What are the differences between MP3, FLAC and other audio formats? Part 2


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What are the differences between MP3, FLAC and other audio formats? Part 2

FLAC vs MP3

Lossless formats: FLAC, ALAC, APE

FLAC vs MP3

Free Lossless Audio Codec, Apple Lossless Audio Codec, and Monkey’s Audio are all formats that compress audio in the same way as anything compressed in the digital world: using algorithms. The difference between compressed files and FLAC files is that FLAC is specifically designed for audio and therefore has a higher compression ratio without loss of data. It usually sees about half the size of the WAV. In other words, a FLAC file for “CD” quality stereo sound runs at approximately 5MB per minute.

On the plus side, if you want to do some audio manipulation, you can convert back to WAV with no quality loss. If you are a music lover and listen to a lot of music with dynamic ranges, these are the formats for you. If you have a large set of speakers, cans, or headphones, these formats will display tones for display.

Lossy formats: MP3, AAC, WMA, Vorbis

Most of the formats you see in everyday use are “lossy”; a certain degree of sound quality is sacrificed for a significant increase in file size. Average “CD quality” MP3 runs at around 1MB per minute. A big difference compared to PCM, right? It’s called compression, but unlike lossless formats, you can’t get that quality back if you understand lossy formats. Different lossy formats use different storage algorithms, so they generally differ in file size for comparable quality. Lossy formats also use bit rate to indicate audio quality, which is typically viewed as “192 kbps” or “192 kbps.” The higher the number, the more data is pumped in, so more detail is preserved.

MP3: MPEG 1 Audio Layer 3, the most common lossy audio codec today. Despite a ton of patent issues, it’s still incredibly popular. Who doesn’t have MP3 files?
Vorbis – A free, open source and lossy format that is most commonly used in PC games like Unreal Tournament 3. FOSS fans like many Linux users are sure to see a lot of this format.
AAC – Advanced Audio Coding, a standardized format now used with MPEG4 video. It is actively supported due to its DRM compatibility (such as Apple’s FairPlay), its improvements over mp3, and because no license is required to transmit or distribute content in this format. Apple fans will probably have a lot at AAC.
WMA: Windows Media Audio, a lossy audio format from Microsoft. It was designed and used to avoid MP3 licensing issues, but due to major enhancements and DRM support and lossless implementation, it still exists. It was very popular before iTunes became the DRMed music champion.
Lossy formats are what you use for everything you listen to and store. They are designed to save space on your hard drive. The format you choose depends on the type of digital audio player you are using, how much space you have, what quality objections you have, and a bunch of variables. Computers will play anything these days, most audio players (except of course Apple) support various lossy formats and more and more FLAC and APE. Apple sticks to MP3, ALAC, and AAC.

Is the sound quality subjective?

This is absolutely true. Ultimately, your ears consume most of your belongings, but this is another reason to give serious thought to quality. When I started to build my digital music collection, I couldn’t understand the difference between 128Kbps MP3 and Audio CD. In my opinion, there was not a noticeable difference. However, over time, I realized that 256 kbps sounds a lot better, and after getting some really good (and expensive!) Headphones, I went back to the Audio CD! It also depends on the musical genre.

There are a lot of variables here guys, make no mistake about it. It was a while before I decided to use FLAC for music and 320kbps MP3 for the rest. The point I’m trying to emphasize is that you have to experiment to see what works best for you and your music, but remember that as your tastes, your perceptions, your gear, and the importance of quality change. will also be.

And it all gets even more complicated when it comes to not only music, but also voice tracks, sound effects, white and brown noise, etc. There is a whole world of sound, so don’t be discouraged! If you learn what you can and listen to yourself, you can use this information in your future audio projects. I leave you with some of the best advice I’ve ever received: “do what sounds good.”


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What are the differences between MP3, FLAC and other audio formats?

What are the differences between MP3, FLAC and other audio formats?

FLAC vs MP3

Digital audio has been around for a long time, so many audio formats can certainly be found. Here are some of the most common, what sets them apart and what to use them for.

FLAC vs. MP3

Before talking about everyday audio formats, it is important to understand the basics, what it means to understand PCM. After that, we will tackle compressed formats.

PCM audio: where it all begins

Pulse code modulation was created in 1937 and is the closest approximation to analog sound. That is, the analog signal approaches at regular intervals. PCM has two properties: sample rate and bit depth. The sample rate measures the frequency (per second) that the amplitude of the signal is taken and the bit depth measures the possible digital values. In terms of audio formats, this is pretty much the base.

