to consider your listening preferences. If you value portability and ease of use, MP3 is the way to go. MP3 files are compatible with a wide range of devices and media players and have a small file size, making them easy to share and store. However, if you are an audiophile or music enthusiast who values audio quality over file size, lossless audio formats like FLAC or ALAC are the way to go. These formats preserve the audio quality of the original recording and provide a superior listening experience.

Conclusion

In conclusion, the choice between MP3 and lossless audio formats ultimately depends on your listening preferences. MP3 files are excellent for those who value portability and ease of use, while lossless audio formats are the better choice for those who prioritize audio quality over file size. Regardless of which format you choose, music is a universal language that brings people together and enhances our lives in countless ways.

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What is the difference between MP3 and lossless sound quality?

Is it possible to distinguish Mp3 quality from CD Quality?

Although the sound quality of a CD does not reach the true hearing limit of the human ear, it is impossible for most people to tell the difference between a CD and a higher sampling rate, so everyone assumes that the CD sound quality is 44.1 kHz can be converted to lossless sound quality.

In the past, the capacity of storage media was not large. To store more music and make it easier to stream, we used to compress large CD audio files. High frequency and low volume sounds are removed to achieve the purpose of reducing file size. Similar formats include 3GP, M4A, AA3, WMA, etc.

With the development of the Internet and storage media, the size of audio files is no longer important, so lossless compression has gradually become popular. Common formats are APE, FLAC, etc., which are similar to the beginning of ZIP compressed files, compress audio files AND packed, the final file size is basically only half of the original CD file. Here it is emphasized that the WAV format we often say is a waveform record file, which uses uncompressed PCM encoding, which is also a relatively large WAV file. 44.1 kHz 16-bit WAV audio can also be considered uncompressed. Lossless sound quality.

Since different devices support different audio compression formats, we often need to transcode, and each transcode will cause some loss in audio. For example: If you convert MP3 to lossless format, you can only achieve the sound quality of the original MP3 file. This lossless can also be called false lossless. This is the case for most lossless music provided by music portals.

I have been recording for many years and have used speakers ranging from tens of thousands to millions of dollars. Why do I rarely use speakers under 10,000 yuan? Because speakers under 10,000 yuan cannot be used as monitors. I advise everyone not to charge money for listening to music on music portals for lossless sound quality. Untrained ears will not be able to hear the difference between true and false without loss. For normal ears, MP3 with a bit rate of 320 kbps is already the best.

What is the difference between MP3 and lossless sound quality?

Now, many people think that it is impossible to listen to MP3, so they search for lossless music everywhere on the Internet.

So what is the difference between lossless music and MP3? What about the various lossless music formats?

A few days ago, a friend of mine bought a Porsche sports car and then came to ask me for lossless sound quality music. I told him there was no need to play MP3s, but people weren’t happy. The sound in the car was fine. Playing MP3 is a loss of audio.

Now there are many music websites that give lossless to the myth, but do you know what lossless is? What is the difference between lossless music and ordinary MP3? Today I come to talk to you about those things that have no losses.

I remember when Apple held the Iphone4 conference, it came up with a definition: retina display. In short, it has been replaced by a high resolution screen with pixels that exceed the recognition limit of the human eye since the Iphone4. I must say that Mr. Qiao’s trick is very good, he defines a word that everyone can accept and makes Apple mobile phones sell all over the world.

However, the same concept is much older in the world of acoustics. Sound is a type of energy wave. After the experimental research of countless generations of ancestors, it is believed that 40 kHz is a value that can well restore the sound heard by the human ear. Later, for various commercial reasons, some record companies defined the sample rate of CDs at 44.1 kHz, which they considered to be the “retina display” that the ears could hear. Later, 44.1 kHz brought innumerable problems to subsequent generations, because it is not an integer and cannot be divided and multiplied simply by performing SRC sampling, so early Inter defined the output sample rate of the sound card as 48 kHz to save problem. , which creates a sample rate conversion problem that all sound engineers hate

FLAC, WAV, MP3, DSD, ALAC … What audio format should I use?

