Video Formats

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Video Formats

A video format is like a special type of container that holds a video file. It’s kind of like a lunch box that holds your food. There are many different types of video formats, just like there are many different types of lunch boxes.

Types of Video Formats

One of the most popular video formats is called MP4. This is like a lunch box that can hold lots of different types of food. Another popular format is AVI, which is like a lunch box that can only hold certain types of food.
There are many other video formats as well, like MOV, WMV, and FLV. Each one is like a different type of lunch box that can hold different types of food.

What is Compression?

Now, let’s talk about something called compression. This is like when you take a big sandwich and squish it down so it can fit in your lunch box. Video files can be really big, and that can make them hard to share or store. So, compression is a way to make the file smaller without losing too much quality.

Codecs

Compression is done using something called a codec. A codec is like a special tool that knows how to squish your video file down. Just like you might use a knife to cut your sandwich, a codec can cut your video file down to size.
There are many different codecs, and some are better than others. For example, H.264 is a very popular codec because it can make your video file much smaller without losing too much quality.

Why do Formats Matter?

So, why does all of this matter? Well, different devices and websites can only play certain types of video formats. It’s like how some lunch boxes can only fit certain types of food.
If you have a video file in the wrong format, you might not be able to play it on your device or share it with your friends. That’s why it’s important to know what format your video is in, and to convert it to a different format if you need to.

Conclusion

So, that’s video formats in a nutshell! Remember, a video format is like a lunch box that holds your video file. Compression is like squishing your sandwich down so it fits in the lunch box, and codecs are like special tools that do the squishing.
It’s important to know what format your video file is in, and to convert it to a different format if you need to. And if you want to make your videos louder, you can try using a tool like mp4gain to boost the volume.

The History of Video Formats

Video formats have a long and fascinating history, dating back to the early days of video recording. Over the years, video formats have evolved and improved, becoming smaller, more efficient, and more versatile. In this section, we’ll take a closer look at the history of video formats, from the early days of analog recording to the latest digital formats.

Early Analog Formats

The first video recording devices used large, bulky tapes that could only hold a few minutes of footage. These analog tapes were cumbersome and difficult to work with, but they were the only option available at the time.
In the 1970s, the VHS format was introduced, which became the standard for home video recordings. Betamax tapes were also popular in Japan, but VHS ultimately won out due to its longer recording time and lower cost.

Digital Video Emerges

In the 1990s, digital video formats started to emerge, offering a more efficient and versatile way to record and store video. The first digital video format was called DV, which used small cassettes that could hold up to 60 minutes of footage.
Other digital formats soon followed, including MiniDV, Digital8, and HDV. These formats offered higher quality and greater flexibility than analog tapes, but they still had limitations when it came to sharing and distributing video content.

The Rise of Online Video

As the internet became more popular, new video formats were developed to make it easier to share videos online. In the early 2000s, the Flash Video format was introduced by Adobe, which made it possible to play videos on websites.
Other formats soon followed, including Windows Media Video (WMV), QuickTime, and RealVideo. However, these formats were often proprietary and could only be played on certain devices or platforms.

The Modern Era of Video Formats

Today, there are many different video formats available, each with its own advantages and disadvantages. MP4 has become one of the most popular formats, thanks to its versatility and ability to be played on many different devices.
Other popular formats include AVI, MOV, and WMV. There are also specialized formats for different types of video content, such as H.264 for high-definition video and HEVC for 4K and 8K content.

The Future of Video Formats

As technology continues to evolve, we can expect to see even more advanced video formats in the future, making it easier than ever to capture, share, and enjoy high-quality video content. Some of the emerging technologies in video formats include:
360-degree video formats, which allow viewers to experience video content in a fully immersive way
High Dynamic Range (HDR) formats, which offer a wider range of colors and contrast for more realistic and vibrant video
Virtual Reality (VR) formats, which allow viewers to experience video content in a completely immersive and interactive way
In conclusion, video formats have come a long way over the years, from the early days of analog recording to the latest digital and online formats. As technology continues to evolve, we can expect to see even more exciting developments in video formats, making it easier and more enjoyable than ever to capture and share high-quality video content.

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What is the best format. What is the best video format?

What is the best format. What is the best video format?

There are many different video file formats that allow you to store compressed video and audio information in a single file. Many people used to call the extension of the video file itself a video format, but in reality this extension is just a container in which videos of various formats can be stored. Some users may have faced such a situation that the downloaded video file with the familiar and familiar AVI extension did not want to play on the computer, because no suitable codec was found to play it.

Generating audio compression
To clear up this fog, we are offering you an update for several destructive compressed audio formats. Obviously, with today’s internet speeds and phenomenal storage sizes, the above values seem ridiculous. At the time, however, they had a real gamble: the main problem was being able to transfer and host these files with extremely slow storage capacity, bandwidth, or speeds. Thus the famous lossy compressed formats were born.

