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An overview of the main audio formats that can be found on your computer

Codec for mp3, mpc, flac, mono, ogg vorbis and more.

For convenience, audio formats can be divided into unprofitable (unprofitable) and unprofitable (or unprofitable without losing quality).

The idea of loss formats (most common among ordinary users) stems from the idea that the human ear misunderstands all the sounds that are in a standard WAV file at 44,100 samples per second.

In this way (as in the JPG format of the images) we will drop the high frequencies, which are thought to be less different from our hearing. The more these frequencies are reduced, the more space is allocated to our track (for example, 3 MB instead of 6 MB for a few minutes of song or much more) … but it also degrades the quality of the result, as the cut frequencies are no longer so “inaudible”.

Converting to WAV from lossy formats does not provide any benefit (unless you have to process the track and save it several times, in which case the quality loss will be limited to the first step); There are also programs that are able to bring some of these high frequencies back into our tracks, such as Steinberg Clean Plus or others (such as the first versions of Easy CD Creator or other, even more professional ones), but by doing the job properly , more than No they can do a lot.

Unbearable (lossy) formats try to reduce the space occupied by the track without touching the sound; the degree of compression will be much less than the loss, but there will be no loss of quality. If it is converted back to WAV (possibly processed), the sound will be identical to the previous one.

To listen to audio tracks in various formats, we recommend using audio players that can support different formats, such as AIMP and Foobar2000.

Lost audio formats (lossy quality)

WMA (.wma): Windows Media audio format, compressed and very similar to mp3. Microsoft audio compression format. Files compressed in this format are approximately 20% smaller than MP3 files

MP3 (.mp3) is briefly suitable for the MPEG 1 III layer and identifies audio files that use this algorithm. This is a standard that removes inaudible sounds from the human ear. This way the 128 kbps mp3 track takes up 1/11 of its space in .wav or audio CD format.
Some rate 128-bit bits as “CD quality”; In fact, the frequencies that are reduced to save hard disk space are not so “inaudible”. 192 The results are starting to get good and at only 320 kbps we can talk about the quality of CDs … Until a few years ago the quality of mp3 was considered high, but now with the advent of more modern sound cards, 24 bits: we continue to use mp3 compared to other formats like like ogg or mpc, more for its diffusion and compatibility than the quality of the result. A 600 MB album in wav format will take up about 50 MB in 128 mp3 format.

To convert an audio track to mp3, it’s a good idea to use the Lame mp3 codec (free) in all the best conversion programs (download).

AAC (.aac and .mp4): A lossy format that delivers high quality (currently the highest among lossy formats), at least one step higher than mp3. A feature of this format is the ability to protect DRM from being freely copied from one platform to another (unless applications are used to protect it).

AC3 (ac3). This is the audio format used by DVDs. We usually find it at 384 kbps (and 6 channels), but it is also possible that you only have it at 2 channels and lower speeds. One of the free programs that supports it (and allows, for example, to reduce the bit rate) is BeLight (Besweet).

OGG VORBIS (.ogg) is a great open source codec. It is able to give better results than mp3, especially at low bit rates (higher quality, less space), which is less than 128 kbps (download). It is compatible with virtually all audio players (both software and audio).

MusePack (.mpc): Very large output format, especially at high bit rates (more than 192 kbps and above). The results are much better than mp3: just listen to one 192 kbps mp3 encoded track and one mpc track at the same bit rate to immediately feel the difference (in some cases without words …). Many people considered this to be the best lossy audio format, at least until mp4 was released. It is compatible with WinAmp through plug-ins and, on average, with more advanced players such as Foobar 2000.

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Digital audio formats

Below is a non-exhaustive list of the most widely used digital audio formats.

AIFF – Audio Exchange File Format

Apple uses a standard audio format. This can be considered the wav equivalent of a mac environment. Audio data is organized according to PCM encoding and is not compressed. There is also a condensed option defined as AIFF-C or AIFC.

AAC – Advanced Audio Encoding

This format is based on MPEG2 and MPEG4 lossy compression standards. It was created as a successor to the mp3 format, which uses a slightly better algorithm. This allows you to get slightly better quality for the same speed.

ALAC – Apple Lossless Audio Codec

This is Apple’s lossless audio format. Also called ALE (Apple Lossless Encoder).

ATRAC (.mp3) – acoustic coding of adaptive transformation

Old Sony audio format with ATRAC compression. Files always have a .mp3 extension, but you need the ATRAC3 driver to open them. MiniDisc was a commercial advertising product that took advantage of this type of format. The codec was later improved by subsequent enhancements such as ATRAC3 (1999), ATRAC3plus (2002), and ATRAC Advanced Lossless (2006).