You probably know the famous MP3 audio format. There’s even a good chance that you only use it on a daily basis. But did you know that it is possible to take your music to the next level thanks to other audio formats? If the terms FLAC, DSD, sample rate, or even lossless don’t mean anything to you, then you’ve come to the right place. Designed specifically for newbies, this guide tells you everything you need to know about the basics of digital audio.

soundwave

FLAC, DSD, ALAC … Listening to a debate between audiophiles can seem difficult when you do not know this universe and the many acronyms that refer to it. But if you try the adventure, you will not regret it. Say goodbye to your boring and lifeless MP3s and hello to quality music. Trust us, your ears will thank you!

Sample Rate and Bit Depth: The Basics of Digital Music

Before knocking you out (we promise we won’t hit too hard) with barbaric acronyms in every way, let’s first focus on two essential notions of modern audio, namely sampling rate and bit depth. These two elements give an idea of the recording precision of a song.

but depth

As you know, computers run on bits, which are sets of 0 and 1. During a passage in the studio, music produced by an artist must be digitized, therefore transformed into 0 and 1 in order to be recorded on CD or transmitted to through transmission services. This is where the sampling rate and bit depth come into play.

Take the example of a CD. Our beloved empanadas are recorded in 16-bit / 44.1 kHz. The 44.1 kHz sampling rate means that the music produced by our musician is analyzed 44,100 times per second by studio recording devices. As for the bit depth, it gives an indication of the number of information recorded during this same period. The greater the depth, the more information will be encoded at the end.

However, CD quality is not the best in the world, even if it far exceeds MP3. Thus, we find 24-bit / 192 kHz recordings. The DSD goes even further with a frequency that rises to several MHz. But for simplicity, just remember that the higher the values described above, the more accurate the recording will be in your sound reproduction.

Lossy formats: MP3, AAC, OGG

In general, there are two types of formats in the audio world: lossy, lossy in English, and lossy, or lossless. If you want the best audio quality, stay away from compressed formats.

The best known of all is MP3. True dinosaur in the audio world, this type of file was developed at a time when the capacities of our hard drives were determined in MB and not in TB. Therefore, we had to compress the recordings as much as possible, even if that meant putting quality aside.

It is true that MP3 encoded music weighs only a few megabytes. But the applied algorithm is very aggressive, it simply cuts the frequencies considered inaudible by the human ear. In fact, MP3 loses many audible parts. To get an idea, click the link below, you will hear these famous truncated parts. The pieces seem flat, devoid of life. Listening can even become unpleasant after several tens of minutes. Suffice it to say that, apart from its small size, MP3 is no longer really interesting in our time if we are looking for quality music.

To make things better, Apple, meanwhile, released another audio format, AAC, for advanced audio encoding. This is also a lossy format which therefore loses details during data compression. However, the algorithm used is more efficient, cutting fewer important frequencies, at least on paper. In absolute terms, the difference from MP3 is not necessarily stark and the debate has been raging for years in the audiophile environment to find out if the AAC format is really better than MP3.

Finally, there is also the OGG Vorbis, another lossy compressed format. Like AAC, it is supposed to work better than MP3. This is the type of file Spotify uses. Her interest is to enable efficient transmission while reducing quality. However, the songs encoded in this format are not fabulous. The ideal is really to become lossless.

MP3 audio files and lossless files, which is the best?

For your music collection, better an mp3 audio file or a lossless file? Let’s see the differences together and what format to choose
In the transition from analog music (vinyl records, cassettes, and other similar media) to digital music (audio CDs, mp3 audio files, etc.) experienced a few decades ago, compression algorithms have played a critical role. To avoid taking up too much space on the data storage media (when the transition hit the core, each byte of available space was worth so much gold) it was necessary to develop algorithms that would help compress the file size without overly affecting the audio quality. .

Lossless Audio

It was during these years that names such as mp3 audio files, WMA files, WaV files, and OGG files began to circulate with some frequency in musical environments (and not) around the world.