What is destructive sound compression?
Human auditory threshold. Fraunhofer Institute in Schmallenberg. However, the extension is associated with a codec, some of which even have the same name. Codecs have evolved over time, always with the aim of improving the perception of encoding quality and optimizing file weight.

Most of the video files distributed on the Internet are now created using the two most common containers, AVI and MKV. AVI container has been used for a long time and many different programs have been written to edit such video files, but with MKV things were quite different for a long time and users did not know how to cut an mkv file.

Consider another more appropriate sound analysis tool: the spectrogram. This measurement allows observing the evolution of energy as a function of frequency and time, thus highlighting certain defects created by destructive compression. Castanets, for example, a rich, accurate and fast percussion source, are particularly good at handling time-coding problems, particularly pre- and post-echo effects. But, unfortunately, the spectrogram also has its limits, not allowing to judge the full and complete transparency of the codec transparency.

The truth is that until now no measure has been able to fully define the transparency of a perceptual codec, and for good reason: everything is in the header. The final test remains, as the name suggests, a perception test.

To play or create each video format, an appropriate codec must be installed on your computer. The most popular codecs can be counted on one hand and we will consider some of their features below.

The XviD codec of the MPEG4 standard provides high definition images for dynamic scenes. It is distributed completely free of charge and is widely used by amateur video masters to encode any video.

Obviously, the different bit rates available have a direct impact on the quality and respect of the original audio file. Don’t confuse data compression with dynamic compression. Be careful, the term “compression” does not always mean to compress audio data. In fact, compression can also refer to the dynamics of the signal, such as reducing the gap between the loudest and weakest sounds, for example for music, movies, television or radio, for example, normally due to compression. of the dynamics of the pubs broadcast on television between films. , they are perceived much louder, while the listening volume does not change, since the difference between radio stations and music tracks.

DivX remains one of the most popular codecs and is compatible with all DVD players. By encoding, you get high-quality video with a high level of data compression, allowing you to get small video files. At the moment, the DivX codec pays for when used for encoding.

The most important video formats in comparison

The most important video formats in comparison

AVI, WMV, MPEG, MOV, FLV, WebM: a guide through the terms of video formats, with all their pros and cons The most common video formats at a glance ‘

Videos basically consist of many individual images and associated sound. Four different values are relevant to recording the image: The frame rate or the frame rate, which is displayed in hertz (Hz) or in frames per second (fps = frames per second).

The higher this value, the more frames will be used to create the video and the larger the file will be. The second value is the color depth, which contains information about the color and brightness values. Third, the movie format indicates the resolution of the image in pixels or the aspect ratio of the video (for example, 16: 9 or 4: 3). And fourth, the soundtrack, which contains the recorded sound. The higher the image resolution, quality and length of the video, the larger the file will be on the hard drive.

There are numerous video formats. The most common formats are:

AVI – Audio Video Interleaved – file.avi
WMV – Windows Media Player – file.wmv
MPEG I, MPEG II – Moving Images Expert Group – file.mpg
MOV – Movie – file.mov
FLV – Flash Video – file.flv, file.swf
MPEG IV – Moving Image Expert Group – file.mp4
WebM – Google – .webm file

Video players such as the VLC player can be used to play such files on the computer. A DVD is typically 8 gigabits in size, while Bluray DVDs can be significantly larger. These can then be reduced with a compressor, but both the sound and the image quality are a handful.

All video formats have their advantages and disadvantages. The MPEG 2 format is synonymous with good quality picture and sound. With the iPad, however, it has to be an MPEG 4 format or a special application to play the video. Then there are the AVI videos, which can be played on almost any device. However, they have the great disadvantage that they become very large if the quality is adequate. On the contrary, the FLV format is ideal if the video will be published on the Internet. Because it is precisely this format that is compatible with the browser or with Flash plugins.

3GP / 3G2 (file extension: .3gp, .3g2, .3gpp)

3gp is the name of a video file format for mobile devices such as third-generation cell phones or PDAs. This format was specified by the 3GPP organization. Files in this format have the file name extension “.3gp” or “.3gpp”. It is used in the UMTS (3G) standard.
3g2 is a mobile phone video file format that is functionally similar to the 3gp format. This format was specified by the 3GPP2 organization. Files in this format have the file name extension “.3g2”. It is used in the CDMA2000 standard.

AVI (audio video interleaved) * .avi

A video format developed by Microsoft in 1992. Widely used in software and hardware. Almost all multimedia programs and almost all DVD players can play this format. Also, most digital cameras record in this format. Unfortunately at the price of very high storage requirements (compared to WMV or MPEG up to 20 times more).