AS

This is the standard audio format used by Sun, Unix, and Java operating systems. Data encoding can be PCM (uncompressed) or compressed with μ-law, a-law G729 codecs. The Au audio format was introduced by Sun Microsystems. It was a format used on NeXT systems and early websites. Initially, the file did not have a header (the original data from the file) because the encoding was unique: 8 bits with µ-law compression and a sampling rate of 8000 Hz. The latest version of this format contains a header consisting of six blocks. 32 bits, an optional block of information, and finally audio data.

FLAC is a free lossless audio codec

It is an audio codec with lossy compression (without losing information). Data compression can reach 50-60% without losing quality.

M4P

It is a patented version of the MP4 AAC format with a DRM (Digital Rights Management) system developed by Apple to download music from the iTunes Music Store.

MPEG-4 Part 14 or MP4 (formerly ISO / IEC 14496-14: 2003) is a storage medium for multimedia data. It is mainly used to store audio / video data, but can also be used to store other types of data, such as still images and subtitles. Like all modern formats, this format allows data to be sent over the Internet in real time: this feature is implemented by adding a data path for transmission control. The only extension for files that use this codec is .mp4.

MP3 – MPEG layer III audio recording

It is currently the most widely used audio format. The MPEG-1 or MPEG-2 III audio layer, commonly referred to as MP3, is a patented lossy format. It is used for digital music use at the user (non-professional) level.

OGG

It is an open source container that supports a variety of formats, the best known being the Vorbis audio format. This format offers MP3-like audio compression, but is less common. The big difference with mp3 is the absolute free format. In terms of performance, with the same parameters, Vorbis is slightly more efficient than MP3.

The Ogg cache can handle multiple independent streams at the same time: audio, video, text (such as subtitles), and additional data (metadata).

RA and RM

This is a format developed by Real Audio to transmit audio over the Internet. The .Ra format allows you to store all the audio files you want to transfer in one file. The codec enables transmission from very low quality to high accuracy.

RAW

A RAW file can contain any type of data, but in reality it is mainly used for PCM-encoded (uncompressed) audio data. Thus, unlike the uncompressed audio format (wav, aiff), a flat file does not contain headers with information about the data itself (usually the header contains information about: sampling rate, quantitative bits, channels, type of markup used for the ideas). A typical file extension for this type is: .raw, .pcm, without the extension.

Vox

This audio format uses Dialogic ADPCM (Adaptive Differential Pulse Code Modulation). This performs 4. compression. Vox files are similar to wave files, except that they do not have a header, so you need to specify frequency information.

Better audio formats

You have decided to digitize the music tracks in your audio CD collection by transferring everything to your computer. You started to examine the possibility of converting it into a format that is more convenient for you.

With a little experience in this area, however, you would like to get some advice on the subject so you can make the best decision. How do you say? Things are exactly the same and you want to know if I can help you by giving you the best audio formats? Of course yes, that’s exactly what he wanted to do.

If you allow me a few minutes of your free time, I can actually use threads and characters to tell you which audio formats are most popular, what strengths and weaknesses they have and what purposes they may be more or less convenient for. Contact. Condition to choose those who you think are actually right for you. To complete the information and give you an even more comprehensive overview of the topic, I will also indicate at the end of the article which tools you can use to carry out various conversion processes. You will find that once you have read this manual, there is no longer any doubt about what to do.

In order to? How about putting the conversation aside and finally getting to the point? Yes? Excellent! So I suggest that you don’t waste any more time and immediately focus on the topic. Make yourself comfortable in front of your trusted computer and read everything below. I am sure you can say that you are happy and satisfied with what you have learned. As always, I hope you enjoy reading.

What are the most common video formats?

The choice of audio and video codecs and containers affects video quality and file size. Here we show you how to find the format that best suits your needs.

Decades and decades of developments in the audiovisual field have led to a result that can be seen as strange in a way. While in other sectors the continuous development has led to a very pronounced standardization (think of the DOC or PDF format), the situation in multimedia is at least worse.

One example is the world of audio formats, which is animated by strong “competition” and a variety of available options. Indeed, it is no less than that of video formats. In this case, we actually have to deal with a separation between codecs and containers (we’ll see what they are and what role they play) that will make things even more complicated. So when converting a movie, you need to be careful to choose the right codec and video format to avoid creating files that are too large or simply unreadable. In short, the mistake is just around the corner.

