WebM vs H.264 encoding


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WebM vs H.264 encoding

WebM vs H.264 encoding

Let’s talk about WebM vs H.264 encoding

When it comes to video encoding formats, WebM and H.264 are often compared. As someone who has worked extensively with video encoding technologies, I can tell you that the differences between these two formats are crucial for both content creators and viewers. Understanding WebM and H.264 helps you make informed decisions about the quality, performance, and compatibility of your videos. Let’s dive deep into the factors that set them apart and why one might be better suited to your needs than the other.

The WebM format, developed by Google, is known for its open-source nature, making it a popular choice for web video streaming, especially in HTML5 environments. H.264, on the other hand, is a video compression standard that’s been widely adopted in a range of devices and platforms, from web browsers to Blu-ray players. Both formats have their strengths and weaknesses, but knowing when and why to use each one is essential.

Key differences in video quality

When comparing WebM to H.264, the first thing to consider is video quality. From my experience, the quality of a video can vary significantly depending on the codec used, the compression method, and the bitrate. WebM uses the VP8 and VP9 codecs, while H.264 utilizes the AVC codec. Both codecs are capable of compressing video to relatively small file sizes without sacrificing too much quality, but they handle compression differently.

– **WebM with VP8** typically provides slightly lower quality compared to H.264 at the same bitrate. This can result in some visible artifacts like blurring, especially in fast-moving scenes. However, VP8 is often seen as more efficient for real-time video streaming, especially in web applications.
– **WebM with VP9**, the more recent codec, offers better quality and compression efficiency than VP8, and in some cases, it competes closely with H.264, offering a more comparable experience in terms of visual quality. However, VP9 requires more computational power for encoding and decoding, which may be a limiting factor for lower-end devices.
– **H.264**, on the other hand, has been the gold standard for a long time and is well-known for delivering high-quality video at relatively low bitrates. It’s widely supported by hardware encoders, which makes it more efficient in real-world applications.

Benefits of WebM in video quality

  • WebM with VP9 can deliver similar or better quality than H.264 at lower bitrates, making it an attractive choice for streaming content.
  • VP9 supports 4K resolution, allowing for high-quality video playback on platforms that support it.
  • WebM has the potential for better quality on modern browsers that support hardware acceleration for VP9.

Benefits of H.264 in video quality

  • H.264 is highly optimized and efficient, ensuring excellent video quality even on low-end devices.
  • It offers a proven track record in terms of maintaining quality while keeping file sizes relatively small.
  • H.264 is compatible with nearly every device, operating system, and video player, providing seamless playback on a wide range of hardware.

Performance and efficiency

When it comes to video encoding performance, WebM and H.264 each have their own strengths. One of the key aspects I always focus on is how well a format handles compression and decoding without consuming too much processing power.

– **WebM**, especially when encoded with VP9, is known for its high compression efficiency. While this leads to smaller file sizes, it also means that the decoding process can be more demanding on the CPU, which may not be ideal for all devices. However, modern hardware accelerates VP9 decoding, meaning you can get excellent performance on more powerful systems or in browser environments.
– **H.264**, on the other hand, is better optimized for performance and efficiency across a wider range of devices. Since H.264 is supported by virtually all hardware decoders, including smartphones, tablets, and set-top boxes, it’s often a more reliable choice when it comes to performance. The format also performs well in terms of encoding speed, which makes it a favorite for streaming services and broadcasters.

WebM and performance benefits

  • WebM’s VP9 codec can provide excellent video quality at lower bitrates, making it ideal for streaming over limited bandwidth.
  • WebM is supported by modern web browsers, making it a great choice for online platforms that prioritize efficiency and open-source technology.
  • VP9 can provide better compression for videos with higher resolution and frame rates, offering a future-proof solution for higher-quality video streaming.

H.264 performance advantages

  • H.264 is optimized for both encoding and decoding, making it ideal for use in hardware devices, from smartphones to streaming boxes.
  • It is well-supported by a wide range of software, including video editing tools, media players, and streaming platforms.
  • H.264 provides a balanced trade-off between compression, quality, and computational demands, which is why it has become the default codec for video streaming platforms.

Device and browser compatibility

If you’ve ever tried playing a video on a device only to find that it doesn’t support the format, you know how crucial compatibility is. One of the biggest differences between WebM and H.264 lies in their compatibility across devices and browsers.