FLV (short for Flash Video) * .flv * .swf

With Flash Video is a container format developed by Adobe Systems, which is best used for streaming video content over the Internet. To play the videos, Adobe Flash Player version 6 or 7 or higher is required. By embedding Flash video files in a SWF (Small Web Format) file, a video file can be integrated into a website with relative ease. SWF is an ActionScript, vector graphics, and multimedia file format.

MJPEG

Motion JPEG (MJPEG) is a video codec in which each individual image is compressed separately as a JPEG image. Videos compressed with MJPEG, unlike those compressed with MPEG, have a quality that is independent of the movement of the image. This standard is often used in older digital cameras. Due to the individual compression of all individual images, with this format it is possible to cut a frame from a video clip precisely without the need for recoding, which is generally only possible with MPEG keyframes.

MPEG 1 and 2 (Moving Image Expert Group) * .mpg

Video format developed by a group of experts with standardized compression methods. The advantages of MPEG movies are the comparatively small files with good image quality, albeit with low resolution. In practice, MPEG-II movies are far superior to MPEG-I movies in terms of resolution and image quality.

MPEG 4 (Moving Pictures Expert Group) * .mp4

Video format developed by a group of experts with standardized compression methods.
Originally, the aim of MPEG-4 was to support systems with low resources or narrow bandwidths (mobile phones, videophones, …) with a relatively small loss of quality. Since H.263, an ITU standard for video compression and decoding, had already successfully met these requirements, it was integrated into MPEG-4 as Part 2 without major changes. Films
MPEG-4 is compressed even stronger and without any noticeable loss of quality, that is, very small files with very good resolution. In practice, MPEG-4 places somewhat higher demands on the performance of the computer, since highly compressed data must first be “decompressed” again when played back.

MPEG 7

MPEG-7 is an ISO standard (ISO / IEC 15938) that was adopted in 2002 and was defined by the Moving Picture Experts Group, or MPEG for short. MPEG-7 is not a real compression standard, but it is used to describe multimedia data with the help of meta information and is stored in the form of one or more XML documents. It can be attached to the time code, for example, to mark certain events or, for example, to synchronize the lyrics with a song.

MOV (movie) * .mov

MOV-type video files are based on the Apple Quicktime standard. Quicktime movies largely share the advantages and disadvantages of MPEG-4 movies for comparison: good movie quality with little space, but higher demands on computer performance. The container format for Apple’s QuickTime multimedia architecture typically has the file extension .mov or .qt. Depending on the functions, the endings .qtvr, .qti and .qtif are also used. Storage takes place in sequentially and hierarchically organized units of data, so-called atoms. In addition to chronological information and tracking data, you can also store structural and hierarchical information and relationships. A special sync layer also makes it suitable for streaming. In professional cinema- and post-production it is the usual format for the exchange of multimedia data (video, audio, subtitles, time codes, chapter marks, etc.) due to the aforementioned properties. It also serves as the basis for the ISO standardized MP4 MPEG-4 file format.

Ogg .ogg

Ogg is a container file format for multimedia files, so it can hold audio, video, and text data at the same time. Ogg was designed with the goal of offering a free and unrestricted software patent alternative to proprietary formats for efficient storage and streaming of multimedia content. The ability to transmit is the decisive design feature: everything that is packaged in an Ogg container can be transmitted without additional adjustments. This distinguishes Ogg from formats that are only capable of streaming in certain ways (like Matroska) or not capable of live streaming (like MP4). Ogg streams can be grouped and chained without having to adjust the individual stream.
Ogg Theora is not very common in the video field. However, it is enjoying increasing popularity in the open source scene. However, for HD videos, the Matroska format, which is also free, is gaining more and more acceptance outside of the open source scene, so it remains to be seen what role Ogg Theora will play in the future.

RM (Real Average) * .rm

A collective term for the file formats of the software maker RealNetworks, in particular the Real-Audio audio format and the Real-Video video format. It is used primarily in streaming applications. Real files are lossy, but the quality of real video files is still comparatively good, especially with high compression.
Files compressed with RealVideo are lossy. The quality of RealVideo files is generally comparatively good with high compression, older versions are poor with low compression compared to MPEG for example. However, the quality of the newer versions is comparable to MPEG-4 video codecs like Xvid or DivX, as well as Windows Media Video 9. RealVideo usually occurs in the RealMedia container and then has its file extension .rv, .ram, .rm, or .rmvb.