True sound in the real world is continuous. This is not the case in the digital world. In some ways this is more confusing for audio than video, so let’s take a look at the video for comparison. What we interpret as “movement” or think as “fluid” and in constant motion is actually a series of still images. Also, the amplitude of digital sound waves is not “smooth” or constantly changing. It changes based on certain criteria at predetermined intervals.

I know there are a lot of things here that might not be second nature unless you’re an engineer, a physicist, or an audiophile, so let’s make a little analogy.

Let’s say the water coming out of an open tap is your “analog” sound source. We can compare the temperature of the water with the amplitude of a sound wave; It is a property that must be measured in order to enjoy it properly. Sampling is the number of times per second that you place your finger in plain water. The more often you put your finger on it, the more “continuous” the temperature changes will be. If you put your finger in running water 44,100 times per second, it’s like keeping your finger there all the time, right? This is the basic idea behind sampling.

Bit depth is a bit trickier. Instead of using your finger, let’s say you actually used a thermometer. Basically it said “Hot” for anything above room temperature and “Cold” for anything below. No matter how many times you put it in the water, it won’t give you much useful information. Now if instead of two choices, let’s say a thermometer has 16 possible values ​​that you can use to measure the temperature of the water. More useful, right? Bit depth works in the same way, as higher values ​​allow more dynamic changes in the amplitude of the sound to be accurately displayed.

As mentioned above, PCM is the foundation of digital audio, along with its variants. PCM tries to simulate the waveform of glory uncompressed as much as possible. It’s special, it’s ready to get stuck in a DSP and more or less universally playable. Most other formats manipulate the audio using algorithms, so they need to be decoded during playback. PCM audio is considered “lossless”, it is not compressed and therefore takes up a lot of hard disk space.

Uncompressed packet: WAV, AIFF

Both WAV and AIFF are PCM-based lossless audio container formats with minor changes to the data store. PCM audio for most people comes in these formats, depending on whether you are using Windows or OS X, and they can be converted to each other without any degradation in quality. Both are also considered “lossless”, they are uncompressed and a stereo PCM (2ch) audio file sampled at 44.1 kHz (or 44,100 times per second) with 16 bits (“CD quality”) is approximately 10 MB for a minute. If you are recording

MP3 VS FLAC. Can you tell the difference?

MP3 VS FLAC. Can you tell the difference?

mp3 vs flac

Along with vinyl records and CDs, our music library is increasingly replenished with MP3 and Flac music files. Many consider these two formats to be irreconcilable enemies, while others are sure that the difference between them is small. Is it so?

MP3 vs FLAC

Pizza. Baked in a real wood oven, with a slight smell of haze, the unique flavor of two cheeses fused into one whole. This aromatic bread pancake is crisp on the edges. This incredibly fragrant filling simultaneously plays with various flavors and smells. This is a feast of flavor and satiety. Sometimes he wants pizza so badly that he takes ordinary bread from the store, slices it finely, puts finely chopped ham on top, and covers it with cheese. And put it in the microwave for a couple of minutes. Of course, you can eat even with this, but there will not be the delight that is present when eating pizza prepared by the master.

No, no, we are not baking a signature pizza or opening an Italian restaurant. With this visual example, we show the difference between compressed and uncompressed audio formats.

About formats.
A little history. The MP3 format (MPEG-1/2 / 2.5 Layer 3) appeared in 1994. Do you remember those days? There was no talk of gigabytes, hundreds of megabytes cost a lot of money and many still remembered the legendary phrase of Bill Gates: “640 KB of memory is enough for any computer”. And if the reliability of this phrase is still questioned, then as early as 94 no one doubted that music would be distributed over the Internet and files would be stored on a computer. Okay, keeping your entire music library on one hard drive and being able to take it with you wherever you go is a great idea. However, at that time the main carrier of “digital music” was the CD.