Differences between containers and codecs

Before analyzing the situation and determining the most commonly used video formats, some basic concepts need to be clarified: First: What is the difference between the codec and the container? In the audio world, if the codec used to digitize the audio track matches the “final” file format, the codecs used in the video differ from the file format that the video file will adopt at the end of the digitization process. The reason will be explained soon and is in the multimedia nature of a video.

A film actually contains video and audio data: the conversion or playback software must be able to analyze both multimedia transmissions and therefore requires different algorithms that work with one or the other type of data transmission. This is exactly what codecs do: Since the name, code and decoding of data (audio and video) consist of films, you can convert them to another video format or play them back with a media player. Even with regard to containers, it is enough to use the literal meaning of the word: These are files that contain both the video and audio sequences and “provide” codecs for reading and playback.

What are the most common codecs?

As already mentioned, a codec is responsible for compressing and decompressing the video files and determines how they are played on the screen of the PC or smart TV. Each operating system provides the user with dozens and dozens of different codecs, each useful for encoding and decoding a particular type of file, even if new ones can be installed by downloading special software or packages from the Internet. Among the most commonly used codecs we find FFmpeg, Divx, Xvid, H.264 and its development H.265, VP9 and VP 10 (also known as the name of the Google codec).

What are the most commonly used containers?

Containers, on the other hand, have the task of “bundling” the audio and video stream processed by the codecs and can therefore be used for the media player software. Containers are determined, among other things, by the “final” video file format. The most common are: Avi, Wmv, Mov, Flav and Mp4.

-Avi. The AVI video format (short for Audio Video Interleave), developed by Microsoft and introduced in 1992 as part of its video for Windows technology, is one of the oldest used today. It is so widespread and used that many consider it to be the de facto industry standard. Its simple infrastructure (elementary, one would almost say) makes it easy to use on different operating systems (Windows, MacOS, Linux, Android and the most popular browsers) and enables the “storage” of streams that are processed by different codecs
Flv. This is the video format that resulted from compression by Adobe Flash software and was developed almost exclusively for playing movies on the Internet. If it could be seen as the de facto standard for video file formats on the web until a few years ago, this is no longer the case today: The spread of HTML 5 and the discovery of some bugs in the software caused it to change a bit On the one hand, however, the FLV video file format remains a favorite for those who generally create video for the network: with its compression algorithms, you can indeed get good quality small videos

Differences between digital audio formats (MP3, AAC, FLAC, WAV files, etc.)

What are the main digital audio formats and what are the differences between WAV, MP3, AAC, FLAC and others?

Differences in audio files To discover all types of digital audio formats, you must first understand briefly and synthetically what digital audio means and how it was created.

It all starts with Pulse Code Modulation (PCM), the basis for digital audio, which was founded in 1937 and is characterized by two properties: sampling rate for measuring the waveform amplitude and bit depth for measuring possible digital values.

If the sound is continuous in the real world, this is not the case in the digital world.

To understand the difference, you can think of digital videos that consist of still images that change quickly and give the impression of continuous motion.

It is the same for audio and the amplitude of the sound waves in a digital format is not fluid, but changes according to certain criteria at predefined intervals.

Since I am not an audio technician or physicist to do simple things and understand what digital audio is, I have found a very explanatory analogy that I am trying to explain here.

The analog audio source can be thought of as the water flowing from an open tap and the amplitude of the audio waveform as the water temperature.

Sampling can be viewed as the frequency with which the finger is immersed in the flowing water per second

The more the finger is immersed in it, the more continuous the temperature changes become.

If you put your finger in the running water 44,100 times per second, it’s almost like holding your finger still all the time.

This is the idea behind the sampling rate.

In terms of bit depth, we should think that we’re using a thermometer instead of the finger.

If the water temperature is higher than that of the surrounding area, we will say that it is hot, otherwise it will be cold if it is below it.

Instead of only 2 options, we could mark 16 possible values for measuring the water temperature.

The bit depth can be viewed as the number of values with which the thermometer is to be used to measure the temperature. The more they are, the more accurate information is obtained.

Without losing ourselves technically, we are now seeing the most important digital audio file formats and their differences.

1) WAV and AIFF are lossless (i.e. uncompressed) PCM-based audio container formats with some minor changes in data storage.

.WAV or Wave is the standard format when you take a CD out of your computer (CD ripping).

A WAV and an AIFF can be converted into each other without changing the quality.