WebM

WebM is a container format for audio and video data, used for the VP8 and VP9 video codecs introduced by Google, which represent alternatives to the well-known H.264 codec. It was developed for websites in the HTML5 standard, where it is used as an alternative to the MP4 format. WebM was introduced by Google Inc. in May 2010 and is endorsed by the Mozilla Foundation and Opera Software, among others. For Internet Explorer 9 or higher, Google provides a browser extension for download. In April 2011, Google also introduced WebM on YouTube, where it has since been available as an alternate playback option using the HTML5 video tag built into the page without browser plugins such as the Flash player that was previously required. Another implementation example, which in the case of the VP8 video format also represents the description of the standard, was released as free software under the terms of a BSD license.

WMV (Windows Media Video) * .wmv

A video format developed by Microsoft that offers high compression with good quality. In addition to Windows Media Player and many other software players, some standalone hardware players can also decode WMV files. Files that contain WMV encoded video streams are generally embedded in Microsoft’s Advanced Streaming Format (ASF) container format. These files usually have the extension .asf, but in the case of a video file they can also have the extension .wmv. A new variant of WMV is the Windows Media Video High Definition (WMVHD) format.
The Windows Media format also supports the integration of Digital Rights Management (DRM), which is intended to allow copyright owners to regulate access rights to audio and video material. In practice, this technology is often used as a copy protection measure.

Best format for Youtube videos

Let’s see what is the format that allows you to retain the highest quality when you upload your video to YouTube. In case you do not know, in fact, once YouTube has acquired the video on its servers, once the upload is finished, it proceeds to recode it and therefore it is important that we provide a file with the highest possible quality and with the specifications that you require.

CODEC

Let’s start with the CODEC. The choice is almost obvious and falls on the ubiquitous H264. Used both in the acquisition phase in many camcorders, and in the distribution phase, it is the best option even when we want to share movies on the Web. The reason is very simple: with the same file size, it provides the best quality. Then, in your editing or encoding program, select it. Of course it would be nice if it ended here. Actually, this algorithm can have variations within it, which I will not explain in detail because it is a very complicated and long speech.

What you need to know is that the H264 profile that YouTube asks us is HIGH, its entropy mode is CABAC and obviously it must be progressive and not interlaced, since we are going to upload a video that will be seen on PC, smartphone and tablets and not on old televisions. Regarding the bit rate, that is the amount of data per second, YouTube tells us that we can leave it automatically, even if as a reference it suggests selecting 8000Kbits / sec for movies in FullHD and 5000 for movies in HD.

We can increase these numbers, but keep in mind that as they grow, the size of the files increases, with more time to load and more space for storage.

CONTAINER

Regarding the extension, that is, the container, mp4 is the best option. Obviously, the frame rate, that is, the number of frames per second, must be the same as what you recorded and edited at.

PHOTOGRAMS TO THE SECOND

For example, if you choose 25 frames per second in these two stages, make sure it is the same when uploading.

AUDIO

Ok, this for the video part. And for the audio?

The choice here falls on the AAC-LC codec, which is obviously stereo and with a sample rate or sample rate of 48Khz.

I know it sounds complicated, but once you dictate these parameters into your encoding program and save them, you just have to select them when exporting and you can forget about them. You may be thinking: but my program already has the ‘export to Youtube’ function, can’t I use it? The quick answer is: you could do it, because in any case they generally have parameters that go more or less well with what YouTube asks us.

However, if you want maximum control and quality, create a preset with the parameters that I told you before, and that I will now quickly summarize:

H264 codec with HIGH profile, CABAC entropy mode and bit rate that can be automatic or 8000 Kbits / second for FullHD movies and 5000kbits / sec for HD movies
extension in mp4
number of frames per second that is the same as the one you recorded and edited as long as it is between 24 and 60 fps
Progressive and non-interlaced movies (for example, 1080p and not 1080i)
48 kHz audio, compressed in AAC-LC

THE VIDEO FORMATS

What is a CODEC?

A CODEC is a program that deals with transforming – encoding and decoding
– an analog signal (audio or video) into digital. This transformation takes place
by compressing the original signal which is made “lighter” at the end
of its easier storage and / or transmissibility. There are several CODECs and
consequently different video file formats, each with its own characteristics
peculiar.
The AVI format. AVI, which stands for Audio Video Interleave, is a container format

released by Microsoft in 1992 as the standard video format for the system
Windows operating. Plenty of compression codecs are supported, guaranteeing
a broad generality of use. Finally, it guarantees an excellent level of compatibility
with software for non-linear editing.
The MOV format. This is Apple’s proprietary video format, as well as the
main multimedia extension for Mac OS type systems. The main software
for viewing MOV format files is QuickTime. The MOV format is great
for multimedia products (eg CD-ROM).
Microsoft Windows Media formats. It is essentially an attempt by Microsoft to unify different video formats. These are WMV (or WMA) files. Among the advantages made available, the use of the MPEG-4 codec, which guarantees excellent performance even with relatively low bitrate levels. Furthermore, an excellent level of efficiency and quality is guaranteed with regard to internet video streaming operations.