– **WebM** is well-supported in most modern browsers like Chrome, Firefox, and Edge. However, it is not natively supported by Apple’s Safari browser, which limits its adoption on macOS and iOS devices. This can be a significant drawback for WebM, especially for content creators who need broad compatibility.
– **H.264** has virtually universal support. It works on virtually every device, from the latest smartphones to older TVs and Blu-ray players. This wide compatibility is one reason why H.264 remains the dominant choice for video encoding.

WebM compatibility advantages

  • WebM works seamlessly in most modern browsers, particularly for video streaming platforms that focus on web-based delivery.
  • WebM is ideal for open-source projects and platforms that require a free, royalty-free format for distribution.
  • WebM’s increasing support in mobile and smart TV devices further increases its adoption in certain markets.

H.264 compatibility advantages

  • H.264 offers exceptional cross-platform compatibility, making it suitable for nearly every video-related application.
  • Most video players, editing software, and streaming platforms support H.264, ensuring a smooth experience for users and content creators alike.
  • H.264 works on virtually all devices, from smartphones to laptops, game consoles, and even older hardware.

Licensing and cost considerations

Licensing and associated costs can be a major factor when choosing between WebM and H.264, especially for commercial use. This is an aspect I’ve had to consider as a content creator multiple times.

– **WebM** is free and open-source, meaning there are no licensing fees for using it in software or distributing it in videos. This makes WebM a great choice for developers, open-source projects, and individuals looking to avoid licensing restrictions.
– **H.264** is a patented codec, and while it is free for personal use, commercial distributors often have to pay licensing fees to MPEG LA, the organization that manages the H.264 patent pool. This can add significant costs for businesses, especially if they are distributing large volumes of video.

WebM licensing advantages

  • WebM’s open-source nature makes it a cost-effective solution for businesses and developers.
  • No royalty fees are required for commercial use, which reduces barriers for content creators.
  • WebM is particularly attractive for platforms and applications looking to avoid complex licensing issues.

H.264 licensing considerations

  • H.264 can incur licensing fees for commercial distribution, especially when used in streaming services or large-scale video delivery systems.
  • Despite the licensing fees, H.264 remains a popular choice because of its ubiquity and high quality.
  • The patent licensing system for H.264 is well-established, providing clear guidelines for businesses on how to comply.

Latest words on WebM vs H.264 encoding

In conclusion, the choice between WebM and H.264 encoding largely depends on your priorities. If you’re looking for high quality, broad compatibility, and optimal performance across various devices, H.264 is likely the better choice. However, if you need a royalty-free, open-source solution with excellent video quality for web applications, WebM with VP9 is a strong contender. Both formats have their unique strengths, and the right choice depends on your specific use case.

WebM is great for modern web applications, especially those targeting a more tech-savvy audience, while H.264 remains the gold standard for compatibility and consistent performance. Both formats are important, and understanding when to use each will make you a more efficient content creator or developer.

Frequently Asked Questions

What is the difference between WebM and H.264?

WebM is an open-source video format using VP8 or VP9 codecs, while H.264 is a widely-used codec supported by almost all devices. WebM offers free, royalty-free usage, but H.264 provides better compatibility and performance across a broader range of platforms.

Which is better for streaming: WebM or H.264?

For streaming, WebM with VP9 can provide better compression and smaller file sizes for high-quality video at lower bitrates. However, H.264 is more universally compatible, ensuring smooth playback across virtually all devices, making it ideal for streaming on a wider range of platforms.

Is WebM supported by all browsers?

WebM is supported by modern browsers like Chrome, Firefox, and Edge, but it is not natively supported by Apple’s Safari. This can limit its compatibility on Apple devices, which may require alternative formats like H.264 for broader compatibility.

Can WebM and H.264 be used together?

Yes, both formats can be used together. In fact, many websites use H.264 for broader device compatibility while offering WebM as an alternative for browsers that support it. This ensures that all users get an optimal experience regardless of their device or browser choice.

Which format offers better video quality, WebM or H.264?

H.264 is known for delivering excellent video quality at lower bitrates and is generally considered more optimized for quality retention. WebM, especially with VP9, can offer competitive quality, but it may require more processing power and may not always outperform H.264 in terms of visual fidelity at the same bitrate.

Does WebM support 4K video?

Yes, WebM supports 4K resolution, especially when using the VP9 codec. VP9 is designed to handle high-definition and 4K video content efficiently, offering better quality at lower bitrates compared to older codecs like H.264, although it may require more processing power.

Is H.264 free to use?

