Audio encoding: secrets revealed


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Audio encoding: secrets revealed

audio encoding

Audio settings for video capture and transmission.
As people directly connected to the AV sphere, we constantly talk about audio coding and audio codecs, but what is it? An audio codec is essentially a device or algorithm that can encode and decode a digital audio signal.

Audio Encoding

In practice, the audio waves that are transmitted over the air are continuous analog signals. Signals are converted to digital format by a device called an analog-to-digital converter (ADC), and the reverse conversion device is a digital-to-analog converter (DAC). The codec is between these two functions and it is he who allows you to adjust some important parameters for the successful capture, recording and transmission of an audio signal: codec algorithm, sample rate, bit depth and data rate.

The three most popular audio codecs are Pulse-Code Modulation (PCM), MP3, and Advanced Audio Coding (AAC). The choice of codec determines the compression rate and the recording quality. PCM is a codec used by computers, CDs, digital phones, and sometimes SACD. The source of the PCM signal is sampled at regular intervals and each sample is the digital amplitude of the analog signal. PCM is the simplest option for digitizing an analog signal.

With the correct parameters, this digitized signal can be completely converted back to analog without any loss. Unfortunately, this codec, which provides almost complete identity with the original audio, is not very cheap, which results in large files, and these files are not suitable for streaming. We recommend using PCM to record digital images for your sources or when doing audio post-processing.

Fortunately, we always have the option of choosing a different codec that can compress digital data (rather than PCM) based on some helpful observations on the behavior of sound waves. But in this case, you have to make a compromise: all alternative algorithms are associated with “losses”, since it is impossible to completely restore the original signal, but nevertheless the result is so good that most users will not be able to notice the difference.

MP3 is an audio encoding format that uses a digital data compression algorithm that allows you to save the audio signal in smaller files. The MP3 codec is the most used by users to record and store music files. We recommend using MP3 to stream audio content as it requires less network bandwidth.

AAC is a newer audio encoding algorithm that is the successor to MP3. AAC has become the standard for MPEG-2 and MPEG-4 formats. In fact, this is also a digital data compression codec, but with less quality loss than MP3 when encoded with the same bit rate. We recommend using this codec for online streaming.

Sampling frequency (kHz, kHz)
Sample rate (or sample rate): the frequency with which the signal is digitized, stored, processed or converted from analog to digital. Time sampling means that the signal is represented by a number of its samples (samples) taken at regular intervals.

Measured in hertz (Hz, Hz) or kilohertz (kHz, kHz,) 1 kHz equals 1000 Hz. For example, 44,100 samples per second can be labeled 44,100 Hz or 44.1 kHz. The selected sample rate will determine the maximum playback frequency and, as follows from Kotelnikov’s theorem, to fully restore the original signal, the sample rate must be twice the highest frequency in the signal spectrum.

As you know, the human ear is capable of picking up frequencies between 20 Hz and 20 kHz. Given these parameters and the values ​​shown in the table below, you can understand why 44.1 kHz was chosen as the sampling frequency for CD and is still considered a very good frequency for recording.

There are several reasons for choosing a higher sample rate, although it may seem like a waste of time and effort to reproduce sound outside the range of human hearing. At the same time, 44.1 – 48 kHz will suffice for the average listener for a high-quality solution to most problems.

Bit depth
Along with the sample rate, there is the bit depth or depth of the sound. Bit depth is the number of bits of digital information to encode each sample. Simply put, bit depth determines the “accuracy” of the input signal measurement. The larger the digit capacity, the smaller the error for each individual conversion from the magnitude of an electrical signal to a number and vice versa.


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Differences between digital audio formats (MP3, AAC, FLAC, WAV files, etc.)

Differences between digital audio formats (MP3, AAC, FLAC, WAV files, etc.)

What are the main digital audio formats and what are the differences between WAV, MP3, AAC, FLAC and others?

audio file formats

Differences in audio files To discover all types of digital audio formats, you must first understand briefly and synthetically what digital audio means and how it was created.

It all starts with Pulse Code Modulation (PCM), the basis for digital audio, which was founded in 1937 and is characterized by two properties: sampling rate for measuring the waveform amplitude and bit depth for measuring possible digital values.

If the sound is continuous in the real world, this is not the case in the digital world.