The 3GP format. The 3GP format, rather modern, linked to the continuous technological evolution of mobile devices, indicates a type of file expressly designed to interface with video telephony services: for example for recording multimedia files via mobile phones or smartphones.

The MPEG-4 format. Shortened to MP4, it is a multimedia file format usually used for saving video and audio content in high quality, occupying a small space, ie good quality and “light” files at the same time.

The MPEG-2 format. Standard developed by the Moving Picture Expert Group, it is suitable for broadcast productions (NTSC, PAL). It is therefore aimed primarily at an audience of users such as televisions, satellite channels and DVD producers.

DV and HDV formats. As for the DV format, it is a fully digital video recording format very suitable for non-linear editing procedures.

The HDV format is the evolution in high definition and is the result of an agreement on the technical specifications between four giants such as Canon, JVC, Sharp and Sony. The most well-known video editing software have equipped themselves with adequate support for the HDV format. For other editing programs it may be necessary to resort to suitable plugins for compatibility.

The DivX format. DivX is a proprietary multimedia technology based on a variant of the MPEG-4 codec. Among other things, this technology includes a famous video compressor developed by DivX Inc. and used by many people around the world.

The peculiarity of DivX, in addition to its presence in several consumer electronics products, lies in its versatility in producing small files of long-lasting movies, leaving the image quality almost unchanged.

What are the differences between AVI, RMVB, MKV and MP4?

Unlike what happens with audio files, the extension of video files says little about the encodings used. Each of them, from RMVB for extremely small files to MKV for extreme quality, has different types of encoding for audio, video and all the other necessary components of movies, so they are known as containers.

Container? Isn’t that a video codec? To understand them, the best example is that of a backpack. To attend a class, we have to bring a notebook, a case, books and other essentials for good use. Within a container we have a similar situation, with video encoding, audio encoding, subtitles and additional information on frame rate, audio channels, etc.

In our example, if we have the best notebook in the world with a bad pencil and a poorly written book, our experience will be drastically reduced, just like video containers. AVI, RMVB, MKV, each of them has different “levels” of quality depending on the coding of each of the components. Below is the list of currently used video encodings:

RMVB (Real Media Variable Bitrate, extension. Rmvb): Developed by Real Networks for RealPlayer, it has a variable bit rate. Although it is capable of generating a smaller file than the original RealMedia, the quality is the same, but it is far from good. Recommended for users who have a low-speed Internet connection or a data franchise.
RMVB

AVI (Audio Video Interleave, extension. Avi): container developed by Microsoft and currently supported by a variety of devices, from DVD players to smartphones. It uses DivX or XviD (High Loss Compression) encoding for video and generally MP3 for audio, which provides a reasonable video experience, but does not have native subtitle support.
Avi

MP4 (MPEG-4 part 14, extension. Mp4): In many ways, very similar to AVI, MP4 has the advantage of having native subtitle support (i.e. no subtitles in separate files), Xvid, DivX and powerful H. 264 for videos and ACC for audio (learn more about ACC). Users who want a balance between quality and compression generally prefer MP4, but it’s still not popular near AVI.
MP4

MKV(. Matroska Video, MKV Extension. MKV., Mks): Relatively new open source format preferred by users who want their movies to be of the highest quality possible regardless of download size. It is possible to encode all the elements in almost any format, from the frame rate per second and the quality of each image to the use of different encoders for video (DivX, XviD, H.264) and audio (ACC, DTS, Dolby Digital ), where Full HD (1080p) movies are rarely less than 10GB and reach up to almost 70GB in Remux quality.

These are not all video formats. MOV (Apple), WMV (Windows) and VOB (used on DVD) were not mentioned as they did not bring significant differences. The performance of each of them depends more on the compression rate itself than on the format itself, and machines that have hardware decoding can handle any format without major problems.

The 7 most common video file formats explained

To better understand its video file formats, let’s take a look at some of the most popular types on the market and their specific features.

1. AVI or WMV (Microsoft)

AVI video file formats are used to completely dominate the video market. However, the popularity of the format has declined recently, AVI videos are still common on the Internet. Microsoft replaced AVI with the WMV video file format in the mid-2000s.

The original WMV was designed exclusively for streaming applications. However, alternative WMV formats, reminiscent of WMV Screen and WMV Image, have been released for use with specialized video content.

Both AVI and WMV produce less compression than other competing formats, which means they provide better video quality. In contrast, they are large files.

Other benefits of AVI and WMV include its wide compatibility with PC and Mac operating systems. Among the disadvantages we can mention the impossibility of manually selecting the proportions of the rates, which can be quite bad for some users.