These audio formats are suitable for a stereo system (2 channels), they are sampled at 44.1 kHz (or 44100 times per second) with 16 bits (“CD quality”) and the files are approximately 10 MB per minute.

2) Lossless formats: FLAC (Free Lossless Audio Codec), ALAC (Apple Lossless Audio Codec) and APE

These formats compress audio using algorithms.

The difference between compressed files and FLAC files is that FLAC is specifically designed for audio and therefore has better compression rates without data loss.

As a rule, a .FLAC takes up half of the storage space of a WAV in megabytes and maintains the “CD quality”.

A FLAC can be converted to WAV without loss of quality and is the preferred format for those who want to listen to music with the best quality and great speakers.

3) Loss formats: MP3, AAC, WMA, Vorbis

.MP3 and .AAC files are the most common formats when you need to store music on a computer or phone and need to share or download music on the network and the Internet.

MP3 is a highly compressed “lossy” format that sacrifices a certain amount of audio quality for a significant gain in file size.

An MP3 has a size of approximately 1 MB per minute.

The difference to lossless formats is that if you convert the file to a less compressed format like WAV, the quality sacrificed during compression will not be restored.

The various lossy formats use different data storage algorithms, so they vary the size of the files with the same quality. For lossy formats such as MP3, the audio quality is measured using the bit rate value, which is generally specified in “192 kbit / s” or “192 kbit / s”.

The higher the bit rate, the more detailed the sound becomes.

MAIN AUDIO FORMATS

Even the audio formats differ in their versatility and level of compression, and even if they are not as numerous as the video formats, it is better to look at the properties to get satisfactory results according to the requirements of our work.

Microsoft Wave [Extension: WAV] It is Microsoft’s proprietary format and is certainly the most widely used. This diffusion depends on commercial aspects and the fact that it is the most supported among the competitors. It has various compressions and is a versatile and highly editable format. For this reason, it is suitable for general digital audio, both for multimedia publications (although there are certainly better formats) and for desktop video (real standard). An excellent program for processing wave files (but also other formats) is CoolEdit.

MPEG Audio (extension: MPG / MP3) MP3 stands for MPEG1 Layer3. The MPEG algorithm, the basis of MP3, emerged from the need to develop a world standard for the representation of moving images and audio. This standard was developed in 1988 for the treatment of audio and video signals and has the special feature of compressing files and reducing them by 12 times compared to their natural size.

This high-compression format is based in particular on theories of psychoacoustics: each individual has a hearing that is sensitive to frequencies from 20 Hz to 20 kHz, and in particular the man perceives sounds between 2 and 4 kHz better. In addition, some sounds mask nearby frequencies so that you cannot hear all of the sounds.

These considerations have led to the development of an algorithm that eliminates all “redundant” noise for the human ear and achieves a high level of file compression and sound quality that is comparable to the digital and can be downloaded directly to your PC.

MP3 enables good results, making small and high quality playback compatible. An established audio standard is the MPEG Layer3 version, which produces very small files of excellent quality, an excellent compromise when duplicating and creating audio files on CD. The XingMPEG encoder is an excellent software for creating MP3s.

Given the prevalence and importance of the topic on a legal level, let’s find out what it is and what benefits we can achieve by using this MPEG format.

An audio CD generally contains 60 to 78 minutes and is characterized by a quantization level of 16 bits and a sampling rate of 44.1 kHz, ie 44,100 samples per second. The quantization level describes the maximum number of intensity levels that a single sample can hold: for example 8 bits = 256 levels (28), 16 bits = 65,356 levels (216). The higher the number of levels that the signal can assume, the more precise the signal reproduction.

There is approximately 650 MB of data on a normal audio CD.

Conventionally, to reduce the size, we can work in two ways: 1) Reduce the quantization: that is, convert the samples from 16 bits to 8 bits, but lose the dynamics, quality and get a lot of noise; 2) Reduce the sampling frequency. As a result, the frequency range would decrease in the event of a loss of resolution.

The MPEG format, on the other hand, reduces the amount of information stored and therefore significantly reduces the size of the files by filtering out unimportant audio information according to the models developed on this basis. From research on the perception of the human ear, you decide which information is important and which is not . These studies have enabled us to know how our brain analyzes sounds, except irrelevant ones that are imperceptible (e.g. ultrasound).

The MPEG audio format also performs this process of removing intelligent weak signals. So if there is a strong signal, the weakest signal is not perceived.

When using a high compression rate, the MPEG encoder eliminates parts of audible information that are still of minor importance. With a slight compression rate, the difference to the uncompressed original is minimal.

