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What does MP3 bitrate mean?

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What does MP3 bitrate mean?

Bit rate

The rate at which a digital channel transmits digital signals is called the data transfer rate or bit rate.
The word bitrate has many translations, such as bitrate, etc., which indicates how many bits per second the encoded (compressed) audio data should be represented, and a bit is the smallest binary unit, either 0 or 0. 1. The relationship between bitrate and audio and video compression is simply that the higher the bitrate, the better the quality of the audio and video, but the larger the encoded file; if the bitrate is lower, the situation is reversed.

For example: encode audio and video at 500 Kbps.
where bps are bits 1K = 1010 = 1024
b is little
s is the second
p is for (for)
Therefore, encoding at 500 kbps means that the encoded audio and video data must be represented at 500 K bits per second.
In the baseband transmission system, the bit rate is used to represent the code rate of transmitted information.
The bit rate Rb refers to the unit of time
The number of binary bits transmitted within the unit, the unit is b/s. For example, the transmission speed of a computer serial port is up to 115200b/s.
The symbol rate or baud rate Rs refers to the number of modulation symbols transmitted per unit of time, that is, ternary and ternary
The information transmission rate of the multivariate digital code stream in the

In M-ary modulation, the relationship between the bit rate Rb and the baud rate Rs is:
Rb=Rslog2M
The sampling rate refers to the ratio of the sampling samples to the total number of samples, and the sampling rate refers to the number of samples per unit of time. If it is an instrument, the sampling rate is 40MSa/s, which indicates that the number of samples per second is 40M, but it cannot be represented by 40MHz.

The process of converting analog audio to digital audio is called sampling. In a nutshell, how much data is needed to record a 1 second duration of sound via waveform sampling. A sound with a sample rate of 44 KHz requires 44,000 data points to describe a 1-second sound waveform. In principle, the higher the sample rate, the better the sound quality.

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What is bit rate? Knowledge of the MP3 audio format. Part 2

Bitrate is a benchmark indicator of the efficiency of digital music compression.

The bit rate represents the number of bits bps (bit per second, bits per second) transmitted per unit of time (1 second). We usually use kbps (in simple terms, it is per second) clock 1000 bits) as the unit. The bit rate of digital music on CD is 1411.2 kbps (ie recording 1 second of CD music requires 1411.2 × 1024 bits of data). The higher the bit rate of the music file, the more data (Bit) must be processed in a unit of time (1 second), and the better the sound quality of the music file. However, when the bit rate is high, the file size increases, which will occupy a large amount of storage capacity. 8 to 320 kbps.

1. WMA (Windows Media Audio, Windows Media Audio)

As a Microsoft media compression method, it is a part of the technology that compresses only audio data in Windows Media Technologies. The sound quality is similar to MP3 and can be compressed with half the technology of MP3. It has the copyrighted Windows Media Rights Manager, which can be played by installing in WMP (Windows Media Player, Windows Media Player). Due to the strong influence of Microsoft and Windows, as well as major copyright reasons, the major American record companies EMI and BMG have officially confirmed that they use the WMA method developed and produced by Microsoft. It is believed that this advanced method will become even more popular in the future.

2. MP3 (CBR, VBR, ABR)

MP3 is currently the most widely used and widely used lossy compressed digital audio format, which has been explained above and will not be repeated here.

CBR (constant bit rate)

CBR is the oldest and simplest MP3 encoding (compression) method. When this method is used for encoding, the bit rate of the entire file is the same, in other words, the bit rate used by the MP3 file per second is the same. Although the music file has sections of varying complexity, the encoder always keeps the bit rate constant, unless you use the highest sound quality, otherwise the sound quality of the different sections of the MP3 file will vary. The more complex the passage, the worse the sound quality. Its biggest advantage is that the file size is fixed, which is convenient for calculating storage space.

What is bit rate? Knowledge of the MP3 audio format.

Digital audio formats are audio signals that are recorded, processed, and reproduced in digital form.

