The higher the bitrate, the higher the sound quality and the larger the file size.


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The higher the bitrate, the higher the sound quality and the larger the file size.

audio bit rate
audio bit rate

but the quality of the source file determines the final quality.

audio bit rate
audio bit rate

From highest to lowest, the sound quality will be worse, but from lowest to highest, the sound quality will remain unchanged at most, but the file will be larger.Many

General mp3 are good with bit rate around 128, and also 3-4 BM in size.

The bitrate, choosing it, directly affects the size of your mp3 file and the listening experience. High compression ratio has high distortion, and low compression ratio has low distortion, but how do we find a balance point that we can accept on both counts? This requires careful exploration in the experiment. Considering that the sound quality of low bitrate files is not suitable for playing music, the minimum set is 128kbps, and four fixed bitrate files of 128, 192, 256 and 320 are used for comparison. and try.

The compression ratio of 128 kbps is still relatively rough, and the high-frequency part is highly distorted after compression. It sounds hollow, wrinkled, rough, and there are often flickering sounds. Misunderstanding, the compressed volume of a 3 minute 39 piece of music is 3414 Kb. Although the volume is not large, the sound is not satisfactory, and there are relatively large defects.

192kbps bit rate compression effect is much better than 128. First of all, the sound is solid, at least there is no empty feeling, the high-frequency distortion is also much less, the sound is compact, the noise is small and clean, and achieve relatively ideal listening The sound effect, just because the compression is still relatively strong, the detail performance is still not very good, the texture of musical instruments, especially instruments of wind, it is still very hard, unreal and lacks musicality. The compressed size is 5123kb, and I think the compression ratio is 128~ It is better to use it in a mp3 player with a capacity of ~256m, which can not only satisfy the basic sense of hearing, but also is suitable in size.128m can store about 95 minutes of music, and 256m can double to 190 minutes of music.

The 256 kbps compression rate is naturally a step higher than 192 in terms of sound quality. Take the first 10 seconds of the track, the low frequency of the cello is obviously less grainy, and the sound is more smooth and natural, with texture and texture. It is also clearer, with much more detail, the rendering of the atmosphere is more prominent, the rotation of parts in the following songs is also more expressive, the clarity of large and small signals is also improved, and the sound is more detailed and lasting. But at the same time, the file size has also increased to 6831kb, which is still affordable for a 256m mp3 player. It is not difficult to know by calculation. According to the bit rate of 256, about 135 minutes of music can be stored. Generally speaking, it is enough, 128m is a bit less and can only support a little over an hour, so it is recommended to use 192 bitrate for 128m.

320 kbps is the maximum bitrate that lame can provide. The final file generated is 8592kb which is about 8.4M. Compared to the 37M of the wav file the compression ratio is basically 4.5:1 but the generated mp3 file sounds very distorted Now on Compared with other 320 bit rate, the natural advantage is obvious, the tone, details, etc. are very delicate, basically achieve the sound quality of the original CD copy, especially in the CD player with playback function from mp3, the basic No difference, but I use relatively high-end earplugs with high resolution, plus my experience and skill with music and equipment, I can still hear a lot of differences compared to wav files, first Instead, the compressed mp3 sounds a bit The crunch feeling is relatively dry on the whole. Without the wav file, it sounds fresh and dynamic. In terms of final details, nuances and sense of space, the separation is not as high as the quality of the wav file, but it is quite close in terms of timbre, but the performance is poor and the digital flavor is relatively strong. So if you are using a miniature hard drive player like an iPod, I recommend you use 320kbps compression ratio, which can get the best listening experience. Of course listening to wav directly is the best~


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The bit rate directly affects the sound quality.

The bit rate directly affects the sound quality.

audio bit rate
audio bit rate

High bitrate is good and low bitrate is bad.

audio bit rate
audio bit rate

The code rate is the number of data bits transmitted per unit of time during data transmission. Generally, the unit we use is kbps, that is, kilobits per second.

The popular understanding is the sampling rate. The higher the sampling rate per unit time, the higher the precision, and the processed file is closer to the original file, but the file size is proportional to the sampling rate, so almost all encoding formats pay attention. It’s about how to use the lowest code rate to achieve the least distortion. The cbr (fixed code rate) and vbr (variable code rate) derived from this core are all articles in this regard, but things are not absolute, in terms of audio, the higher the bit rate, the lower the compressed ratio, the smaller the sound quality loss and the closer it is to the sound quality of the audio source.
The information in the computer is represented by binary 0 and 1, and each 0 or 1 is called a bit, which is represented by lowercase b, that is, bit (bit); uppercase B represents byte, ie byte, one byte = Eight bits, ie 1B=8b; the capital K in front stands for thousand, that is, thousand bits (Kb) or kilobytes (KB). Indicates the size of the file, usually using bytes (KB) to indicate the size of the file.

Kbps: The first thing to understand is that ps refers to /s, which is every second. Kbps refers to the speed of the network, that is, how many thousands of bits of information are transmitted per second (K means thousands of bits, Kb means how many thousands of bits), it is expressed in kb (kilobit), and in the case KBps means how many kilobytes are transferred per second. 1KBps = 8Kbps. The Internet speed of ADSL is 512 Kbps. If converted to bytes, it is 512/8 = 64 KBps (that is, 64 kilobytes per second).