2. MOV and QT (Quicktime formats)

Like Microsoft’s AVI and WMV formats, Apple’s MOV and QT formats are compatible with both Apple and Microsoft platforms. The MOV has been specifically designed for feature films. Both MOV and QT are famous for supporting a wide variety of video content. These two video extensions are usually kept together.

Both formats use a multimedia container file, which is separated into a range of tracks. Users can dedicate all tracks to storing specific information (video, audio, effects and / or text). Another important advantage is that MOV and QT formats are also compatible with a large selection of codecs.

3. MKV

Derived from the Russian word matroska (doll), MKV is an extremely popular video file format for many reasons. First, it is open source. Second, it offers a multitude of additional features. And last but not least, it is compatible with almost all codecs.

The main disadvantage of the MKV format is that it is not compatible with certain programs and devices. But, if you are watching or distributing your video files in VLC, XBMC, PotPlayer or other MKV compatible video player, the high quality and versatility of this format make it an ideal choice.

4. MP4

Popularized by Apple on the iTunes Store, the MP4 is probably the closest to a universal standard. It not only stores video and audio files, but also text and still images. With a small file size and good quality, this format allows you to add interactive video and multimedia components.

Although this format offers less definition and fewer options than the MKV format, it is widely compatible with a range of the most prominent digital devices on the market.

5. AVCHD (advanced high definition video encoding)

The result of a collaboration between Panasonic and Sony, this video file format was expressly designed for digital video cameras. AVCHD takes advantage of H.264 / MPEG-4 video compression technology, which can compress video information into extraordinarily small sizes.

Perfect for people who record using their own video equipment, this format allows you to store hours of recording, using very little space, without sacrificing quality considerably. AVCHD is a standard definition and high definition variations. The latest edition of this format (AVCHD 2.0) supports 3D video.

6. FLV and SWF (Flash formats)

Flash Video has been around for a long time and is divided into two different formats. The first format (FLV) is very popular for streaming video on sites like YouTube and Google Video. FLV files are generally small and can be downloaded quickly.

SWF is the second dominant Flash format for displaying animated vector graphics online (an acronym for Shockwave Flash). It can be viewed as a Flash animation file.

Although Flash formats are famous for involving streaming video on the web, they are not compatible with iOS devices such as iPhones and iPads, which can cause major problems for Apple users.

7. RealVideo

Developed specifically for the Internet, this video format was developed by RealNetworks. The most striking feature of this format is that it works perfectly on low-bandwidth transmissions, but the video quality is compromised.

To view files in this format, you will need to install additional software. Therefore, when you decide to save and share your videos in a specific file format, choose the formats that can be played on multiple platforms.

Better understand the different video encoding formats

In a video, every file, audio and video, is a set of encrypted data (more or less compressed). The so-called codec is the tool used for coding. The type of encoding chosen determines the format obtained: video format and audio format. Simultaneous reading of image and sound is possible by encapsulating these sequences in a container file (defined by an extension).

The specific software is useful for analyzing and reproducing the contents of a video / audio file (format, container file, codec, weight, etc.).

Container files (not complete)

– MP4 (.mp4): audio and video standard for MPEG4

– AVI (.avi): can contain most video and audio formats.

– M2TS (.mts): standard for MPEG4 AVC / H264

– MOV (.mov): mainly contains Mpeg2, Mpeg4

– MPEG (.mpg): contains only MPEG formats

– M4V (.m4v): standard for iPod, PSP and online videos (eg iTunes) containing Mpeg4

– VOB (.vob): for DVD, generally contains Mpeg2 (video) and AC3 or DTS (audio)

– 3GP (.3gp or 3g2): for third generation mobile phones, contains Mpeg4

– ASF (.asf): Contains Microsoft Windows Media Video (WMV) format

– AIFF audio file (.aiff, .aif, .aifc) with uncompressed formats (PCM, IFF)

Video encoding formats (not complete)

– HDV (Mpeg2 4: 2: 0): 1440 × 1080 resolution with a ratio of 1.77 (16/9).

– HDV (Mpeg2 4: 2: 2): 1920 × 1080 resolution with a ratio of 1.77 (16/9).

– AVCHD (Mpeg4 AVC / H264): Highly compressed HD format.

– DV (DV-AVI): Lightly compressed standard for digitized video.

– MPEG1: resolution 352 × 240 (NTSC) or 352 × 288 (PAL / SECAM) for CD-ROM.

– MPEG2: DV quality video standard mainly for DVD.

– MPEG4: video standard for multimedia applications. The most common standard is Part 10: Mpeg4 AVC H264 (AVCHD)

– WMV (Windows Media Video): Microsoft feature and main format used by Windows Media Player

– FLV (Adobe Flash Video): Allows you to easily insert a video image on a WEB page, in a format that the Flash player can read.