H.264 is not entirely free to use, as it is patented and requires licensing fees for commercial use. While personal usage may be free, businesses or services that distribute content encoded with H.264 must pay licensing fees to the MPEG LA consortium, which manages the codec’s patent pool.

Can I convert videos from WebM to H.264?

Yes, you can easily convert WebM videos to H.264 using various video conversion tools. This process allows you to maintain compatibility with devices and platforms that do not support WebM, while also offering the high-quality compression benefits of the H.264 codec.

Comments:

I’ve been using WebM for my streaming site and it’s great for avoiding licensing fees. But I still need to encode everything in H.264 for

certain devices. It’s a pain sometimes but worth it.

This article really helped me understand the difference between WebM and H.264. I didn’t realize how important codec choice was for streaming efficiency. Thanks for the insights!

I think H.264 is still better for most people, especially if they want their videos to work everywhere. WebM is good, but not everyone supports it yet.

I’m starting a video-based app, and after reading this, I think WebM with VP9 might be the right choice for me. I want to avoid licensing costs and keep things smooth for my users.

The licensing thing is a huge downside of H.264. I didn’t realize how expensive it could get for larger scale distributions. WebM looks like the better option for many startups.


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Why Video Encoding Profiles Matter

Why Video Encoding Profiles Matter

Why Video Encoding Profiles Matter
Why Video Encoding Profiles Matter
Why Video Encoding Profiles Matter
Why Video Encoding Profiles Matter

In the world of video encoding, understanding the different profiles and their significance is crucial. These profiles determine the available encoding tools and greatly impact the quality and compatibility of your video output. By delving into the intricacies of video encoding profiles, you can optimize your video files for various playback devices and ensure an optimal viewing experience.

The Basics: Profiles and Levels Explained

To comprehend video encoding profiles, it’s essential to grasp the distinction between profiles and levels. Profiles define the encoding tools at your disposal, while levels establish the maximum resolutions, frame rates, and bitrates that can be achieved during the encoding process.

For H.264 encoding, three primary profiles exist: Baseline, Main, and High. Baseline is the most compatible profile, but it sacrifices quality. Main strikes a balance between quality and compatibility. High profile delivers superior quality but may encounter compatibility issues on certain devices.

Each profile also encompasses multiple levels. Higher levels support greater resolutions, frame rates, and bitrates. However, higher levels necessitate more processing power for decoding purposes.

Selecting the Ideal Profile and Level

Choosing the appropriate profile and level for your video encoding depends on several factors:

Target Devices: Consider the devices on which your encoded video will be played. If broad compatibility is your goal, the Baseline profile is a safe bet. However, if you’re targeting high-end devices, the High profile may deliver the best results.

Desired Quality: Determine the desired quality level for your video. If you prioritize excellent quality, the High profile is an attractive option. For a balance between quality and compatibility, the Main profile is a solid choice.

Processing Power: Evaluate the processing capabilities of the playback devices. Lower-level profiles may be necessary for devices with limited processing power to ensure smooth playback.

To illustrate these considerations, let’s explore some examples:

For smartphone playback, selecting the Baseline profile and Level 3 is suitable, offering compatibility and efficient performance.
If your video is destined for a 4K TV, opt for the Main profile and Level 5 to achieve high-quality visuals while maintaining compatibility.
Encoding videos for Blu-ray Discs necessitates the High profile and Level 6, enabling exceptional quality for an immersive viewing experience.

Mastering Video Encoding Profiles and Levels

Understanding video encoding profiles and levels is paramount for optimizing video files. By selecting the appropriate profile and level, you can ensure compatibility with target devices while meeting your desired quality standards. Remember to consider the target devices, prioritize quality, and assess processing power to make informed decisions during the encoding process.

In conclusion, video encoding profiles and levels may appear complex at first, but with a solid grasp of these concepts, you can confidently navigate the intricacies of video encoding and produce high-quality videos that cater to various playback devices.

These final words emphasize the importance of mastering video encoding profiles and levels, providing users with a comprehensive overview of the topic and inspiring confidence in their video encoding endeavors.

The Art of File Encoding

The Art of File Encoding

File Encoding
File Encoding
File Encoding
File Encoding

Why is file encoding important for digital media?

When it comes to digital media, file encoding plays a crucial role in ensuring optimal playback, compatibility, and quality. File encoding refers to the process of converting audio or video data into a specific format using compression algorithms. It involves various technical aspects that directly impact the file size, bitrate, resolution, and overall performance of the media.