Lossless vs. at a loss

Over the years, the panorama of audio formats expanded dramatically and there was the curious formation of two opposite blocks. On the one hand, in fact, the so-called lossless files (literally lossless) were to be ‘concentrated’, while on the other side of the musical ‘Iron Curtain’ were the lossy files (literally lossy). As the names suggest, the difference between one format and another is due to the possible loss of musical information.

comparision mp3 vs lossless

Phonometric comparison between lossless files and mp3 audio files

Lossless files guarantee (and guarantee) the same sound depth and quality as an audio CD, while lossy files (such as mp3 audio files) reduce the size of a music track in the order 10 times at a partial cost sound quality. For example, if a lossless file takes up 40 megabytes, an mp3 audio file of the same song will be just over 4 megabytes.

Bitrate issue

What makes the difference between the two audio file formats is the bit rate used in the analog to digital conversion process. When we talk about bit rate (sometimes also written bit rate) we mean the number of bits that can process in the unit of time. In music, the bit rate measures the amount of data contained in each second of the audio track: the higher the value of the bit rate, the better the quality of the music.

In an mp3 audio file, this value can range from 32 kbps (kilobits per second) to 320 kbps. However, in a lossless file, there is no compression, and with a bit rate of around 1,411 kbps, the audio quality is comparable to that of an audio CD. According to the numbers, therefore, lossless files are better than mp3 audio files, ensuring deeper, true-to-original sound. However, as experience teaches us, numbers are not always everything.

Slimming differences

The reality of events appears to be quite different. The human ear, in fact, would not be so sensitive as to notice differences between an excellent quality mp3 audio file (with 320kbps bit rates) of a lossless file.

To understand this, just run one or more ABX tests. Such a test consists of cross-comparing two known files (called A and B) and two unknown files (X and Y, which are the same as A and B but with a different bit rate). At the end of the test, two pairs of files must be formed, matching the originals with the relative modified files. If you are using an mp3 audio file with a high bit rate (320 kbps or slightly lower), even the ear with the most musical training will not be able to distinguish the differences.

Despite this, a music file made up of lossless files still guarantees a substantial advantage over a file made up of mp3 audio files. The first, in fact, can be converted to other audio formats without this leading to a loss of quality; Conversions of a lossy file, on the other hand, will cause further loss of music information and deterioration of audio quality.

Some of the most popular digital audio formats.

Main audio formats without loss of quality.

WAVE (.wav) – This is the most common uncompressed audio file format. When you rip audio from a music CD on your computer, this will be the format you get. It takes up a lot of space (1411 KB of information per second on 4400 Hz / 16 bits of stereo music), but reproduces the sounds in a quiet way. In terms of quality and amount of information, it resembles the AIFF (.aif) format, which is mainly part of the Mac world. Suitable for audio files and those that record music.

FLAC (.flac) – Free Lossless Audio Codec: It is an open source codec that is often used to store music CDs on the computer without loss of quality. While .wav offers uncompressed audio, .flacs are called “lossless c compressed”. However, compression is minimal and the vast majority of people do not notice differences between a Wave file and a FLAC file. However, they take up less space than WAV files. This is possible because they use a variable amount of compression as needed. This means that, in the case of very complex and rich music parts, it uses encodings that are equal to WAV files (1411 Kb / s data). However, in the case of the “simpler” parts, the number of bits used to represent them will be smaller. It is suitable for demanding ears who also want to save some space on their hard drives.

APE Monkey’s Audio is one of the most powerful and popular lossless multimedia compression algorithms for audio files.
The lossless format, that is without data loss, ensures that the original sound quality is maintained in smaller files than compressed sample formats (such as WAV).
The format used is “.ape”, Monkey’s Audio allows compression of a WAVin mono source and also the opposite procedure, ie mono decoding for other formats such as WAV or MP3

ALAC Apple Lossless Audio Codec: Similar to FLAC, which always uses maximum compression. The quality is good on average, but the format is not as effective as FLAC in terms of weight. Not all players support it, so if your life is not exclusively dedicated to Apple and its products, it’s not a recommended format. Other important but less popular lossless audio formats are Monkey’s Audio (.ape) and OptimFROG (.ofr).