The emergence of digital audio formats is to meet the needs of high-fidelity playback, storage and transmission. Simply put, early analog audio formats had issues with playback distortion and glitches due to media wear. Since the advent of CD discs, audio files in digital format have become popular, but another problem has arisen: the limitation of storage volume and the phenomenon of CD disc wear is still present. Saving to a hard drive (in connection with longer storage time) is also not a good solution when storage media (mainly hard drives) are still expensive at the time. The rise of the Internet has created a requirement for long-distance file transmission. Under the restriction of bandwidth, the demand to reduce file size has become more intense. All this has led to the generation of lossy compressed digital audio formats from external factors!

In terms of internal factors, with the improvement of computing and coding capabilities, the progress of various acoustic psychological models has promoted the emergence of various lossy compressed digital audio formats. Some of the most commonly used audio formats in MP3 players are briefly introduced below: MP3 (CBR, VBR, ABR), WMA, WAV, ADPCM, and the emerging audio formats AAC, ASF, and OGG.

Before introducing various digital audio formats, let’s clarify one concept: bitrate.

In the field of computing, all information is digitized. Bit is the smallest unit of data in a computer, it refers to a number of 0 or 1, which is a mathematical binary number, a “0” or “1” , is a bit. For example, when we say a 2-digit number, it means that it is a two-digit binary number, and there are 4 combinations of “00”, “01”, “10” and “11”, which represent 0, “11” in decimal respectively. 1, 2 and 3 are four numbers.

Frame rate

Frame rate

Frame Rate

Frame rate is an important setting factor that affects the “smoothness” and file size of a video.

frame rate

The unit is fps (frames / second). You can also tell how many still image frames are embedded per second.

A moving image uses the image persistence phenomenon of the human eye to display still images continuously so that they can be recognized as a moving image. It is said that the ability of the human eye can recognize up to 60 fps. So if you create a video at 60fps, you can tell that the video doesn’t look jerky.
On the other hand, this frame rate has a great effect on file size. Since it is necessary to save 60 still images in 1 second at 60 fps and 1 still image in 1 second at 1 fps, the file size varies greatly depending on the frame rate.
Generally, TVs and DVDs use 30 fps (29.97 fps) and most of them are set to 30 fps (29.97 fps) or less.
Unless you really need to reduce the file size, specify 30 fps (29.97 fps).
For reference when setting less than 30fps (29.97fps), the movie is 24fps and the 1Seg TV is 15fps. It is said that it can be lowered to 15 fps for videos with little movement, such as a person sitting and talking. If you set it to 10fps or less, it will no longer be a video but a slideshow level, and it will definitely look jerky. The minimum line for video is around 15 fps.

On the other hand, for videos with a lot of motion, such as sports and action, you may feel that 30 fps (29.97 fps) at the TV or DVD level is not enough. The file size will be large and it will be difficult to send and receive it over the Internet, but if image quality is prioritized, it is worth setting it to 60fps.
Current playback devices that support 120 fps are still rare, but next-gen TV streaming standards, 4K and 8K streams are specified up to 120 fps.
2. 2. Resolution (angle of view)
It can also be said that it is the size of the area to display videos. In terms of TV streaming,
1Seg → SD → HD → Full HD → 2K → 4K → 8K How much
The higher the resolution, the larger the rendering area, so naturally the video file size will increase accordingly.

Resolution (angle of view) TV broadcast Compatible storage devices
SD (720 px x 480 px) Analog broadcast DVD
HD (1280px x 720px) HDTV broadcast
* mainly in Europe —
Full HD (1920px x 1080px) High definition transmission
* Japan, strictly speaking,
High Definition BS: 1920px x 1080px Transmission
digital terrestrial: 1440px x 1080px Blu-ray Disc
(BD)
4K UHD (3840px x 2160px) 4K UHD streaming means Ultra HD.
Streaming started on December 1, 2018 with the Next Generation Streaming Standard. Ultra HD Blu-ray Disc
(UHD BD)
8K UHD (7680px x 4320px) 8K Transmission As with
4K, streaming started on December 1, 2018. Unknown current status