One of the primary reasons why file encoding is essential is efficient storage. By utilizing advanced compression techniques, the size of the media file can be significantly reduced without sacrificing quality. This is particularly crucial in scenarios where storage space is limited, such as when transferring files between devices or uploading them to the internet.

Compression algorithms for file encoding

When it comes to file encoding, compression algorithms play a vital role in achieving optimal results. These algorithms, such as MPEG, H.264, or VP9, utilize various techniques to reduce file size while minimizing quality loss. By removing redundant or less important information from the media data, compression algorithms enable efficient storage and transmission.

Each compression algorithm comes with its own set of advantages and trade-offs. For instance, H.264 is widely used for video encoding due to its excellent balance between file size and quality. On the other hand, VP9 offers better compression efficiency but requires more processing power to decode. Understanding the characteristics of different compression algorithms is essential in choosing the most suitable one for specific use cases.

The role of bitrate in file encoding

Bitrate is another crucial aspect of file encoding that affects both file size and quality. It represents the amount of data processed per unit of time and is typically measured in kilobits per second (kbps) or megabits per second (Mbps). The bitrate directly influences the level of detail and smoothness in audio or video playback.

When encoding a file, selecting an appropriate bitrate is essential to strike a balance between quality and file size. Higher bitrates result in better quality but also larger file sizes, which may not be desirable in scenarios where bandwidth or storage space is limited. On the other hand, lower bitrates can lead to compression artifacts or loss of detail.

How does file encoding impact multimedia streaming?

Multimedia streaming has become increasingly popular in recent years, and file encoding plays a critical role in delivering smooth and uninterrupted playback experiences. Streaming platforms rely on efficient file encoding techniques to transmit media content over the internet while minimizing buffering and ensuring optimal quality.

One of the key considerations in multimedia streaming is adaptive streaming. This technique dynamically adjusts the quality and bitrate of the media based on the viewer’s internet connection speed and device capabilities. By using multiple encoded versions of the same media at different quality levels, adaptive streaming ensures smooth playback regardless of the viewer’s network conditions.

Optimizing file encoding for streaming

When encoding files for streaming, several factors need to be considered to optimize the streaming experience. Segmentation is one such factor where the media file is divided into smaller segments for efficient transmission and playback. These segments can be independently requested and buffered, reducing the time it takes to start playback and allowing for seamless switching between quality levels in adaptive streaming scenarios.

Another crucial consideration is the choice of streaming protocol. Protocols such as HTTP Live Streaming (HLS) or Dynamic Adaptive Streaming over HTTP (DASH) have gained popularity for their ability to adapt to changing network conditions and ensure uninterrupted playback. These protocols work in conjunction with efficient file encoding to deliver a seamless streaming experience across various devices and network environments.

Final Words

File encoding is an intricate art that encompasses various technical aspects to optimize digital media for storage, playback, and streaming. The choice of compression algorithms, bitrates, and streaming techniques significantly impacts the quality, file size, and compatibility of the media. By understanding the intricacies of file encoding, you can ensure that your digital media is efficiently encoded for optimal performance and a seamless viewing experience.

Video encoding, how it works (part 2)

Video encoding, how it works (part 2)

video encoding

So far, we’ve only talked about image compression. But a full video also involves an audio component. CD-quality sound is believed to need to be digitized at 44.1 kHz at 16 bits per channel, which is equivalent to 706 Kbps per channel (1.4 Mbps for stereo). The quality of the DAT signal determines the sampling rate of 48 KHz (frequency band 4-24000 Hz) and increases the stream to 768 Kbps per channel.

Video Encoding

 

The information compression approach is the same: discarding the part that is not very important for the human ear to perceive. The MPEG standard allows 3 layers of audio compression. Layer 1 uses the simplest algorithm with minimal compression, assuming 192 Kbps per channel. The Layer 2 algorithm is more complex, but the compression rate is higher, only 128 Kbps per channel. A powerful CD-quality digital audio compression algorithm (11 times lossless distinguishable by the human ear) Layer 3 provides the highest possible sound quality with severe transmission restrictions – no more than 64 Kbps per channel. It is primarily intended for the Internet. Its importance is so great that it has received a special abbreviation MP3, which stands for MPEG Layer 3. There are many Internet sites that contain hundreds of thousands of MP3 files of popular music. With the help of special playback programs (Real Audio), MP3 music can be listened to in real time over the Internet, copied indefinitely (note that a typical song is 2-8MB), and illegally distributed. There are already portable MP3 players priced around $ 200 (like the Diamond Rio). The music industry, with tangible losses, began an active fight against MP3 sites (the Recording Industry Association of America found and closed most of them). But the gin is out, you can’t close everyone. Adaptec predicts that billions of songs will be downloaded from the Internet in the coming years and announces MP3 support in the next version of EasyCD Creator. However, in digital editing tasks, audio signal compression is not used, therefore, in allowable stream calculations, it is necessary to allocate up to 1.5 Mbps to the audio component.