AIFF Audio Interchange File Format is a standard file format used to store audio recordings on a personal computer. The format was developed by the Apple computer based on Electronic Arts electronic exchange format and is often used on Apple Macintosh systems, which is why it is also called Apple Interchange File Format.
The audio data in the AIFF file is not compressed, so the file tends to be much larger than other formats, both lost and lost, such as ALE or MP3. One minute sound records approx. 10 MB of data, this is because it is a format created for sharing, although it is also used for editing.
However, there are compressed formats, called AIFFC (AIFF compressed), that can reduce the file size by a third (AIFF3) or a sixth (AIFF6), but this results in a great loss of quality, so there is virtually no use.

The most important sound quality formats in loss quality.

MP3 (.mp3) or MPEG-1 or MPEG-2 Audio Layer III – is the best known compressed audio standard. It was the forerunner of the category (it was published as an international standard in 1998) and is still the most widely used. Minifying a WAV file to MP3 makes it up to 90% easier for MB. The quality varies depending on the bit rate, ranging from 32 to 320 Kbit information for every second of music. The default is 128 Kb / s. At 320 the performance is pretty good.

AAC (.aac) – Advanced audio coding. It’s an Apple standard that iTunes uses by default when importing music. It works like MP3, and with the same bit rate, it takes the same space. The difference is in the way compression is handled. In simple words, “music” sums up another way. According to many people it sounds better than MP3. Especially suitable for those who use iPhone and iPod to listen to music.

WMA (.wma) – This is a proprietary format from Microsoft and is considered Redmund’s response to MP3. Its incompatibility with the iPod makes it very uncomfortable. Incidentally, although most players support MP3, WMA does not. Basically, unless your music world starts and ends with Windows Media Player, it’s a generally discouraged format. It is not compatible with Mac and iTunes.

OGG VORBIS: It is an open source or free format, which means that it does not require any license to be implemented in an audio player (the details are irrelevant for us users). The quality is comparable to MP3, perhaps a little higher. A noble and well-made creation, but not widespread enough to justify its massive use. In light of all this, therefore, recording music in WAV and broadcasting it in MP3 or AAC is the most reasonable option. In this way, you will have quality when you need it and the guarantee of usability of music wherever you are.

Audio formats

Compression

Compressions are systems for reducing the file size by using different types of algorithms and / or encodings.

There are two types of compression: lossless (compression), which compresses the file without deleting information. Decompression can therefore exactly return the original and lossy (lossy) compression, eliminating redundant parts that are considered irrelevant or irrelevant and the decompression does not return to the original.
It is clear that the first system preserves the integrity of the original, but less compressed, while the second implies a loss of quality, but compresses much more, in proportion to the degree of loss one is willing to accept. Let’s look at a few examples.

Lossless compression

Lossless compression is based on reducing the redundancy typical of human production.

For example, in a book dedicated to experimental music, the phrase “experimental music” is repeated many times with 19 characters. At this point, simply replace it with a symbol that is normally not included in the text, e.g. ‘# 1 #’ to reduce a term from 19 characters to one of 3 and store 16 characters for each occurrence. Actually we have to say “for every occurrence after the first”, because in order to unpack the text, we also have to create an index of the substitutions in which it is written in this case
# 1 # = “experimental music”.
Obviously, many other words or phrases are repeated several times in the book, and each of them can be replaced by a symbol such as # 2 #, # 3 #, …, # n #, where n is a progressive number, which ultimately makes significant savings.
The Lempel-Ziv (LZ) algorithm uses a similar system, the derivatives of which underlie many modern lossless compression programs, including the well-known ZIP.
In fact, the ancestor of many lossless encoders is the so-called Huffman coding. It is a redundancy elimination system that was developed in 1952 by the researcher of the same name, then an MIT student. His algorithm solves the problem of encoding a series of strings (string = any character set) as compactly as possible, taking into account the frequency with which strings occur: the most common is assigned the shortest symbol in to maximize compression. Here is a good example dealing with Huffman coding issues.

