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Video codecs

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In photography, the choice of the recording codec is quite limited: we usually fluctuate between the JPG format and the Raw format. In video, the choice is slightly wider: MPEG-1, MPEG-2, MPG-4, H264, H265, RAW, ProRes, ProRes Raw, Motion jpeg, etc.

So what are these codecs for, what uses are they designed for, and which ones should you choose?

Códecs

CONTAINERS AND CODECS are NOT the same!

Digital videos are contained in files. These files are called “containers”. The extension of these files often makes it possible to determine their type. The most common containers are MP4, MOV, AVI and MXF. The MXF container is generally used in professional camera series from manufacturers such as Sony or Panasonic.

These containers are “boxes” or “folders” that consist of several elements: video track, sound tracks, time code or subtitles. The purpose of the container is to synchronize all the elements it contains.

Therefore, you cannot know the codec of a video from the file extension: for example, an .avi file and a .mov file could use the same codec to encode the video track.

WHAT IS A CODEC?

A codec is a mathematical procedure consisting of algorithms used to encode and decode the image (codec). It helps define how sensor information is stored and the strategy for compressing and decompressing images.

The size of a one minute 4K video file is about 50 GB. Therefore, it is easy to understand the main advantage of using a codec: compression. For the same minute of 4K recording, for example, using the H264 codec reduces the file size by a factor of about 27, or a final size of about 1.8 GB.

The more “codec” a codec is, the more complex the decoding will be and it will require a powerful machine to accomplish this task. At the same time, the higher the compression, the greater the loss of information that can make post-production difficult.

To achieve this optimization, most codecs use spatial compression: each image is compressed independently of the other images; This is known as an “intra” codec. For more compression, more complex codecs add temporary compression: we’re talking LONG GOP (GOP for “Group of Pictures” or “Long Group of Pictures”); Codecs of this type record only one full image per x images (often 12) and retain only what has changed between these images.

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What are the most used video formats?

Choosing audio and video codecs and containers affects video quality and file size. Here we show you how to find the format that best suits your needs.

Decades and decades of developments in the audiovisual field have led to a result that, in some way, can be considered curious. While in other sectors, continuous development has led to a very marked standardization (think of the .doc or .pdf format), in multimedia the situation is at least compound.

An example is the world of audio formats, animated by strong “competition” and a multitude of available options. It is no less than that of video formats, in fact. In this case, in fact, we have to deal with a division between codecs and containers (we will see in a moment what they are and what function they perform) that ends up complicating things even more. Therefore, in case you want to convert a movie, you have to be careful to choose the correct codec and the correct video format, to avoid creating files that are too large or simply unreadable. In short, the error is just around the corner.

Differences between containers and codecs

Before analyzing the situation and seeing what are the most used video formats, it is necessary to clarify some fundamental concepts: first, what is the difference between the codec and the container. If in the audio world, the codec used to digitize the audio track matches the “final” file format, in the video, on the other hand, the codecs used are different from the file format that the video file will assume at the end of the digitization process. The reason is soon explained and lies in the multimedia nature of a video.

A movie, in fact, contains video and audio data: the conversion or playback software must be able to analyze both multimedia streams, and therefore will need different algorithms that work in one or another type of data stream. Codecs do exactly this: as the name, code, and decoding of data (audio and video) are made from movies, so you can convert them to another video format or play them back with a media player. Even with regard to containers, it is enough to resort to the literal meaning of the word: these are files that contain both the video and audio sequences within them and “make them available” to codecs for reading and playback.

What are the most used codecs?

A codec, as mentioned, is in charge of compressing and decompressing the video files and determines how they are played on the screen of the PC or smart TV. Each operating system provides the user with dozens and dozens of different codecs, each useful for encoding and decoding a specific type of file, even if a new one can be installed by downloading special software or packages from the web. Among the most used codecs we find the FFmpeg, Divx, Xvid, H.264 and its evolution H.265, VP9 and VP 10 (also known as the name of the Google codec).

-Divx and Xvid. As the name also suggests, these are two “mirror” codecs, created in the late 20th and early 21st centuries to meet the initial demand for online multimedia content. Since bandwidth and browsing speed were very limited, these are codecs that can guarantee good video quality even at high levels of image compression. In this way, it was possible to obtain files of contained dimensions even with very long movies (such as full movies)

-264 and H.265. Created by the Motion Picture Expert Group, they can be considered as industry standards. Among the most popular and used in all areas (you can find H.264 encoded movies on Blu-ray discs, for example, but also movies downloaded from the network) thanks to its versatility and ability to guarantee an excellent quality ratio / File size. The H.265 codec, in particular, can guarantee, with the same quality, a compression factor twice as high as that of its predecessor: files “treated” with this codec will therefore weigh half compared to their counterparts processed with H.264 codec

-VP9 and VP10. Also known as “Google Codec”, they are the codecs used by the giant Moutnain View to compress and decompress the movies uploaded to YouTube. These are algorithms optimized for online video playback, capable of offering excellent resolution and high quality even with small files. The VP10 in particular is the all’H.265 answer and is designed for resolutions up to 4K
Mpeg-H.

Video codecs and possible failures

Numerous queries that you make to us as readers are caused by one of those incompatibilities in something that should be as simple as being able to put a file in a pendrive and that later (for whatever astral reason) it cannot be reproduced due to a failure or due to other. And this, dear reader, is almost always given by the codecs.

So with the intention of explaining and the desire to give you simple solutions, we elaborate this article where you can know what they are, how to detect them, how to convert them easily and by which way it is better to insert it to our precious Smart TV. But, let us start at the beginning.

But what is that about codecs?

The first thing to distinguish is what a codec and what a container. Sometimes they are confused and it is essential to define them to identify them and get to the point when we are presented with any incompatibility in any file that we want to reproduce.

Surely you sound files with formats as famous as .mpg, .avi, .mov, .divx, .mkv … Well, all these are containers of content both in the form of audio and video tracks so that later when playing them play all at once, in tune and with sufficient quality. That’s where the codec comes in.

A codec is simply a program that creates a particular file with encryption. Hence its name … to encode and decode these files in a language or code that improves image and sound quality or reduces the file size for a better transfer over the network of networks.

So to sum up, one issue is the type of file format or extension that we have in front of us and a very different one, how it has been encoded, in what language, that our TV will then be able to interpret and reproduce correctly.

And it is that before a problem of reproduction of file the first thing that we have to know is with what type of codec it has been codified. To do this in a very simple way we can find out with a simple video player on our PC.

How to know the compatibility of Smart TV

Knowing what codec or container our “smart” television can play is critical to know what type of video file to download and that it doesn’t trouble us later when playing it with the smart TV model we have at home. But this information is not always at hand as we expect. There are brands that do not include this information in detail on their website or in the manual.