When considering Internet video usage, YouTube’s maximum resolution is Full HD (HD1080). With reference to this, if resolution is prioritized, it is set to Full HD, and if file size is prioritized, it is set to SD or less.

aspect ratio
It is the aspect ratio of the resolution (angle of view). 16: 9 is the standard for televisions, and 16: 9 monitors have become mainstream for personal computers, but there are still products with aspect ratios such as 16:10 and 4: 3, iPhone 3: 2, and Andoroid 16. : is not unified like 9.
Therefore, if the prepared video file has an aspect ratio of 16: 9 and the aspect ratio of the playback device is different, it will be played back by adjusting, expanding or contracting it on the side of the playback device.
When uploaded to YouTube, videos other than 16: 9 are automatically rendered with black frames at the top, bottom, left, and right.
For those who create and prepare videos, it is very kind to prepare video files with every aspect ratio, but if you can’t take the trouble, it’s usually fine to just create a 16: 9 aspect ratio.

Video Compression: Bit rate

Video Compression: Bit rate

Video Bitrates

It is not good to increase the bitrate too much
Bit rate = it is useless to rise above a certain level
It does not mean that you need to increase the bit rate.

Video Bitrate

For example, even if you encode a video with an original image quality of 100 at an ultra-high bit rate, the image quality will not exceed 100. (If possible, 99, etc.)

It is often the case that the image quality is 95 at a 5 Mbps bit rate, but the image quality is only 96 even if a 10 Mbps bit rate is assigned.

In such cases, it is useless to assign a bit rate of 10 Mbps.

The bit rate is to maintain the image and sound quality of the original video. It is not intended to raise the bottom.

High bit rate = high playback load
The higher the bitrate, the more playback load will be placed on the PC.

If you use a unnecessarily high bit rate, you will end up with the worst video, “Although the image quality is normal, the playback load is extremely high and the file size is a huge waste.”

So if you want to encode it for your own storage,

Video resolution
Video content
Let’s think about the bitrate to be assigned.

Related: How to Calculate Video Bitrate [Ratio to File Size]

However, if you want to post to Youtube, it will be encoded on the Youtube side and set to a suitable bitrate, so it’s okay if you encode at an ultra-high bitrate for now.

Related: Enco conditions and methods for videos published on Youtube

Video Compression: Relationship to Resolution

Video Compression: Relationship to Resolution

Video Bitrate

Higher resolution videos require higher bit rates. (Because it increases the amount of information per frame / second)

Video Bitrate

For example

Video “1280 x 720”
Video “1920 x 1080”
If you have two videos, the latter requires more bitrate. “1280 x 720” may be sufficient bit rate, but “1920 x 1080” is not sufficient.

For “Recommended bit rate” for “Resolution”, see Youtube recommended bit rate.

Recommended encoding settings for uploaded videos (details) – YouTube Help
→ https://support.google.com/youtube/answer/1722171?hl=ja

Relationship to frame rate
If the frame rate doubles, the bit rate will inevitably double.

This is because “the number of frames per second” is doubled.

For example

30 fps (2 Mbps)
60 fps (2 Mbps)
If there are two videos,

For 60 fps, “60 sheets at 2 Mbps” should be displayed, while

For 30fps, you only need to display “30 sheets at 2Mbps”, so the bitrate is actually half.

Reference: What is the frame rate? Difference between VFR (variable) and CFR (fixed)

It is not good to increase the bitrate too much
Bit rate = it is useless to rise above a certain level
It does not mean that you need to increase the bit rate.

For example, even if you encode a video with an original image quality of 100 at an ultra-high bit rate, the image quality will not exceed 100. (If possible, 99, etc.)

It is often the case that the image quality is 95 at a 5 Mbps bit rate, but the image quality is only 96 even if a 10 Mbps bit rate is assigned.

In such cases, it is useless to assign a bit rate of 10 Mbps.

The bit rate is to maintain the image and sound quality of the original video. It is not intended to raise the bottom.