Another type of lossless compression, which is always based on reducing redundancy, is the so-called Run Length Encoding (RLE), which works in a very simple way. Suppose we have the following string of 20 characters
ABBBBBBBBBCDEEEEFGGG

By applying the RLE it will
A 9BCD * * * 4EF 3G

for a total of 13 characters with a saving of 35%.
In practice, a code consisting of the character and the number of repetitions was inserted instead of the repeated characters. The asterisk indicates that the following is the number of repetitions and is not part of the chain (this is of course the basic principle; the details of the coding may vary).
Of course, this system is not productive with text, but it is the case with images where long stripes of the same color are fairly common.

Lossy compression

Lossy compression is based on the elimination of the information components that are considered to be more or less irrelevant depending on the compression level required. At low compression levels, only the really irrelevant details are removed, while at higher levels, the sensitive details are also removed.
An example that is not audio is the encoding of JPEG images, in which nuances are eliminated by assigning neighboring pixel groups the same color if their difference is less than a value that is proportional to the degree of compression. On this page you can see the effect of the size reduction and the corresponding loss of quality when increasing the compression levels.

Further information on compression on Wikipedia (free, community-created encyclopedia) can be found here in English. Wikipedia also exists in Italian, but the content is smaller.
First class compressed audio formats
Lossless (lossless)
These formats work similarly to zip. You compress the content without removing anything. At the time of listening, it is necessary to perform a decompression and to return to the original in one of the linear formats already shown.
Since it is lossless compression, the comparison between these codecs is not made in

Digital Music: A Quick Guide to Having the Best Lossless Files

Digital Music

Surely changing our music from one side to the other, from an analog format to a digital one or even music already stored in digital format on a compact disc towards one for use on mobile devices, would result in a loss of sound quality that would exceed convenience and comfort.

This has been the main vision of people who care about sound quality, since the concept of digital music files was born. A reference generated by the common use of highly compressed lossy formats such as MP3.

wHowever, it is an opinion that simply “cannot take any more water.” Yes, popular formats like MP3 and AAC sacrifice some quality to keep file sizes small, but the emergence of lossless digital audio formats that are capable of preserving every piece of information from a CD recording means that a ripped file It may sound indistinguishable from the original.

You may still be wondering why you should spend precious time ripping up your CD collection. It’s all about convenience: a lossless digital music collection saves shelf space, is easy to move and to back up; for larger collections, it also makes locating individual songs and albums much easier and faster. You can also access a digital music library from multiple sources simultaneously, for example, from multiple network music players located in different rooms in your home.

Additionally, thanks to higher quality file acquisitions with popular streaming and download sites like B&W Society of Sound, higher quality music files can now be accessed as part of a subscription-based model without taking up space valuable on shelves – or even the attic – with physical means.

On the hardware side, storage devices like NAS and external hard drives offer huge amounts of space at ever lower prices. And with increasingly better and less expensive, widely available high-quality DACs, computers now offer excellent reproduction and can be easily connected to your existing hi-fi system, either wired or wireless.

When streaming or ripping discs, the file format option may seem complicated by too many options. This is what we think of the main formats that can be the salvation of true audio enthusiasts:

FLAC

Free Lossless Audio Codec is a popular choice for many audiophiles. Like MP3 and AAC, FLAC is compressed to keep file sizes relatively small, but unlike those formats, it is lossless and therefore – in theory – indistinguishable from the quality of a CD. In theory. Audio from CD converted to FLAC will typically shrink about 50 percent from its original size; a typical three-minute song on a CD will take up 30-40MB of space, while a ripped FLAC version of that song results in 15-20MB.

FLAC supports metadata (artist and song information can be embedded in the file and artwork can be referenced by the file) and will be played on a wide variety of software and hardware. Crucially for many, it is currently not compatible with Apple products like iTunes or the iPhone.