– DivX: based on Mpeg4, makes it possible to compress strongly and suitable to save or save on DVD

– Xvid: free and open source software, using Mpeg4. Used almost exclusively to backup video files. Better quality than its competitor DivX.

– Animated GIF: animation of images in GIF format. Suitable for solid colors and small videos.

Image encoding formats (not exhaustive)

– BMP (bitmap): from Microsoft and IBM. It is composed of a large number of pixels and is not suitable for enlargement work.

– JPEG (Joint Photographic Experts Group): Generally used for photos and other continuous images of HTML documents. It supports CMYK, RGB and grayscale modes, but no alpha channels. Unlike GIF, the JPEG format retains the color information of an RGB image. However, it compresses the file size by selectively deleting the data.

– RAW: High resolution uncompressed format that provides the best picture quality. This format is not standard: there are more than 200 types of RAW, including .crw, .cr2 (CANON), .nv2 (PANASONIC), .nef, .nrw (NIKON), .arw (SONY) …

– GIF (Graphics Interchange Format): Generally used to display indexed color graphics and images in HTML documents on the web. GIF is a compressed LZW format designed to reduce electronic transfer time and file size. Does not support alpha channels, but maintains the transparency of color-indexed images.

– PNG: royalty-free format. It was created as an alternative to GIF and is used to display images on the internet. This format uses a lossless compression process and retains all information regarding the color and alpha layers of an image.

– PSD (Photoshop format): very large, but recognized by other software.

– TGA (Targa format): Designed for systems using a Truevision video card, it is generally compatible with MS-DOS color applications. When you save an RGB image in TGA, you can select RLE encoding to compress the image and choose a pixel depth.

– TIFF (Tagged-Image File): to exchange files between applications and IT platforms. Flexible bitmap image format, it is compatible with almost all image editing, drawing and design applications. Maximum TIFF document size: 4 GB.

Audio encoding formats (not exhaustive)

– MP3 (MPEG 1/2 Audio Layer 3): compression format (lossy) developed by ISO.

– AIFF: format for Apple, uncompressed audio

– WAV (WAVE): uncompressed audio format developed by IBM and Microsoft

– WMA: audio data compression format (lossy), developed by Microsoft. It also allows protection of encryption against illegal copies.

– AAC (Advanced Audio Coding): Format used primarily on iPods

– DD + (D olby Digital Plus): high resolution format, with loss of compression

– DTHD (Dolby True HD): HD multi-channel audio format, lossless during compression and offering acoustic richness (up to 7.1)

– DTS HD (DTS HD Master Audio): High resolution audio format equivalent to DTHD.

– AC3: Dolby Digital format whose digital encoding standard is 5.1

– LPCM (Linear Pulse Code Modulation) – highest quality, uncompressed, multi-channel HD audio format.

– FLAC (Free Lossless Audio Codec): Free Audio Format, Lossless Compression

Video formats: what are they, advantages and disadvantages

For example, file size doesn’t matter if you need to make a DVD, but it is crucial if you want to share the video on YouTube. A similar discussion could be held for overall quality and resolution, since preparing a video for display with a video projector is not the same as displaying it on a 3-inch screen. We have tried to deal with the most common video formats, treating the pros and cons of all. However, it should be noted that the number of formats available is very large and a complete book is required to cover all of them.

introduction to Video Formats

When image formats were displayed for the Internet, an unwritten rule was extended: The GIF format was for computer-generated images and the JPG format for images from “real life”, e.g. B. Photos. Unfortunately, no similar rules were imposed on videos: there are numerous formats and codecs, not to mention the fact that the requirements can vary depending on how the video is used. For example, file size doesn’t matter if you need to make a DVD, but it is crucial if you want to share the video on YouTube. A similar discussion could be held for overall quality and resolution, since preparing a video for display with a video projector is not the same as displaying it on a 3-inch screen.

We tried to deal with the most common video formats and deal with the advantages and disadvantages of each. However, it should be noted that the number of formats available is very large and a complete book is required to cover all of them.

Codec

A codec is a series of instructions for compressing and decompressing an audio or video file. There are many codecs for the most popular formats like AVI or QuickTime, which contain more than a dozen of them. Choosing the right one is the first step to getting a good result. One of the most pressing problems is definitely the selection of a codec that can also be used by the viewer on his computer. Otherwise you will not be able to watch the video. However, if the video is to be uploaded to MySpace or YouTube, this aspect is not relevant, since websites of this type have all or almost all codecs installed with which the video is converted into Flash FLV format.

The AVI format Audio Video Interleave was originally the Windows video format. For this reason, it can be played on all Microsoft operating systems from Windows 3.1 and on many Macs, provided the required codec is installed.