High bit rate = high playback load
The higher the bitrate, the more playback load will be placed on the PC.

If you use a unnecessarily high bit rate, you will end up with the worst video, “Although the image quality is normal, the playback load is extremely high and the file size is a huge waste.”

So if you want to encode it for your own storage,

Video resolution
Video content
Let’s think about the bitrate to be assigned.

Related: How to Calculate Video Bitrate [Ratio to File Size]

However, if you want to post to Youtube, it will be encoded on the Youtube side and set to a suitable bitrate, so it’s okay if you encode at an ultra-high bitrate for now.

Related: Enco conditions and methods for videos published on Youtube

Resume
In short, it looks like the following.

If you want to make a video that emphasizes the quality of the image
→ Increase the video bit rate

If you want to make a video that emphasizes the sound quality
→ Increase the audio bit rate (increase the sample rate and bit depth)

When you want to make a video that emphasizes movement (smoothness)
→ Increase the frame rate of the video (simply doubling the frame rate requires doubling the bit rate)

Reference: What is the frame rate? Difference between VFR (variable) and CFR (fixed)
Reference: How to Change the Frame Rate (fps) of a Video

By the way, it is a bit rate encoding method.

CBR
Vbr
APR
The “image quality” and the “sound quality” also depend on this, so be careful with this as well.

Reference: Difference between CBR (fixed), VBR (variable) and ABR (average) [bit rate]

Video compression: Relationship to codec

Video compression: Relationship to codec

Video Bitrate

I mentioned earlier that “the higher the bit rate, the better the image quality and sound quality”, but the image quality and sound quality are closely related to the “codec”.

A “codec” is something like a “compression algorithm” for compressing “video” and “audio”.

Reference: What is video format? Codec difference

For example, the video codec “H.264” It is a very famous codec that is also used on Youtube and Nico Nico Douga,

(Addendum: Not used now …)

There is a codec called “H.265” that improves the “image quality per file size” of “H.264”.

“H.265” is “H.264 at about half the bit rate of”, “H.264 will get the equivalent of image quality and”. (The compression rate is double)

For example

Using “2Mbps” video bit rate with “H.264 codec”
Video with a bit rate of “2 Mbps” with the codec “H.265”
If there are two videos, the image quality of “H.265” is twice as beautiful even though the bit rate (file size) is the same.

s-25-11-2015_14h09_08
▲ Image comparing H.264 and H.265
(the character part etc. is quite different)
In addition, there is an almost four times difference in picture quality between videos using the “MPEG-2” codec used in DVDs and videos using “H.265”.

Also, the image quality is almost eight times different from that of “MPEG-1”, which is the predecessor of “MPEG-2”.

In other words, if you want to achieve the same image quality as “H.265” video with “MPEG-1”, you need 8 times the bit rate of “H.265”.

By the way, the video in unzipped state without using the codec
Uncompressed video
Uncompressed video
Is named. (Also called “raw video”)

The intro has gotten long, but what I mean after all is

“If you use a codec with a good compression rate, you can maintain reasonable picture and sound quality even at low bit rates.”

That’s why

In other words, the picture and sound quality are good.

Image quality (sound quality) = high bit rate x codec type
It is decided by the formula.

Reference: Different from the type of video codec (H.264, VP9, MPEG, Xvid, DivX, WMV, etc.)

Reference: Different from the type of voice codec (MP3, AAC, WMA, WAV, Vorbis, FLAC, etc.)

Reference: Difference Between Lossy Compression and Lossless Compression [codec]

What is a bit rate?

What is a bit rate?

Video Bitrate

The bit rate in a video is “how much information is packed in one second”.

What if the bit rate is high?
Basically, the higher the bit rate, the better the picture and sound quality.

* Although it is closely related to the “codec” described later, it will basically improve.

There are two types of bit rates
Bit rates are assigned separately for “video” and “audio”.