However, there are downsides to FLAC from an audiophile perspective and a lot of that comes during encoding and decompressing the file for playback. Because FLAC is unzipped on the fly, the sound quality is highly dependent on the software you are using to do that. Therefore, although it is theoretically lossless, there are still barriers to overcome when listening to the music contained in FLAC.

Apple Lossless

As you might guess from the name, Apple Lossless Audio Codec (or ALAC) was developed by Apple and works with company products like iTunes, iPod and iPhone (as well as supported by a number of other computers and players on software); If you are an avid user of the Apple team, it will be very attractive to you. However, like FLAC, this format is compressed, and files ripped from a CD are typically around 40-60 percent of their original size. Furthermore, ALAC suffers from the same decoding problems as FLAC.

AIFF

AIFF is a lossless format, but also without compression. While this means that it takes up as much space as the source file when ripping from a CD, it also avoids any compression issues, making it the ideal file for people who are concerned about sound quality.

Lossless audio formats

We will show you the formats that maintain all the quality of the audio files, compressing just enough. Lossless formats tend to maintain the original quality almost totally, suffering a minimum loss of quality. In summary, they are slightly compressed so that the audio remains intact and the size on disk is smaller.

Among the Lossless formats we have:

FLAC, is a format whose algorithm is similar to ZIP or GZip, but specially designed for audio compression. While ZIP would compress a CD quality audio file from 10% to 20% of its original size, FLAC would compress it from 30% to 50% while maintaining the full quality of the source.

Monkey’s Audio (APE), like FLAC allows lossless compression, but the greatness of Monkey’s is that it compresses bit by bit, reaching data rates of up to 700kbps without any loss of quality.

Apple Lossless (ALAC) uses an MP4 container (with a .M4A extension) for its files just like the MPEG-4 AAC and is specially created for use on the iPod.

Shorten is another Lossless format with characteristics similar to Monkey’s Audio or FLAC, but using the .SHN extension and requires fewer resources for its reproduction.

WavPack uses a hybrid mode, unlike the other Lossless formats, since it uses a Lossy file, which creates a relatively small file at high quality, and a corrector file that recovers the remaining quality of the original file, resulting in an audio file at averages between Lossless and Lossy, but with the same quality as a compressed file with any other Lossless algorithm.

TTA (True Audio) is a free and free LossLess format that reduces by 30% the original size of the source audio file and uses compression / decompression in real time.

What are the advantages of listening to music in FLAC format?

The FLAC format allows us to save audio without loss of quality. This codec encodes the file with the same information that the original CD would have (which would be the WAV file).

It is an open source format (Free Lossless Audio Codec) that could be improved, thanks to its registration as an open source license.

Higher quality, especially for HiFi equipment: this format allows us to enjoy a bitrate between 900 and 1100 kbps that does not delete information as it does in the MP3, even if it is of high quality. You will notice a warmer, fuller and cleaner sound.
The information is continuous between tracks: just like on the original CD, you can listen to music without interruptions between tracks.
The music is not altered: and that is the main reason why FLAC is ideal. Well, the file you use is the same one that you would download from the CD.
The FLAC format supports unlimited sampling rates – a FLAC can reproduce frequencies of 192,000 Hz without problem.
However, all that it reduces is not gold. There are also some problems with FLACs that you should be aware of, although they are not serious at all.

Disadvantages of listening to music in FLAC format

They take up more: as a FLAC file usually takes up a little more than half of the original CD file. It is easy for an album to go to 300 MB.
Many players do not support FLAC – this is changing in a beastly way. But the industry has fought for the MP3 to the last breath and many players, radios, etc. do not yet support this standard.
That is, the disadvantages are or rather were. In the future we will have a new cleaner format, which will surely take up less space and be an evolution of FLAC. Currently, however, it is the format par excellence and the one that we should all use, although I am not sure that a new, closed format will not come out, that can cope with it before it reaches its peak.