MPEG2 for non-linear editing tasks

The term non-linear editing does not correspond to the essence of the process, but only reflects one of its characteristics. In fact, we are talking about video editing, done in digital format on computers. In this case, the original video fragments are subject to mandatory digitization and recording on the hard disk in the form of appropriate files. Unlike tape drives, accessing any of these fragmented files does not require tedious rewinding (and this process is linear), meaning all video frames are available in random order. This important property gave rise to the name of digital editing as non-linear, although, obviously, the possibilities of digital processing are much broader and richer.

Remember that according to the ITU-R BT.601 recommendation, a television frame is a 720×576 matrix. Taking into account the television frame rate of 25 Hz, we conclude that one second of digital video in 4: 2: 2 representation requires 25x2x720x576 = 20,736,000 bytes, that is, the data stream is 21 MBps. Recording these streams is technically feasible, but difficult, expensive, and inefficient in terms of post-processing. The real possibilities of practice require a significant reduction in flows. Many algorithms are known to perform lossless compression, but even the most effective ones do not provide more than 2x compression on typical images.

Until recently, M-JPEG reigned supreme in the world of non-linear video editing systems. The different solutions differed in the degree of compression, which corresponded to different levels of quality of the resulting video. Quite conditionally, 4 levels can be distinguished here: Standard Video (VHS, C-VHS, Video8), Super-Video (SVHS, C-SVHS, Hi8), Digital Video (Betacam SP, DV / DVCAM / DVCPRO, mini -DV, Digital8) and Studio Video (Digital-S, DVCPRO50). For simplicity, we will refer to them as Video, S-Video, DV, and Studio-TV in what follows. Quantitatively, they are generally characterized by horizontal resolution (the number of distinguishable elements in a line: television lines). Video is considered to provide a resolution of up to 280 lines and corresponds to an MJPEG stream of approximately 2 MBps.

Video encoding, how it works (part 1)

Video encoding, how it works (part 1)

video encoding

The effective compression of video information is based on two main ideas: the suppression of small details of the spatial distribution of individual frames that are insignificant to visual perception, and the elimination of temporal redundancy in the sequence of these frames. Consequently, we speak of spatial and temporal compression.

Video Encoding

The first one uses the experimentally established low sensitivity of human perception to distortions of small image details. The eye notices a non-uniform background more quickly than the curvature of a thin edge or a change in brightness and color of a small area. Two equivalent representations of the image are known from mathematics: the familiar spatial distribution of brightness and color and the so-called frequency distribution associated with the spatial Discrete Cosine Transform (DCT). In theory, they are equivalent and reversible, but they store information about the image structure in completely different ways: the transmission of smooth background changes is provided by low-frequency (center) values ​​of the frequency distribution, and the high-frequency coefficients. They are often responsible for the fine details of spatial distribution. This allows the following compression algorithm to be used. The frame is divided into 16×16 blocks (720×576 corresponds to 45×36 blocks), each of which is converted to DCT in the frequency domain. Then the corresponding frequency coefficients are quantized (rounding of values ​​with a given interval). If the DCT itself does not lead to data loss, the quantization of the coefficients obviously causes a thickening of the image. The quantization operation is performed with a variable interval: low-frequency information is transmitted more precisely, while many high-frequency coefficients take zero values. This provides significant compression of the data stream, but leads to a decrease in effective resolution and the possible appearance of minor spurious details (particularly at block boundaries). Obviously

For attentive readers, we repeat that this algorithm came from digital photography, where, under the name JPEG, it was developed to efficiently compress individual frames (JPEG is an abbreviation of the name of the Joint Photographic Experts Group, which endorsed it). It was then successfully applied to frame video sequences (each processed completely independently) and renamed MJPEG (Motion-JPEG). It should also be noted that the DV encoding of the DV / DVCAM / DVCPRO digital standards is essentially based on the same algorithm, but uses a more flexible scheme with adaptive selection of quantization tables. The compression ratio for different blocks, unlike MJPEG, varies with the image: for non-informational blocks (for example, at the edges of the image) it increases, and for blocks with a large number of small details, it decreases relative to the middle level of the image. As a result, with the same quality, the data volume is reduced by approximately 15% (or vice versa, with the same flow, the quality of the output signal is higher).