The higher the bitrate assigned to “video”, the better the “image quality”.
The higher the bit rate assigned to “voice”, the better the “sound quality”.
Also, the sum of the two bit rates is called the “oval bit rate (total bit rate)”. (This oval bit rate is called “video bit rate”)

screenshot_2952
▲ If you open the video file properties and open the “Details” tab, you can see “What is the bit rate?”

(However, this Windows function is unreliable, so it is better to use video analysis software like MediaInfo)

In other words

Oval bit rate = video bit rate + audio bit rate
It becomes the calculation formula.

So even if it says “bit rate is high!”, It may mean “bit rate of video is high” and “bit rate of audio is not high”.

In other words, in such a case, the video will be “Image quality is good, but sound quality is not good …”.

Basically, the file size of “audio” is much smaller than that of “video”, so even if you increase the bit rate of “audio” significantly, the overall size of the file will not change as much.

Therefore, “speech” is often encoded uncompressed (linear PCM).

Relationship to image quality
The higher the “video” bit rate, the more accurate the color information that can be assigned to all pixels.

as a result

High bit rates improve image quality and
If the bit rate is low, the image quality will deteriorate.
koubittore-to
teibittore-to-to
▲ High bit rate (12 Mbps, 2.57 MB) ▲ Low bit rate (90 kbps, 20 KB)
* Actually, it is a gif video, so the bit rate is not accurate.

Bit rate difference

Also, in the case of a low bitrate, if you allocate bits evenly to all pixels, you will run out of bits, so in scenes where similar colors are continuous (such as a scene where the blue sky stretches without end), etc. Try to reduce the bits preferably.

As a result, “block noise” ↓ is likely to occur in such scenes.

Block noise
▲ Example of block noise (block noise)

Relationship to sound quality
The audio bit rate is

Sampling rate (Hz) x bit depth (bit) = bit rate (bps)
It can be expressed by the formula.

For example, when recording sound as digital data

How often do you record (= sample rate)
How much data is stored per interval (= bit depth)
Decide and register.

For example

Sampling rate: 44000Hz
Bit depth: 24 bit
If so, the sound is divided and recorded 44,000 times per second, and the sound is recorded using 24 bits for every 44,000 times.

In other words, if you want to improve the sound quality, you can increase the “sample rate” or the “bit depth”.

Increase the sample rate → Soft sound
Increase the bit depth → Increase the expressiveness of the sound, such as finesse and volume
Reference: Meaning and Relationship of Sample Rate, Bit Depth, and Bit Rate

The Truth About High Bitrate Lossy Compression Part 3

The Truth About High Bitrate Lossy Compression Part 3

BITRATE

For most users of the MP3 format, the problem of high quality sound is usually phrased as follows: “256 or 320? Or maybe try VBR?”

Bitrate

And this question haunts them day after day. Not all recordings sound good at 256; there is a strong audible and visible (measured) loss in the high frequency range. When using VBR mode (the so-called variable bit rate stream), it often happens that music sounds better by ear than 256, but this should not be taken as a general rule of thumb. Encode low-value or poor-quality records – you can’t go wrong. I have selected the VBR parameters to get the highest quality for VBR.

For the commercial LQT format, there is only one encoder proprietary to the authors: Liquifier Pro. We push them. Note that the LQT format is originally based on VBR encoding, so there are simply multiple modes for it, such as “bad”, “good”, and “excellent”. Naturally, for our tests we took the “excellent” (audiophile) mode, which results in a stream of 192 to 256, most of the time 200-220 kbps. Let me remind you that the LQT format is based on the MPEG-2 AAC family of algorithms. Also, this is the highest quality AAC implementation to date (tested on analogs).

The OGG format is a relative of the MP3 format, but it contains a different psychoacoustic model and some technical innovations that MP3 does not have. For starters, OGG initially only supports VBR mode. The user sets the approximate bit rate and the encoder tries to compress as closely as possible. The range of variation is extremely wide: 8 to 512 kbps, and it is much more discreet than MP3. The top bar is up to 512 kbit / s, whereas nowadays MP3 encoders really only “pull” up to 320. You may ask “is it possible that even 320 is not enough?” Yes, it happens, but rarely.