Layers I, II, III can be viewed as the layers through which the MPEG format has evolved. All layers are based on the same perceptual coding scheme, the complexity of which increases for each of them. Layer II has superior quality at lower bit rates than Layer I; However, the most complex coding system currently available is Layer III,

MP4 (Extension: MP4) is an audio compression technology recently launched by Global Music Outlet (GMO) under license from AT&T Labs (January 99). As you understand, it is a further development of the MP3 format and seems to offer the ability to offer it a higher compression factor, which should even reach a factor of 16. Although the name is very similar, conceptually it has nothing to do with layer 3 and is actually in direct competition with it. Compressed MP4 files are presented as executable Win9x or WinNT files and offer the relatively encapsulated player.

Audio exchange (extension: AIF / AIFF) Format created to standardize the various audio standards between PC and Machintosh.

Microsoft NetShow (Extension: ASF) Audio extension of the format for streaming audio / video on the web.

Yamaha SoundVQ [Extension: VQF] Audio format released by Yamaha in direct competition with MP3.

Lossy and Lossy Digital Audio Formats: Audio Codec Guide

In recent years, the way we listen to music has changed a lot, also thanks to the Internet, which has allowed a great diffusion of digital audio files. In a short time we went from vinyl to CD, to online music transmitted in high resolution.

An analog sound to be handled by a computer must become digital. To maintain the exact fidelity of the original audio, you must write a lot of information, thus producing heavy files that take up a lot of disk space. Hence the need to reduce the size of the audio file to save space on various storage media, such as hard drives, but also to take better advantage of the available bandwidth for transferring and listening to files.

Digital audio formats

Every day we use multimedia content such as YouTube, online radio or music streaming services, with a quality that is sometimes enough, other times excellent. This is because the files are the result of a data compression process through the use of codecs.

What is an audio codec?

A codec is an algorithm for encoding and decoding the audio (but also video) data stream.
It is used both to compress a file and to convert, for example, an analog to digital file. The difference in digital audio formats lies in the type of compression that determines their quality and, consequently, their size according to the type of codec used.

Types of digital audio formats.

Audio formats can be of three types:

-Loss (with data loss)
-No loss (no data loss)
-Uncompressed

Lossy digital audio formats

Lossy audio formats are compressed files with lost data and information. They allow you to significantly reduce the size of the original file, even up to 90%. The sound quality is lower than the CD-Audio standard because the compression algorithm “cuts” certain frequencies that the human ear has more difficulty perceiving and, therefore, are less relevant, generally the highest (more than 16 -17,000 Hz).

The Lossy audio format is widely used for listening to digital audio, such as streaming (Spotify, Deezer, Apple Music, etc.). Depending on the type of codec used, compression can vary significantly, as does the quality of the listening. The most popular and popular format is MP3 and WMA.

MP3

The most famous and well-known digital audio format. In its entirety, Motion Picture Expert Group-1/2 Audio Layer, 3, developed by MPEG, offers good compression and discrete audio quality, in particular with a bit rate of 192 kbit / s and 320 kbit / s. Although still widely used, better compression algorithms can be found.

OGG Vorbis

The open source format without lossy audio compression offers an excellent alternative to MP3. With the same perceived quality, it allows for greater compression. The high frequencies (above 16 kHz) are wider and wider, offering greater spatiality of sound. Also used in computer games, it is also often used for audio streaming. Spotify music, for example, uses the Ogg Vorbis digital audio format from 96 kbit / s to 320 kbit / s in addition to the AAC codec.

WMA

Windows Media Audio is Microsoft’s proprietary digital audio format. Encrypted WMA offers excellent compression and good audio quality at high bit rates, but at the same time little compatibility. Precisely for this feature it is now little used. WMA consists of four different codecs: WMA codec, lossless WMA (lossless), WMA Pro, or WMA Voice.

AAC

The Advanced Audio Coding Format (AAC) is part of the MPEG consortium and was born as MP3’s successor. It became famous thanks to Apple that uses it with iTunes, but also thanks to several radios (DABè) that use it to transmit audio. It is the excellent quality and good compression digital audio format used by YouTube, iPhone, Android smartphones and many other devices such as Nintendo and Playstation. The AAC supports 48 audio channels with sampling up to 96 kHz and uses constant bit rate (CBR – Constant Bit Rate) or variable (VBR – Variable Bit Rate) compression encoding. AAC is one of the best lossy codecs, the encoding speed is not among the best.

