
Advanced Audio Formats Part 2
DTS
DTS – Digital Theater System, in fact, is Dolby Digital, or rather its competitor. DTS uses a lower compression rate than Dolby, so it actually sounds better, as evidenced by DVDs that have DTS or DD tracks. DTS in home theater systems uses a maximum bit rate of 1536 kbps (full bit rate), this sound is better than Dolby Digital’s AC-3 format. DTS – Uses 6 free audio tracks and supports 7.1 sound distribution system, with this DTS 4.0 bit rate – it will sound as immersive as Dolby 5.1.

FLAC
FLAC – (Free Lossless Audio Codec). Unlike lossy codecs (MP3, Ogg, and AAC), it does not remove any information from the audio stream and is designed for listening to music on high-quality Hi-Fi and Hi-End equipment and for archiving a professional audio collection. Currently, the FLAC format is supported by many audio players and music applications. The basic decoder uses ID3v1 and ID3v2 tags to store basic types of metadata, so they can be freely added and edited.
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MIDI
MIDI: (Musical Instrument Digital Interface), unlike other formats, MIDI does not store digital sound, but sets of commands: notes played, links to instruments, sound parameters. The convenience of the MIDI format is to use a device that is arranged according to the indicated chords. Midi files are typically several orders of magnitude smaller than digitized audio of the same quality. The MIDI format is versatile and designed so that any sequencer can read and write data without loss. At the same time, MIDI information that is incomprehensible to other software applications does not lead to misunderstandings, but is simply ignored. The mid-year backing track format allows you to save information about the instrument used, the tempo, the size designation, the information about the musical keys, the name of the track and the patterns and their number.
MP3
MP3: (MPEG Layer version 3) At the moment, MP3 is the most popular digital music encoding format. MP3 is a lossy compression format, that is, part of the audio information, according to the psychoacoustic model, the human ear can barely perceive is removed from the original file, irrevocably. The debate on MP3 quality still continues … First, the quality of the resulting MP3 depends not only on the bit rate of the compressed file, but also on the version of the encoding program used: the codec. Many music gourmets prefer to compress music with “maximum quality” – 320 kbps, or switch to other formats, for example FLAC, where the average bit rate is ~ 1000 kbps. At the moment, MP3 is the leader in universal recognition, but at the same time it is not a professional format in terms of technique. Professional musicians and DJs no longer use tracks with a bit rate lower than 320 kbps.
MODIFICATION
MOD is a format designed for the Amiga platform. Each MOD file contains digitized recordings of actual instrument sounds, called samples, somewhat similar to the structure of MIDI. Cj or a composer who writes in the MOD format uses a program called a tracker, in which he specifies what instrument, at what time, what note and octave should sound; This sequence of notes is written in a list; one track and several tracks. sounding in parallel forms a block called a pattern. The pattern collection forms a module: a file in MOD format, with the extension .mod. A track bar corresponds to an actual channel in which cj can play or edit numbered notes. Notes can be assigned various “patterns”, for example: tremolo, glissando, and so on.
OGG
OGG – Vorbis was developed in 2002 by the Xiphophorus team as an alternative to all paid licensed audio formats. Ogg Vorbis is compatible with all popular platforms. The format does not restrict the user to just two channels of audio (left and right), it supports up to 255 separate channels at a sample rate of up to 192 kHz and up to 32 bits, making Vorbis ideal for encoding DVD-Audio of 6 channels. home theater audio.


