Temporal MPEG compression uses a high redundancy of information in images separated by small intervals. In fact, between adjacent images, usually only a small part of the scene changes; for example, there is a smooth movement of a small object on the background of a fixed background. In this case, the complete information about the scene should be saved only selectively, for reference images. For the rest, it is enough to transmit only difference information: about the position of the object, the direction and magnitude of its displacement, about new background elements (which open behind the object as it moves). In addition, these differences can form not only in comparison with the previous images, but also with the later ones (since it is in them, as the object moves, the part of the background that was previously hidden behind the object is revealed). Note that mathematically the most difficult element is the search for displaced blocks, but little change in structure, (16×16) and the determination of the corresponding vectors of their displacement. However, this element is the most essential as it can significantly reduce the amount of information required. It is the efficiency of the real-time execution of this “smart” element that distinguishes various MPEG encoders.

Video encoding: what you need to know.

Today a little technical point about video encoding – that is, the last step in creating a view once your editing is complete. The question is often rightly asked because, as well as your editing, mis-coding can completely ruin image quality and undermine both your work and your investment in high-end equipment.

Video Encoding

Depending on the editing software used, you can access different options or be presented differently. They can be offered as presets, fully configurable or not. However, you should find the items described below.

Resolution and image format

The resolution of your video is the number of pixels in height and width. It shows width x height. Marketing terms and language simplifications have rebelled, but we find above all:

‘HD’: 720p or 1280 x 720
“Full HD”: 1080p or 1920 x 1080
“Ultra HD”: 4K or 3840 x 2160

The Importance of Video Encoding - Bold Content Video Production

These resolutions are for an aspect ratio of 16: 9, which is the current standard for most productions. They may differ if you export in a different format, such as 2.35: 1, which is close to 2.39: 1 or 2.40: 1, which is commonly used in the cinema.

Basically, with this quick little focus done, when exporting you usually know what resolution it will deliver. If you’re just starting out and haven’t done anything specific, it should be the same as your source files. For example, if you recorded in 1080p, it will be displayed in 1080p. You can do this if you want to render 720p, but it would be a shame to lower the resolution.

Unless, of course, you’ve followed my article on 4: 3 filming, which is filming in a format that allows more flexibility in post production before exporting in 16: 9.

Frame rate or frames per second

The number of frames per second (fps or “frames per second”) is not difficult to understand: the more important it is, the more your video has frames (or frames) for a second of video. The default for action video is 30 fps (or 29.97). Some export at 60fps – I personally detest this frame rate for classic video. You could talk about it for hours and maybe write an article about it someday, but whatever it is: it’s up to you to choose what you like and choose the size that suits you best.

But be careful, if you’re shooting at 30fps, rendering at 60fps is useless and counterproductive – source files don’t contain enough images. However, you can export without problems at a lower frame rate than the source files.

Codec or format

It is, to put it simply, the reel that your video goes through to be encoded. It should be noted that we often talk about language abuse codec to invoke the video encoding format or the standard, while originally the codec is the software that allows video encoding in one or more formats using appropriate libraries. . For example, here I will approach H.264, a format used by the x264 encoder or codec. In short, this small development is complete, let’s move on.

The codec attributes define the quality of the output video for a given bit rate (and thus a size) and the compression / decompression performance.

In most cases, the second parameter is of no interest to you. Any modern computer can play 4K video encoded with the leading codecs on the market. On the other hand, for a Blu-Ray export, for example, we come to slightly more specific considerations, because the hardware that reads the data on the disc is much less efficient than a PC. As for compression, it goes without saying that it is an advantage to keep your machine running for a few more hours to gain quality or in the disk space occupied by the final display, this time it will recover when you go watch, share or Save video.

Therefore, the quality of the video is the most important factor when choosing a codec. Currently, H.264 is found everywhere for its good performance, while its successor, H.265, promises to nearly halve the bit rate required to achieve the same quality while supporting 8K / 300fps.

Bitrate

Bitrate is the most important factor that will determine the quality of your video. It corresponds to the volume of data written for a second of video: the more it is, the more disk space is used, but the more the amount of information increases, which improves quality. In fact it is just like for a photo: if it is very compressed, the quality deteriorates, but occupies a very small place in its storage medium, otherwise the quality is preserved.