A frame is a still image, and continuous frames form an animation, like a television image.
We normally say the number of frames. Simply put, it is the number of image frames transmitted in 1 second. It can also be understood that the graphics processor can update several times per second, usually expressed in fps (Frames Per Second). Each frame is a still image, and showing frames in rapid succession creates the illusion of movement. Higher frame rates result in smoother, more realistic animations. The more frames per second (fps), the smoother the motion is displayed.

What is the bitrate of the music?
It can also be called bit rate, which is nothing more than the amount of data reproduced per second by a type of music, the unit is expressed in bits, that is, binary bits. bps is the bit rate. b is bit, s is second, p is per, and one byte is equal to 8 binary bits. That is, the file size of a 4-minute song at 128bps is calculated as (128/8)*4*60=3840kB=3.8MB, which means that the same song with the same bit rate (bps) will not no matter what format (such as mp3 wma) The capacity is basically the same, which can only represent a transmission rate, not the sound quality. Due to different compression engines, the sound quality of different formats varies a lot. However, for the same format, the higher the bitrate, the larger the file and the better the sound quality.

What is the sample rate of the music?
Sampling rate refers to the number of samples per unit of time. The sampling rate is 44KHz, which means the number of samples per second is 44K, which means that 44,000 pieces of data are used to describe the sound waveform in 1 second. That is, the higher the sample rate, the better the sound quality. But he and bitrate are two completely different concepts.

Mp3: Audio Bit Depth, Sample Rate and Bit Rate

Mp3: Audio Bit Depth, Sample Rate and Bit Rate

Bit depth
Bit depth

(a) Regarding bit depth. Bit depth is also called sampling bit depth, and the bit depth of the audio determines the dynamic range.

Bit depth
Bit depth

Our common 16-bit (16-bit) can record a dynamic range of about 96 decibels. Well, roughly you can know that each bit can record about 6 decibels of sound. Similarly, the 20-bit recordable dynamic range is about 120 dB; 24 bits is about 144 dB.

If we define 0dB as the maximum value, then the sound amplitude is calculated by extension down, then the dynamic range of CD audio is “-96dB ~ 0dB”, and so on, the dynamic range of 24Bit HD-Audio high – the audio definition is “-144dB~0dB”. It can be seen that at higher bit depths, a greater dynamic range is available and lower levels of detail can be recorded.

 

(2) Regarding the sampling frequency.

What is the most intuitive effect of sample rate? Affects the expressiveness of the sound’s frequency range. The higher the sample rate, the larger the frequency range that can be expressed. 44.1KHz sampling rate can express the frequency range from 0Hz to 22050Hz; 48KHz sampling rate can express the frequency range from 0Hz to 24000Hz; 96KHz sampling frequency can express the frequency range from 0Hz to 48000Hz. The average frequency range that the human ear can hear is about 20Hz-20000Hz.

Combining the two above, if you see a parameter:

16Bit 44.1KHz, means this digital audio can express “96dB dynamic range” and “0Hz-22050Hz” frequency range;

24Bit 48KHz, which means this digital audio can express “144dB dynamic range” and “0Hz-24000Hz” frequency range.

 

(3) Audio bit rate, also called bitrate or bit rate.

Bit rate refers to the amount of information that can pass through a data stream per second, and can also be understood as: how many bits of data per second are used to represent.

In principle, the higher the audio bitrate, the better the quality.

However, in the case of lossy compressed audio, different compression algorithms, even at the same bitrate, can lead to completely different sound quality results.

Typical Representative: WMA 96kbps audio format sound quality is obviously better than MP3 96kbps sound quality. Why is this so? Differences in data usage due to different compression algorithms. For another example, if MP3 is compressed below 48kbps, it’s already terrible, and if it’s AAC audio format, the sound quality is obviously better than MP3 at the same 48kbps bitrate.

For lossless compressed audio, even though the bitrate is completely different, the final sound quality is the same. For example, if the same WAV file is compressed in FLAC format and APE format, the bit rate of the output file is not the same, but the sound quality is the same. Even in the same format, the compression level is different and the bitrate is completely different, but the end result, the sound quality remains the same (but when encoding and decoding, the CPU usage is different and the encoding time is also different).

Mp3, what is bit depth and how does it affect the quality of an mp3?

Mp3, what is bit depth and how does it affect the quality of an mp3?

Bit-Depth
Bit-Depth

Bitrate is not the same as bit depth

Bit-Depth
Bit-Depth

We have explained in previous articles that sound is a wave that propagates through the air. And the act of digitizing it is based, on the one hand, on the number of samples that are taken, in order to be able to draw it with enough gfidelity, but that, if we have an X,Y graph, represents only one of the axes.
The other axis is represented by the depth, that is, we already have how many samples are taken per second, but we need to have on the other side, how many possibilities we have to “capture” the data that each sample captures.

If we have a bit depth of 16 then we will have a little more than 250 different values ​​to draw the wave.

If instead we use a bit depth of 24 bits, we will have millions of different values. Which allows us in treoria to have much greater detail or fidelity.

All this is what the theory tells us. It’s like with colors, with a bit depth of 16 bits we will have 250+ options to describe, let’s say a green color, instead with 24b we will have millions of possible variants.

Obviously the first thing we will have to ask ourselves is if the device is capable of reproducing millions of different colors or variants in sound.

We must also ask ourselves if the human ear will be able to pick up these differences.

Even, and we won’t dwell on it, “noise” plays an important role here.

We would say that in general terms for the sound a bit depth equal to or greater than 16 is already enough to have an important quality.