A standard CD contains 650 megabytes or 74 minutes of music at a bit rate of 1411.2 kbps. To preserve a dozen albums in their original quality in ’94, it took a very substantial quantity! Yes, and a personal computer cost a lot then, and the main task of the MP3 that appeared was the ability to transmit sound through channels with little bandwidth. At that time, transferring an entire CD over the Internet required tens of hours at best. Therefore, the developers were faced with the task of reducing the size of the audio file to the maximum, avoiding to a minimum the losses during the compression of the signal. However, the encoding technologies were not yet perfect, and the processors were not that fast, so it was decided to apply the psychoacoustic method, in which only part of the audio information is lost. For example, all “quiet” sounds above 17 kHz and all bass below 40 Hz. The developers have established various levels of compression for these files, taking the digital stream as the basis for measuring the quality: the more information is transmitted per second of time, the higher the sound quality, but also the larger the file size. The maximum bit rate in MP3 is considered to be 320 kbps, in which the sound is balanced and the quality is as close to the original as possible.

And this is the “closest” and tormented to good sound lovers so far. The fact is that listening to music on high-quality equipment allows you to fully feel the difference between the original recording and its MP3 version, even at 320 kbps.

In all honesty, we admit that you can listen to music even at 64 kbps. If you just want to hear your favorite tune, then no obstacle is terrible. You can even play the nearest musical instrument yourself, if you have the skill, or listen through the speaker phone. However, if you want to enjoy a work in which all the inherent nuances and emotions, its interpretation by the sound engineer and the way the performers play, will be preserved, then MP3 (as, indeed, any other format of lossy compression) will not be a pleasure, as well as the playback is excellent. CD recorded and edited on a mediocre device.

The developers of the Flac format thought about how to reproduce high-quality compressed audio in high-quality Hi-Fi. In fact, FLAC (Free Lossless Audio Codec – “free lossless audio codec”) appeared only 6 years after MP3. However, encoding technologies have come a long way during this time, making it possible to create codecs that compress the audio signal without loss. Of course, it wasn’t possible to make the file smaller than MP3, but users now have an order of magnitude more spacious storage, so a couple hundred megabytes per album is a mere trifle. It is not?

Both formats are quite widespread. Almost all operating systems can play them using standard or third-party players. МР3 is compatible with almost the entire line of sound reproduction devices, including those belonging to the High End class. With Flac (and its analogues), the situation is slightly different: some manufacturers still stubbornly ignore this compression method. Be that as it may, the simple music lover can always choose between these two formats. But, along with the choice, questions arise, but will you hear the difference between Flac and MP3? Let’s try to figure it out.

Mobile devices.
For music lovers who prefer to listen to music on mobile devices, there will be practically no difference. Modern smartphones, with rare exceptions, are not equipped with the highest quality audio path. Also, if you use normal in-ear headphones or a Bluetooth speaker. In both cases, the bandwidth of the audio path is not high, so all the recordings will be poor in micronance and dynamic recording. But! Manufacturers are gradually changing this situation. For example, the Korean company LG launched the launch of the V20 smartphone with a built-in Hi-Fi Quad DAC module, which has decoders to play all popular audio formats, including audiophiles and professionals. The smartphone comes with high-quality Bang & Olufsen headphones. On this device, the difference between MP3 and Flac sounds pretty good. In other cases, for a music lover, for those who want to listen to music from their phone, for now it is worth taking a closer look at a specialized external DAC and headphones. For example, FiiO’s line of portable headphone amps with built-in DACs are quite capable of capturing all the nuances of Flac recording when used in conjunction with good on-ear headphones. By the way, even “headphones” work, but not the cheap ones that are sold in all corners, but they are produced by major audio brands.

Alternative? If possible. This is not a multifunctional device, but a high-quality portable audio player. In such a device, as a rule, a high-quality digital-to-analog converter is installed and selected components are used in the audio section. And the entire structure is dedicated to one goal: high-quality sound reproduction. Therefore, other than strictly speaking a music player, there is nothing in the body to prevent you from distinguishing the Flac from the MP3.