To understand the difference, you can think of digital videos that consist of still images that change quickly and give the impression of continuous motion.

It is the same for audio and the amplitude of the sound waves in a digital format is not fluid, but changes according to certain criteria at predefined intervals.

Since I am not an audio technician or physicist to do simple things and understand what digital audio is, I have found a very explanatory analogy that I am trying to explain here.

The analog audio source can be thought of as the water flowing from an open tap and the amplitude of the audio waveform as the water temperature.

Sampling can be viewed as the frequency with which the finger is immersed in the flowing water per second

The more the finger is immersed in it, the more continuous the temperature changes become.

audio formats

If you put your finger in the running water 44,100 times per second, it’s almost like holding your finger still all the time.

This is the idea behind the sampling rate.

In terms of bit depth, we should think that we’re using a thermometer instead of the finger.

If the water temperature is higher than that of the surrounding area, we will say that it is hot, otherwise it will be cold if it is below it.

Instead of only 2 options, we could mark 16 possible values ​​for measuring the water temperature.

The bit depth can be viewed as the number of values ​​with which the thermometer is to be used to measure the temperature. The more they are, the more accurate information is obtained.

Without losing ourselves technically, we are now seeing the most important digital audio file formats and their differences.

1) WAV and AIFF are lossless (i.e. uncompressed) PCM-based audio container formats with some minor changes in data storage.

.WAV or Wave is the standard format when you take a CD out of your computer (CD ripping).

A WAV and an AIFF can be converted into each other without changing the quality.

These audio formats are suitable for a stereo system (2 channels), they are sampled at 44.1 kHz (or 44100 times per second) with 16 bits (“CD quality”) and the files are approximately 10 MB per minute.

2) Lossless formats: FLAC (Free Lossless Audio Codec), ALAC (Apple Lossless Audio Codec) and APE

These formats compress audio using algorithms.

The difference between compressed files and FLAC files is that FLAC is specifically designed for audio and therefore has better compression rates without data loss.

As a rule, a .FLAC takes up half of the storage space of a WAV in megabytes and maintains the “CD quality”.

A FLAC can be converted to WAV without loss of quality and is the preferred format for those who want to listen to music with the best quality and great speakers.

3) Loss formats: MP3, AAC, WMA, Vorbis

.MP3 and .AAC files are the most common formats when you need to store music on a computer or phone and need to share or download music on the network and the Internet.

MP3 is a highly compressed “lossy” format that sacrifices a certain amount of audio quality for a significant gain in file size.

An MP3 has a size of approximately 1 MB per minute.

The difference to lossless formats is that if you convert the file to a less compressed format like WAV, the quality sacrificed during compression will not be restored.

The various lossy formats use different data storage algorithms, so they vary the size of the files with the same quality. For lossy formats such as MP3, the audio quality is measured using the bit rate value, which is generally specified in “192 kbit / s” or “192 kbit / s”.

The higher the bit rate, the more detailed the sound becomes.

Lossy and Lossy Digital Audio Formats: Audio Codec Guide

Lossy and Lossy Digital Audio Formats: Audio Codec Guide

In recent years, the way we listen to music has changed a lot, also thanks to the Internet, which has allowed a great diffusion of digital audio files. In a short time we went from vinyl to CD, to online music transmitted in high resolution.

losselless

An analog sound to be handled by a computer must become digital. To maintain the exact fidelity of the original audio, you must write a lot of information, thus producing heavy files that take up a lot of disk space. Hence the need to reduce the size of the audio file to save space on various storage media, such as hard drives, but also to take better advantage of the available bandwidth for transferring and listening to files.

Digital audio formats

Every day we use multimedia content such as YouTube, online radio or music streaming services, with a quality that is sometimes enough, other times excellent. This is because the files are the result of a data compression process through the use of codecs.

audio file formats

What is an audio codec?

A codec is an algorithm for encoding and decoding the audio (but also video) data stream.
It is used both to compress a file and to convert, for example, an analog to digital file. The difference in digital audio formats lies in the type of compression that determines their quality and, consequently, their size according to the type of codec used.

Types of digital audio formats.