MPC

Musepack (or MPC) together with AAC vies for the podium as the best lossy digital audio format. The quality is very high, thanks to the VBR encoding that guarantees a good distribution of the bit rate. The peculiarity of this codec, in terms of AAC, is the clarity of the sound, which is very wide and spacious. Good encoding speed, it is ideal for those looking for quality while keeping a small audio file size.

ATTRAC

ATRAC (Adaptive Transform Acoustic Coding) is a lossy audio compression algorithm developed by Sony. Born for MiniDisc (MD) whose production ended in 2013, this codec has not been very successful and is no longer used today.

mP3Pro

Derived from MP3, its peculiarity lies in the fact that it maintains the same quality as an MP3 at 128 kbps but with lower bit rates, from 64 kbps to a maximum of 96 kbps. Compression of the higher frequencies, a painful note from lossy files, occurs through the Spectral Band Replication (SBR) algorithm. The result is space savings at lower bit rates, but also less dynamic and unclear sound.

Dolby Digital

Dolby Digital is a multi-channel audio encoding system, used primarily in DVD, film, and digital television. Contrary to what one might think, it is a lossy audio format, therefore compressed with loss of information. Known as Dolby Digitale 5.1, it works with a minimum bit rate of 96 kbit / s up to a maximum of 640 kbit / s. On DVD, it maintains an average of 192 kbit / s in stereo audio and up to 448 kbit / s in 5.1 signals

Lossless digital audio formats

Lossless audio formats are compressed but lossless files. They maintain the original audio quality, without degrading its characteristics in any way, while managing to compress certain information up to 40-50%. The most popular and widely used Lossless Codec format is the FLAC (Free Lossless Audio Codec) file. Apple has produced its own lossless format called ALAC (Apple’s Lossless Audio Codec) that iTunes uses.

Lossless files offer the quality of a CD (reported as standard), but to maintain fidelity, the dimensions will be larger and take up more disk space than Lossy, but still half the original file.

FLAC

FLAC (Free Lossless Audio Codec) is a codec released under a free software license with lossless data compression. Extended and compatible with most audio devices, the FLAC codec compresses data from a minimum of 30% to 50%, compared to the original file, while maintaining the perceived quality unchanged.
A Flac file can be 8, 16, or 24-bit deep and has a sample rate of up to 192 kHz (Flac Hi-Res).
Various music audio streaming services like Deezer Music, QoBuz, Tidal offer high quality music equal to or higher than the CD standard using this format.

Lossless wma

WMA Lossless is the lossless version of Microsoft’s WMA Lossy codec. It offers good and fast compression. Although it is proprietary, it can also be played by VLC Media Player, WinaAmp, RealPlayer and others.

A THE C

ALAC (Apple Lossless Audio Codec), also known as ALE (Apple Lossless Encoder) is an audio codec developed by Apple in 2004. In 2011, the source code was made available under an open source license. Primarily used by iTunes, other online music services have also used it in recent years. Excellent audio quality and fast decoding, but slightly less compression than FLAC files.

Everything you need to know about audio files … compressed and uncompressed

Regardless of whether you’re listening to MP3 files or high-definition audio, it’s time to find out exactly which file format is best for your needs.

As you organize your digital music collection, you may be impressed by the number of different audio file formats you have collected over the years. For this reason (and since a good review doesn’t hurt anyone) we’d like to deepen the discussion of the most common audio file formats, explain the differences and explain why you should be interested in learning more about them. Whether you’re listening to low quality MP3 files, slightly better AAC tracks, or high definition audio in FLAC or WAV, it’s time to find out exactly what you’re dealing with and which file format best suits your needs.

File formats and codecs

Below is a list of all common audio file formats and the differences between them.

-AAC (no high resolution): Apple’s alternative to MP3. It’s a compressed audio format, but it sounds better than MP3 and is used to download music from iTunes and stream via Apple Music.

-AIFF (high resolution): Apple’s alternative to WAV, but with better metadata support. It’s an uncompressed and lossless format, but it’s not very popular.

-DSD (High Resolution) – The uncompressed single bit format for super audio CDs. It is available in the 2.8 MHz, 5.6 MHz and 11.2 MHz variants, but due to its high-quality codec it is (currently) not suitable for streaming.

-FLAC (High Resolution) – This lossless compression format supports high-resolution sampling rates, takes up about half the WAV space, and stores metadata. It is license-free and is the preferred format for downloading and storing albums in high resolution or CD quality. The disadvantage is that it is not compatible with Apple (therefore it is not compatible with iTunes).