Home Hi-Fi.
Everything here is much more prosaic. You can distinguish a high quality soundtrack from a poor quality one on any component of a modern audio system. Also, the more expensive the system, the more pronounced and unpleasant the sound artifacts inherent in lossy compressed compositions. And the brighter and more expressive the performance will be when playing files with lossless compression. If you can easily and immediately tell the difference between playing Flac and MP3, then your home system components are good. Another obstacle that prevents you from feeling it is the record player. The files can be played by directly connecting the hard drive with them to disc or multimedia players, as well as various receivers and amplifiers equipped with a built-in USB media player. As a general rule, in a low-quality device they save on everything therefore the base of the element is exposed to all kinds of interference from various operating units, and the digital-to-analog converter does not process the flow at the highest level, which allows many errors. All of this affects the final analog signal, which after all this can no longer be restored. Like covering your speakers with a towel or pillow. Who knows what the signal would be without it? So again we come to the conclusion that it will be impossible to distinguish between MP3 and Flac in such a system. Exit? Use only high-quality components in your home Hi-Fi systems, from the source and amplifier to acoustics and even cables. that after all this it is impossible to restore. Like covering your speakers with a towel or pillow. Who knows what the signal would be without it? So again we come to the conclusion that it will be impossible to distinguish between MP3 and Flac in such a system. Exit? Use only high-quality components in your home Hi-Fi systems, from the source and amplifier to acoustics and even cables. that after all this it is impossible to restore. Like covering your speakers with a towel or pillow. Who knows what the signal would be without it? So again we come to the conclusion that it will be impossible to distinguish between MP3 and Flac in such a system. Exit? Use only high-quality components in your home Hi-Fi systems, from the source and amplifier to acoustics and even cables.

The fact that almost all music is now stored at home as files that you can listen to on your home system or take it with you and listen to while traveling, on vacation, in class, or elsewhere is great. This is progress to take into account. However, we must not forget that we enjoy music in the first place. In addition to good pizza. And we do not recommend that you deny yourself these pleasures. They are an indicator of the quality of life and a source of our positive mood and positive emotions.

WMA Lossless vs FLAC

Lossless audio compression comes in a variety of forms. By definition, since all of these formats are lossless, technically there should be no difference in audio quality between them. The significant difference lies in the way they are compressed, which some say affects audio quality in different ways. WMA and FLAC files have some advantages and disadvantages, depending on the context.

WMA

WMA Lossless format

The Windows Media Audio format is one of several common lossless formats out there. It was originally designed to compete with the MP3 format, which lacks the full digital rights management capabilities of the WMA format. It is comparable to other proprietary lossless formats in its ability to support multi-channel audio and high-resolution recordings. WMA uses a unique compression algorithm that is sometimes claimed to provide better quality audio than other lossless formats. However, since “lossless” is by definition an identical reproduction of an original source, the superiority of the WMA format is questionable.

FLAC

FLAC format

The free lossless audio codec was originally created by Josh Coalson in 2000 and has since become a common format in lossless audio playback. Like the Apple Lossless format, the FLAC format is open source and can be used and expanded as desired. The tools for creating and editing FLAC files are freely available. A major limitation of the format is its lack of compatibility with many proprietary digital audio devices and applications. However, support for the FLAC format has grown considerably, especially in the area of ​​audio transmission.

Proprietary and open source

The most significant difference between the WMA and FLAC formats is their use, or lack thereof, of digital rights management technology. WMA is a proprietary format owned by Microsoft and requires a license to implement it. Despite this limitation, it is among the most popular codecs in use and can be played with a wide variety of devices and applications. The FLAC format has the advantage of being freely available for use, but the widespread presence of the WMA format is lacking. The preferred format will always depend on the context in which the file will be used.

Audio quality

Technically, all lossless audio codecs should offer identical audio qualities. However, it is occasionally argued that the different compression methods used result in subtle differences. The WMA codec uses two types of compression on a single file, depending on the complexity of the audio it contains. The result is less compression on complex passages and more compression on less complex regions, said to provide smoother quality than the other codecs. The FLAC compression algorithm is much simpler and compresses all audio files in the same way. If this results in a difference in the quality of the WMA codec, it is probably not detectable by the human ear.

FLAC versus MP3: Does it make sense to use a “lossless” audio codec?

Free Lossless Audio Codec (FLAC) is an audio format that is unknown to the public, but is particularly loved by the most demanding audiophiles: unlike MP3, AAC and their partners, FLAC is lossless, which means that it compresses audio with no loss of information. The advantage is the superior quality and the certainty that a 1: 1 copy of the original can only be made from the files. The disadvantage is that the tracks “weigh” significantly more. Is it a winning engagement or not?

mp3 vs flac

Let’s go to the conclusions

If you have original, rare and / or valuable audio recordings that you want to keep indefinitely for years (even if the original media wear out), FLAC is the optimal choice.

But if you only make it a matter of quality, think twice about it: it might not be worth it.