Audio formats can be of three types:

-Loss (with data loss)
-No loss (no data loss)
-Uncompressed

Lossy digital audio formats

Lossy audio formats are compressed files with lost data and information. They allow you to significantly reduce the size of the original file, even up to 90%. The sound quality is lower than the CD-Audio standard because the compression algorithm “cuts” certain frequencies that the human ear has more difficulty perceiving and, therefore, are less relevant, generally the highest (more than 16 -17,000 Hz).

The Lossy audio format is widely used for listening to digital audio, such as streaming (Spotify, Deezer, Apple Music, etc.). Depending on the type of codec used, compression can vary significantly, as does the quality of the listening. The most popular and popular format is MP3 and WMA.

MP3

The most famous and well-known digital audio format. In its entirety, Motion Picture Expert Group-1/2 Audio Layer, 3, developed by MPEG, offers good compression and discrete audio quality, in particular with a bit rate of 192 kbit / s and 320 kbit / s. Although still widely used, better compression algorithms can be found.

OGG Vorbis

The open source format without lossy audio compression offers an excellent alternative to MP3. With the same perceived quality, it allows for greater compression. The high frequencies (above 16 kHz) are wider and wider, offering greater spatiality of sound. Also used in computer games, it is also often used for audio streaming. Spotify music, for example, uses the Ogg Vorbis digital audio format from 96 kbit / s to 320 kbit / s in addition to the AAC codec.

WMA

Windows Media Audio is Microsoft’s proprietary digital audio format. Encrypted WMA offers excellent compression and good audio quality at high bit rates, but at the same time little compatibility. Precisely for this feature it is now little used. WMA consists of four different codecs: WMA codec, lossless WMA (lossless), WMA Pro, or WMA Voice.

AAC

The Advanced Audio Coding Format (AAC) is part of the MPEG consortium and was born as MP3’s successor. It became famous thanks to Apple that uses it with iTunes, but also thanks to several radios (DABè) that use it to transmit audio. It is the excellent quality and good compression digital audio format used by YouTube, iPhone, Android smartphones and many other devices such as Nintendo and Playstation. The AAC supports 48 audio channels with sampling up to 96 kHz and uses constant bit rate (CBR – Constant Bit Rate) or variable (VBR – Variable Bit Rate) compression encoding. AAC is one of the best lossy codecs, the encoding speed is not among the best.

MPC

Musepack (or MPC) together with AAC vies for the podium as the best lossy digital audio format. The quality is very high, thanks to the VBR encoding that guarantees a good distribution of the bit rate. The peculiarity of this codec, in terms of AAC, is the clarity of the sound, which is very wide and spacious. Good encoding speed, it is ideal for those looking for quality while keeping a small audio file size.

ATTRAC

ATRAC (Adaptive Transform Acoustic Coding) is a lossy audio compression algorithm developed by Sony. Born for MiniDisc (MD) whose production ended in 2013, this codec has not been very successful and is no longer used today.

mP3Pro

Derived from MP3, its peculiarity lies in the fact that it maintains the same quality as an MP3 at 128 kbps but with lower bit rates, from 64 kbps to a maximum of 96 kbps. Compression of the higher frequencies, a painful note from lossy files, occurs through the Spectral Band Replication (SBR) algorithm. The result is space savings at lower bit rates, but also less dynamic and unclear sound.

Dolby Digital

Dolby Digital is a multi-channel audio encoding system, used primarily in DVD, film, and digital television. Contrary to what one might think, it is a lossy audio format, therefore compressed with loss of information. Known as Dolby Digitale 5.1, it works with a minimum bit rate of 96 kbit / s up to a maximum of 640 kbit / s. On DVD, it maintains an average of 192 kbit / s in stereo audio and up to 448 kbit / s in 5.1 signals

Lossless digital audio formats

Lossless audio formats are compressed but lossless files. They maintain the original audio quality, without degrading its characteristics in any way, while managing to compress certain information up to 40-50%. The most popular and widely used Lossless Codec format is the FLAC (Free Lossless Audio Codec) file. Apple has produced its own lossless format called ALAC (Apple’s Lossless Audio Codec) that iTunes uses.

Lossless files offer the quality of a CD (reported as standard), but to maintain fidelity, the dimensions will be larger and take up more disk space than Lossy, but still half the original file.