-MP3 (not high definition): Lossy, compressed format that guarantees small file sizes, but is far from the best possible audio quality. However, it is still very convenient for storing music on smartphones and other mobile devices and is widely used.

-MQA (High Resolution) – A lossless compression format with high resolution files for more efficient transmission. It is used for high-resolution streaming from Tidal Masters and other similar services.

-OGG (not high resolution): Sometimes you can find him by his full name, Ogg Vorbis. An open source and compressed alternative to MP3 and AAC that is not limited by patents. This format is used (at 320 kbit / s) to stream Spotify.

-WAV (High Resolution) – The standard format in which all audio CDs are encoded. Excellent sound quality and no compression, which means large files (especially for high-resolution files). However, metadata (album art, artist information, and song title) are hardly supported.

-WMA Lossless – An uncompressed embodiment of Windows Media Audio, but is no longer supported by smartphones or tablets.

The 10 most common audio formats: which one to use?

Audio files are available in all types and sizes. And although we are all familiar with MP3, what do you think of AAC, FLAC, OGG or WMA? Why are there so many audio standards? Which are important and which to ignore?

It’s actually quite easy to find that all audio formats fall into three main categories. Once you know what the categories mean, you can simply choose a format within the category that best suits your needs.

Uncompressed audio formats

Uncompressed audio consists of actual sound waves that have been captured without further processing and converted into a digital format. As a result, uncompressed audio files are usually the most accurate, but take up a lot of space, about 34MB per minute for 96-bit and 96-bit stereo.

Audio file format: PCM

PCM stands for Pulse Code Modulation, a digital representation of analog audio signals. Analog tones exist as waveforms, and in order to convert a waveform into digital bits, the tone must be sampled and recorded at certain intervals (or pulses).

This digital audio format has a “sample rate” (how often a sample is taken) and a “bit depth” (how many bits are used to represent each sample). No compression is required. The digital recording is an almost exact representation of the analog sound.

PCM is the most common audio format used on CD and DVD. There is a PCM subtype called Linear Pulse Code Modulation, in which samples are taken at linear intervals. LPCM is the most common form of PCM, so the two terms are almost interchangeable at this point.

Audio file format: WAV

WAV stands for Waveform Audio File Format (at some point also called Audio for Windows, but no longer). It is a standard developed by Microsoft and IBM in 1991.

Many people believe that all WAV files are uncompressed audio files, but that’s not exactly true. WAV is actually a Windows container for various audio formats. This means that a WAV file may contain compressed audio, but this is rarely used.

Most WAV files contain uncompressed audio in PCM format. The WAV file is just a container for PCM encoding, so it is more suitable for use on Windows systems. However, Mac systems can generally open WAV files with ease.

Audio file format: AIFF

AIFF stands for Audio Interchange File Format. Similar to how Microsoft and IBM developed WAV for Windows, AIFF is a format developed by Apple for Mac systems in 1988.

Similar to WAV files, AIFF files can contain several types of audio formats. For example, there is a compressed version called AIFF-C and another version called Apple Loops that is used by GarageBand and Logic Audio. Both use the same AIFF extension.

Most AIFF files contain uncompressed audio in PCM format. The AIFF file is just a container for PCM encoding, making it more suitable for use on Mac systems. However, Windows systems can generally open AIFF files with ease.

Lossy compression audio formats.

Lossy compression occurs when some data is lost during the compression process. Compression is important because uncompressed audio takes up a lot of space.

In other words, lossy compression means that the sound quality and fidelity for smaller files are affected. If you are hurt, you will hear artifacts and other oddities in the audio. But if done correctly, you won’t feel the difference.

Audio file format: MP3

MP3 stands for MPEG-1 Audio Layer 3. It was released in 1993 and is becoming increasingly popular. It is the world’s most popular audio format for music files. There is a reason why we had “MP3 players” but no “OGG players”!

The main purpose of MP3 is in three ways: 1) removing all audio that is out of the normal human hearing range, and 2) reducing the quality of inaudible sounds, then 3) compressing all the other audio as efficiently as possible.

Almost every digital device in the world with audio playback can read and play MP3 files, be it PC, Mac, Android, iPhone, Smart TV or anything else. If you need a universal device, MP3 will never disappoint you.

Note: MP3 is not the same as MP4!

Audio file format: AAC

AAC stands for Advanced Audio Coding. It was developed in 1997 as the successor to MP3 and although it has become popular as a format to be used, it has never surpassed MP3 as the most popular.