Never convert from MP3 to FLAC – it would take up extra space for free.

best audio format
lossless

FLAC is … an audio codec

Let’s start with FLAC being an audio codec: that is, it is used to compress music or other sound sequences so that they take up less space than storing the same information directly.

To get an idea of ​​how basic this is, keep in mind that an hour of uncompressed audio (no video) takes 620MB.

FLAC is … “free”

Then there is the word “free” which should be interpreted as “free” and “free”. FLAC is distributed in open source mode (GPL license). This means that its specifications can be used by anyone without paying any commission.

In contrast, there are MP3s that must be used within software and device manufacturers by Thomson Consumer Electronics and the Fraunhofer Society.

FLAC is … lossless

The third aspect concerns the type of compression used. While MP3 and AAC reduce the weight of the file by permanently eliminating frequencies and nuances that are generally unrecognizable to the human ear, FLAC retains every last bit present in the source and then applies only a number of specific optimizations, before the file is saved result in reducing the size on the hard drive. When the file is opened, however, the process is reversed and FLAC returns the original audio perfectly.

The procedure is similar in many ways to that of compressing in zip format: when the file is unpacked, we get the perfectly preserved initial file again. The difference is that FLAC was specially developed for working with audio and significantly reduced the size of the source file.

Lossless = quality + flexibility

Audiophiles complain that the “cuts” in the MP3 codec are too heavy and that the quality is unacceptably affected. In contrast, the performance at FLAC corresponds 100% to the original “master”.

Added to this is the aspect of optimal data storage: FLAC supporters point out that a “ripped” CD in this format can later be recreated from the files themselves and that a bit-by-bit result is achieved that corresponds to the original. However, the same procedure used for MP3 extraction would produce a different, lower quality disc.

The disadvantages: size and compatibility

The disadvantage is that FLAC files in megabytes are much heavier than compressing them with MP3. Although the actual efficiency depends on the sound characteristics of the respective source, an average reduction of 40-50% can be expected: For example, an hour of audio ranges from approximately 600 MB of the uncompressed format to 300 MB in the optimal case

With MP3, compression is much more intensive – the same hour of compressed audio at 160 kbps (or very high quality anyway) is expected to be around 70 MB.

Then there is the compatibility problem: MP3 is natively compatible with any Smart TV, radio, PC, smartphone or media player that is still in circulation. FLAC, on the other hand, can only be played natively on Android, Linux and Windows 10. On the other platforms, if possible, you need to download a dedicated player or convert songs in advance.

Impossible to detect the difference between MP3 and FLAC

Impossible to detect the difference between MP3 and FLAC

New comparative study carried out by experts debunks the myth that the FLAC sound (Free Lossless Audio Codec (FLAC) or Codec free lossless audio compression, is considerably better than that obtained in MP3 or AAC files.

According to Wikipedia, FLAC is a format of the Ogg project to encode audio without loss of quality; that is, the initial file can be completely recomposed, although with the disadvantage that the resulting file takes up much more space than would be obtained by applying lossy compression.

Other formats, such as MP3 or ACC (Advanced Audio Coding), irreversibly lose part of the original information when compressing the file, in exchange for a great saving in file size.

The site Trusted Reviews has published an analysis called “Sounds Good to Me”, the conclusion of which is that there is no considerable difference in sound in FLAC and MP3, at least for the average user’s auditory perception.

In their study, Trusted Reviews made the assumption that there is a difference, and that people with developed hearing abilities could hear the difference between a 192 kbps MP3 file and a FLAC file, both obtained from the same original CD.

Only one user notices the difference between Mp3 and FLAC

The previous assumption was not confirmed in the facts, since among the seven people who participated in the analysis there was only one who detected the difference between FLAC and MP3. In many cases, MP3 at a rate of 192 kpbs had a higher score than FLAC.

This result was further strengthened when comparing 320 kbps MP3 files with FLAC files, since half answered correctly, and half were wrong. The percentage of participants who preferred MP3 was even higher.

The trial used an iBasso D3 Python USB DAC and Beyer Dynamic DT770 Pro headphones.

It should be noted that studies of this type have a certain margin of error. According to experts in comparisons such as the one carried out by Trusted Reviews, there are psychological factors, such as many users quickly forgetting their perception of what they have just heard, so the order in which the test is carried out is highly relevant. Non-expert users are also influenced by their mood and, in fact, by the music they listen to.