The “Microsoft MPEG-4 v2” codec offers the best combination of quality, small size and distribution in terms of the “installed base”, ie this codec is installed on many computers.

Thanks to the “Huffyyuv” codec, AVI files can also be saved losslessly or without compression. Both options are intended for static purposes, certainly not for transferring video over the Internet, since the resulting files are very large.

The “DivX 3” format was introduced as the “pirated version of the MPEG-4 v3 codec from Microsoft”. The installation of this codec generally overwrites the Microsoft MPEG 4 v1 and v2 codecs without notifying the user. The Divx4 version was released without special notice, but was legal, while the fifth version legitimized the format worldwide. The current version is DivX 6.8.

DivX is basically an AVI codec. Files created with this codec can use the DivX extension. They are high quality and small, but of course the viewer must have the codec installed.

This format is compatible with DivX certified hardware, including many lounge players.

Keyframe

The use of keyframes is similar to that of control points for 3D graphics.

The term “keyframe” is used when creating an animated video or combining animations and recorded videos. The term can have different meanings depending on the context. When creating an animation, Keyframe defines the frames in which the most important transitions are located.

Which video format is better?

Surely, like me, you have often wondered which video format is best for recording, editing and exporting for YouTube or social networks. And there is not a single format for everything, but many, too many! Let’s see which ones you need for each task.

In what format to record on camera

The semi or professional video cameras that we can find in the market have recording options in the most common formats, in addition to some RAW formats that we can find in cameras with higher segments. For example, the BlackMagic 6K is capable of recording on Blackmag
ic RAW, the new format developed by BlackMagic Design.

It is always recommended to use the least compressed formats possible as long as we are going to work intensively with the color of that video. This is like a photograph: we will always have much more leeway with a RAW photo than with a compressed JPG photo.

For this reason, the cameras include slightly more compressed formats, such as ProRes, H.264 or H.265. ProRes is a mid-range format that offers a good balance of image quality and size and allows for color correction without loss of quality, making it suitable for professional environments. But undoubtedly the fastest and most suitable for ordinary mortals is the H.264. H.264 is the JPG of video, an off-road format accepted by the vast majority of online video players and services.

H.264 problem? That when editing is a resource eater, since the CPU has to decompress the signal. But if you have a fairly powerful PC you should have no problem. Oh, by the way, there are video editors capable of decoding H.264 and H.265 using the GPU, not at the software level, but at the GPU level. For example, in DaVinci Resole Studio we can activate this option by going to the preferences and in Decoding we activate Use hardware acceleration and NVIDIA or the graphics card we are using. I tell you that the speed jump is dramatic.

Also, there are some cameras capable of recording in H.265 format. For example, we can record in H.265 (also known as HEVC) on the Panasonic GH5, but only in a very specific recording format. It is noteworthy that this mode in the Panasonic allows HDR through HLG (Hybrid Log Gamma or high dynamic range). So if you have a monitor compatible with this system, use the original color space of these Rec2020 HLG clips, since selecting this color space in DaVinci Resolve you can get images with a great dynamic range, or change the color space later. to Rec709 to recover light levels of this standard space.

Okay, and up to this point the big question: in what format do we record? It depends. It is not the same if you are recording a short film than a video for YouTube. In my personal experience, for YouTube I do not complicate my life and use more or less standard configurations. In fact, right now I’m recording this using the GH5 H.264’s preset with 8bit color at 25fps and 100mb and with the Cinelike D color profile, not V-Log or anything like that, but Cinelike D. Note that YouTube then compresses the video, I do not see much sense in recording with more bitrate or more color depth, so I use this simple and busy preset.

VIDEO CONVERSION SOFTWARE

Then there are other formats like MP4 or AVCHD, but basically they use a lower bit rate.

But it may be the case that we want to record a movie with our GH5. In that case I do recommend going to more “professional” profiles so to speak. Keep in mind that each camera is a world, but as a general rule, when we are recording something with a more cinematic aspiration, I recommend going to the highest quality option that the camera gives. There are cameras that allow you to record in RAW, so we will need tons of storage. For example, in the GH5 the highest quality preset is 4K at 400 megabits per second with a color depth of 10 bits. Take chestnut. That is, 50 megabytes per second at 10 bit color, absolutely crazy.

In fact, it is so crazy that any SD card is not worth it, because if we use one that has a low writing speed, we will run out of buffers and stop recording. So it is essential to use special cards that allow this recording speed, for example I have the 128GB Sony M Series, which allow a writing speed of 150 Megabytes per second. Be careful, here we are mixing megabytes and megabits. In the camera preset we will see 400 megabits, that is, the mbps in lowercase, while the card shows it in Megabytes, with the MB in uppercase.