FLAC

FLAC (Free Lossless Audio Codec) is a codec released under a free software license with lossless data compression. Extended and compatible with most audio devices, the FLAC codec compresses data from a minimum of 30% to 50%, compared to the original file, while maintaining the perceived quality unchanged.
A Flac file can be 8, 16, or 24-bit deep and has a sample rate of up to 192 kHz (Flac Hi-Res).
Various music audio streaming services like Deezer Music, QoBuz, Tidal offer high quality music equal to or higher than the CD standard using this format.

Lossless wma

WMA Lossless is the lossless version of Microsoft’s WMA Lossy codec. It offers good and fast compression. Although it is proprietary, it can also be played by VLC Media Player, WinaAmp, RealPlayer and others.

A THE C

ALAC (Apple Lossless Audio Codec), also known as ALE (Apple Lossless Encoder) is an audio codec developed by Apple in 2004. In 2011, the source code was made available under an open source license. Primarily used by iTunes, other online music services have also used it in recent years. Excellent audio quality and fast decoding, but slightly less compression than FLAC files.

Advantages and disadvantages of the main digital audio formats

Advantages and disadvantages of the main digital audio formats

CDA:

Advantage
· It is the most standard digital format of all.
· Contains Digitized Stereo Music
· Play all audio spectrum
WAV (AIFF):

Advantage:
· It can contain other resolutions or even be monophonic.
· It can be considered a lot to record voices.

Disadvantages:
· It is considered insufficient for music.
· The most common are 16-bit and 44.1kHz.
· 8 bit 22kHz monophonic WAVs were only capable of reproducing this resolution.

MP3:

Advantage:
· It is adaptable for most devices.
· It is very accessible.

Disadvantages:
· You can force to pay for the use of codecs.
· Contains too many losses, making them clearly insufficient for the quality of MP3 players.
· Adds obvious losses in the stereo image, permanently missing the highest frequencies.
· It is one of the worst in audio quality.
· The higher the resolution, the more the MP3 will occupy.
· It also affects the definition and timbre of the instruments.
· It also removes certain sounds that move at the same frequencies as another louder sound.
· Add excessive modifications to the original music.

WMA:

Advantage:
· Improve MP3 quality.
· There does not seem to be an advantage to using a proprietary format having free alternatives.
· All Windows and many MP3 players support it natively.

Disadvantages:
· Over the years it may become obsolete or discontinued by Microsoft.
· Add artifacts and losses similar to MP3, although lighter.

OGG (Vorbis):

Advantage:
· It would be the equivalent of MP3 and WMA but free and free.
· The code of the codecs is open.
· It is available to the community, which can continue to improve it.
· It has excellent compression rates.
· Quality superior to that of WMA and much superior to MP3.
· Sounds better than a 192 Kbps MP3
· Adds a certain artificial brightness at high frequencies, the losses produced by psychoacoustic theory being much lower.

ATRAC3:

Advantage:
· ATRAC3 plus in an improved ATRAC format.
· Cuts at certain frequencies are auditively seen in secondary and treble instruments.

M4A / MP4 / ACC:

Advantage:
· Contains ACC audio.
· They are capable of playing video.
· The quality of the AAC is much higher than that of the MP3.
· Adds some distortion in the mid frequencies and digital artifacts in secondary instruments.

MPC (musepack):

Advantage:
· It is free and free.
· Excellent sound quality.
· It offers the best quality of all and the losses are practically negligible.

Disadvantages:
· It is one of the most modern and sophisticated formats with loss.
· The resulting files are larger.
· Codecs are not intended for low bitrates.

RA (Real Audio):

Advantage:
· Compress to limits to be able to transmit audio streaming through slow 56 Kbps modems

Disadvantages:
· Requires installation of Real Audio player.
· Slow, heavy and full of advertising.

APE (Monkey Audio):

Advantage:
· It is a lossless format.
· We compress but when unzipping we get the same files intact.
· Contains the full disk wave.

Disadvantages:
· It is a proprietary format.
· It has a discreet support on the platforms.
· Slow decompression.

FLAC:

Advantage:
· It is a free lossless audio format.
· The quality is equal to that of the APE.
· We use less processor.
· It is multichannel (accepts all streaming).
· Avoid annoying shorts.
· It is very compatible.