What is the difference between 128k and 320k music? Part 2


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What is the difference between 128k and 320k music? Part 2

Bit Rate

In simple terms, we can think of a sound wave as a curve.

Bit Rate

We know that the curve is made up of points, and the sampling rate is the number of points in the middle of the length per second (the horizontal axis in the figure above). Sampling precision is the number of points in the dynamic range (upper vertical axis). The finer the positioning of these two dimensions, the greater the true sound restoration and the better the sound quality. Of course, the larger the audio file will be. The customer mentioned by the above colleague said that the latest Hi-Res Audio format released by SONY is a 6-channel 192kHz/24-bit recorded audio file. The size of the lossless format, of course, will be more than 200 megabytes.

The sampling frequency is approximately the following depending on the type of use (k is the thousand-bit symbol, 1khz=1000hz):

8khz: used for phones etc, is enough to record human voices.

22.05khz: transmission use frequency.

44.1kb: Audio CD.

48khz: used in DVD and digital TV.

96khz-192khz: used for DVD-Audio, Blu-ray HD, etc.

The common range of sample precision is 8 bits to 32 bits, with 16 bits generally used on CD.

Having said that, my friends are starting to get confused. It’s not the bitrate that determines the sound quality, so why is everyone saying that 320kb sound quality is better than 128kb?

【Audio Compression】

Well, in fact, the bit rate should be said to be another dimension, it is a compression of audio files.

Nowadays, most of the audio formats we use regularly are based on the original “WAV” file of the audio CD (44.1khz sample rate, 16bit sample precision, 2ch). The original recorded sound data is stored in a matrix, which is in PCM format, while WAV format is an encoding format developed by Microsoft. Its function is to reproduce the data in PCM format through encoding.

Since the data in WAV basically completely restores the PCM data, MP3, AAC and other lossless encoding formats are basically recompressed based on the WAV files. Therefore, we can simply think that WAV is the original audio format and other audio formats are compressed formats.

When it comes to compression, storage and transmission are inseparable. The purpose of compression is to improve storage and transmission, so before we talk about compression, we need to understand the basic units of computers.

We all know that the computer is a binary number system, and the files stored by the computer are made up of two numbers, 0 and 1. Therefore, the computer’s transmission is based on each number, and each number is called 1 ” bit”. For example, for an audio piece, its basic data is “0,1,1,1,0,1, 1 ,0”, and when transmitting, these numbers are transmitted one by one. The sampling precision mentioned above is this unit.

The storage unit of the computer is “byte (Byte)”. In the computer, 1 byte consists of 8 bits, that is, 8b(bit)=1B(Byte). In computer parlance, data storage is expressed in decimal and data transmission is expressed in binary, so 1KB=1024B=1024×8b. This is also part of the reason why the hard drive capacity we see does not match the actual capacity.

Go back and talk about audio compression, the bitrate of the audio is actually the compression ratio. So the bitrate really just defines the size of the file, but because under normal conditions the larger the file, the less data you lose, so the sound quality is relatively higher. However, the bit rate itself does not directly affect the quality of the file. For example, if we take a 128kb file as the source file, even if it is converted to a 320kb file, the sound quality will not be better than 128kb. .


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What is the difference between 128k and 320k music?

What is the difference between 128k and 320k music?

Bit rate comparision

192k is a turning point. Below 192K, the sound quality is relatively damaged, especially the high-frequency part above 16Khz will be cut off.

bitrate

In a nutshell, mp3s above 192k can no longer be listened to with CD sound quality on ordinary home devices, except for Golden Ears and Hifi devices. Of course, these data are not 100% reliable. There are always people on the internet sharing fake mp3 above 192K. In fact, they are converting low bitrate music to high bitrate through software, but the sound quality will not improve. be improved. Windows Media Player compresses it. The resulting mp3 is absolutely wonderful, no matter how high the compressed bitrate is, it will cut perfectly around 16K.

Some time ago, a colleague came across a very troubled client. The mess was said to have been caused by the client asking him to provide song files larger than 100MB-200MB in size. And my colleagues don’t know much about audio formats, so they started endlessly fumbling about FLAC, WAV and audio size. In the end, the colleague did not explain to the client what was going on.

After that, other things happened that made me feel that in the music industry there are too many practitioners around me who have an extremely poor understanding of music and even lack some basic knowledge related to music. I don’t even have the idea to understand, which makes me very sad. It seems that music has only one merchandise attribute, and our practitioners only need to organize the shelves, encode various merchandise, and use the big data of users’ purchase records to recommend merchandise to users, no matter why to users. they like this. features that these products have, and use cold data to provide users with various services.