The compression algorithm used by AAC is much more advanced and technical than MP3. So if you compare the same recording in MP3 and AAC format with the same bit rates, the AAC generally has better audio quality.

Although MP3 is a more popular format, AAC is still widely used today. In fact, this is the standard audio compression method used by YouTube, Android, iOS, iTunes, later Nintendo laptops, and later PlayStation.

Audio file format: OGG (Vorbis)

OGG represents nothing. In fact, it’s not even a compression format. OGG is a multimedia container that can contain all types of compression formats. However, Vorbis files are most commonly used. Therefore, these audio files are called Ogg Vorbis files.

Vorbis was first released in 2000 and is growing in popularity for two reasons: 1) it conforms to the principles of open source software and 2) it works significantly better than most other lossy compression formats (ie) this results in a smaller file size for an equivalent sound quality.

MP3 and AAC are so strong that OGG struggles to get into the spotlight – not many devices support them natively, but they do improve over time. It is currently used primarily by supporters of hardcore open source software.

Audio file format: WMA (lossy)

WMA stands for Windows Media Audio. It was first published in 1999 and has gone through several developments since then, always keeping the same name and WMA extension. It is a proprietary format created by Microsoft.

Similar to AAC and OGG, WMA should fix some of the errors in the MP3 compression method, and it turns out that WMA’s approach to compression is very similar to that of AAC and OGG. Yes, in terms of the quality of objective compression, WMA is really better than MP3.

However, since WMA is proprietary, it is not supported by many devices and platforms. In addition, it offers no real advantage over AAC or OGG. If MP3 is not good enough, it is only more practical to use one instead of WMA.

Audio formats with lossless compression.

The opposite lossy compression is lossless compression, in which the size of an audio file is reduced without loss of data between the source audio file and the compressed audio file.

The disadvantage is that lossless compressed audio files are larger than lossy compressed audio files, up to 2 times 5 times larger for the same source file.

Audio file format: FLAC

FLAC is an abbreviation for Free Lossless Audio Codec. Maybe a bit on the nose, but it has quickly become one of the most popular lossless formats since its launch in 2001.

The good news is that FLAC can compress an original source file by up to 60 percent without losing a single bit of data. What’s even better is that FLAC is a free, open source audio file format, so there are no intellectual property restrictions.

FLAC is compatible with most major programs and devices and is the primary alternative to MP3 for music. You basically get the full quality of uncompressed audio with half the file size. That is why many see FLAC as the best audio format.

Audio file format: ALAC

ALAC stands for Apple Lossless Audio Codec. It was developed and published as a proprietary format in 2004, but became open source and copyright-free in 2011. ALAC is sometimes referred to as Apple Lossless.

While ALAC is good, it is somewhat less efficient than FLAC in terms of compression. However, Apple users cannot choose between the two, as iTunes and iOS offer native support for ALAC and no support for FLAC.

Audio file format: WMA (lossless)

WMA stands for Windows Media Audio. We already discussed this in the lossy compression section, but we explained this here because there is a lossless alternative called WMA Lossless that uses the same extension. Confused, I know.

Compared to FLAC and ALAC, WMA Lossless is the worst compression efficiency, but not much. Since it is a proprietary format, it is not suitable for open source software enthusiasts, but is natively supported on Windows and Mac systems.

The most used audio formats

As you can imagine, when we talk about digital formats in the field of sound, the range is wide. When choosing the one that best suits our needs, we need to think about several questions. To do this, the first thing to do is to know the most used audio formats.

We start by clarifying the concepts of bit depth and sample rate, which are essential for understanding how audio formats work. These are two measurements that indicate the quality of a digital audio file.

When we read the specifications for audio formats and find, for example, 32 bit / 192 kHz and 24 bit / 96 kHz, these figures refer to “bit depth” and “sampling frequency”, respectively. They tell us the amount of information transmitted by the different formats and the quality of the sound. The more times a device reads samples, the higher the quality.

Audio formats

-MP3: These files weigh very little for any device to read. The downside is that the quality of compression is sacrificed.
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-WAV (Waveform Audio File Format): These are higher resolution files than MP3, an audio track which is coded with what is called Pulse Code Modulation (PCM). Analog audio tracks are encoded and converted to digital so that they can have sample rates and bit depth.

-AIFF (Audio Interchange File Format): it is very similar to WAV and also uses PCM to encode analog audio tracks and present them in digital format. Indeed, AIFF and WAV files are more or less interchangeable.
In short, when we talk about a file in WAV or AIFF audio format, we are talking about a good quality piece of sound.