Roxette samples
Well, we come to the most interesting part. Let’s start with my auditory sensations.

For MP3 in a 256 kbps stream, noise disturbances at high frequencies are clearly audible. Not only is a considerable part of them absent from the sound, but strong distortion, wheezing, clanging and other “charms” are also mixed in. This is a sign that 256 is clearly not enough, therefore you need to test higher. Let’s take a 320 compressed sample. The sound has changed significantly, this is a completely different matter: the upper part is in place, no differences by ear were found. For the purity of the experiment, let’s see what happens in floating flow mode. We obtain an average bit rate of 290 kbit / s, of which the conclusion suggests that 256 for the sample under study will not be enough. In fact, a sample encoded in VBR mode sounds a little better than 256, but it clearly falls short of 320. In the case of MP3, for high-quality compression, only encoding in 320 kbps mode is adequate, ie , to the maximum of opportunities.

Let’s take OGG as “modified MP3”. There are five approximate bit rates for the encoder: 128, 160, 192, 256 and 350. Well, let’s try 192 and 256. We will not take 350 bit rates, because we already know that MP3 at 320 kbps clearly transmits excellent quality, it seems that better not necessary. For 192 mode, we get an average stream of 226, and for 256 mode, up to 315 kbps. So far the precision. Such a large deviation from the reference point is a signal for sound material that is very difficult to encode; with a sample with a simpler density, the precision will be higher. To be honest, I tried to evaluate 320 MP3 and 315 OGG for a long time and came to the conclusion that they both sound almost identical to the original sound. But they are based on different psychoacoustic models and their sound coloration is different. Personally, I liked the MP3 a bit more. But, this is really a controversial issue; after all, the OGG encoder is just a beta version. When there is a release, I think it should surpass MP3 in quality. Comparing them separately to the original, I was inclined to believe that the OGG has an even closer sound to the original, but there is something wrong with the high frequencies of this encoder. Because of this, MP3 sounds a bit better. I don’t think it is necessary to say that in 350 mode (average bitrate was 365) OGG “perfectly” repeats the original.

Now we are talking about the little-known but widely advertised format as the “highest quality”: the LQT format. And most importantly, it sounds great overall, however after listening to it, I realized that I didn’t like its sound. It doesn’t distort high frequencies, like MP3 256 kbps, but it smears the sound and smears a lot. Loud sounds fade over time.

The Truth About High Bitrate Lossy Compression Part 2

The Truth About High Bitrate Lossy Compression Part 2

Bitrate

I decided to “drop” the three specified formats to get the highest quality sound with the minimum file size.

audio bitrate

For the test, we selected several samples (here a sample is a small fragment cut from a PCM file) from two types of compositions. The first is a very dense and loud sound with amplitude normalization (compacting the sound “vertically” to fit 16-bit from a 24-bit master) and compression of the dynamic range (so that the sound of all instruments is always strong). As the first type (as in my previous tests), the composition Crush On You from the album Have A Nice Day by Roxette was chosen, three samples of 15-20 seconds each of different parts of the composition were examined. The second sample is clean and transparent (acoustic or light orchestral arrangement).

Why these particular records? Roxette samples have very strong dynamic compression (the amplitude value is very often equal to the maximum (which is bad) and leads to overload of the playback equipment and strong distortions).

Roxette sample
In such samples, the encoders have to work in extreme mode, so any distortion becomes easily audible. encoding distortions add to the existing intrinsic distortions of the original. You ask “why then take a sample as a test?” It is necessary and how. The vast majority of albums released today are recorded this way. Therefore, the encoder must adequately accept clipping sound.

With Klaiderman’s samples, the situation is diametrically opposite. The original analog recording after a very high quality digital remastering was recorded to CD and without dynamic compression.

Clayderman sample
Great sound, very nice and smooth highs. We will pay special attention to them during the analysis, we will try to preserve them. But it is these frequencies that will be the most difficult for encoders to transmit.