Therefore, I think it is necessary to write something. I don’t expect practitioners to become people who really love music. I just hope that even if you still think of “her” as a commodity, you can first figure out what you’re selling. and what is..

PS: The content of the first lesson is about media files. Since the relevant content involves a lot of technical stuff, it seems a bit boring, but if you read it carefully, you will find that it is actually very easy to understand, but this basic knowledge can be very helpful.

Bit Rate, Sample Rate, Lossless, MP3, FLAC, APE, 320kb, 192kb, 128kb, 44.1khz, CBR, VBR. Does this bunch of various names make you both familiar and unknown?

The higher the bitrate, the better the sound quality. Lossless music is the highest sound quality, right? So, let’s start with the sound collection.

【Audio composition】

Nowadays, when we talk about audio, everything is digital audio. Digital audio consists of three parts: sample rate, sample precision, and number of sound channels.

Sample Rate: Both the sample rate, which refers to the number of samples per second when recording the sound, expressed in Hertz (Hz).

Sampling Precision: Refers to the dynamic range of the recorded sound, measured in bits (Bit).

Which video codec should you choose? H264 or H265?

When we finish editing our problems in our editing software, the first obstacle we face (after lack of hard disk space …) is often the format in which we decided to export our video. Whether digital or physical. We are faced with a list of video codec names that we sometimes have trouble entering. And that also scares many amateur friends.

Which internet user has never searched for a codec or codec package to play a video. And if not, then at best you only heard the audio … As I wrote in another article, the video codec will mainly depend on the medium in which your video is sent in. In fact, it is not as simple as the image, which is often enough to export in jpeg or other format so that it can be seen anywhere. Video has this major drawback choosing the correct codec based on streaming platform.

codec

The concept of containers and codecs.

To illustrate what a container and a codec are, imagine a jar (container) containing letters (codec). The video player that will “decode” this file can be compared to someone who holds the key to the pot. And who puts the letters together to make words and then meaningful sentences? Basically, the container is the file that can be related to a box or jar that contains video codec, audio codec and sometimes even the subtitle file. When you have a video in .avi or .mp4 or .mov or even .mkv, the container ends after the period. What videographers are also used to call “video format”.

For example, for .mp4, the container is MP4. So far so good. And then in this container there can be Mpeg4, H264 or x264, which are video codecs.

Accompanied by the audio track which may be in mp3, AC3 or AAC, but we will return to the audio codecs in another article. And since we don’t just like doing things in the video, these video codecs can also be found in other containers …

Yes, otherwise it would be too easy. So the main concern found in the video is this famous lack of compatibility that ALL multimedia platforms have. Being able to play a video file if a codec package is not installed before. In fact, each codec has an association with this or that manufacturer (Windows, Apple, etc.).

The main containers

My goal here is not to make a complete list of existing containers today. But rather to give you the most useful, the most widespread. And especially its compatibility according to the multimedia support you want to distribute them to.

mp4.MP4
So it can contain Mpeg4, H264, x264, XAVC, VP9 (YouTube codec), H265 and even Mpeg2 (super logical, we agree …). That’s why so many people get confused with codecs! MP4 is widely used, but unfortunately it is not supported everywhere. It runs on the latest smartphones and tablets. But this does not happen in, for example, multimedia DVD players that have a USB port, such as

.mov.MOV
The Apple-owned Quicktime container. Very popular with publishers on Mac with Final Cut. This container can contain a sacred package of codecs (DV, Divx, WMV, Mpeg2, H264, x264, DVCPRO …). But unfortunately it is only almost compatible only on Apple (Mac, Ipad, Iphone) and PC after installing Quicktime.

.avi.AVI
The King Container from the 2000s, but which I think is destined to disappear very soon. Except for those who want to watch standard definition videos. It may contain DV, Divx 5, Xvid and even H264 codecs, but I do not guarantee the comfort of reading or editing with this container for HD content. Except for HDV format.

mkv.MKV (Matroska)
The successor to AVI for HD, Full HD, 4K and also 8K! Free Container is the container I advise you to use when exporting your videos (or RIP for your Blurays) 🙂 so they are compatible almost everywhere. It can contain Divx, Xvid, Mpeg2, Mpeg4, H264, x264 and H265 (also called HEVC, the new codec), and you’ll probably forget it. It has great advantages over other containers. For example, managing subtitle tracks in various formats, chapter support. You can also embed attachments, such as illustrations, for example (cover or cover). And finally, it also allows you to “chapters” from videos like Bluray’s creation.

.mts.mts.MTS (and .M2TS)
The AVCHD (Advanced Video Codec HD) container is often found on Sony and Panasonic cameras. It is MPEG-4 and it also has a declination for Bluray discs that are M2TS (Mpeg 2 TS).