Is AAC absolutely better than mp3?

Is AAC absolutely better than mp3?

AAC Vs. MP3

I know that the lossless sound source is of the highest quality, but the file size is too large.

MP3 o AAC

I want to hear it in the smallest possible size with the best possible sound quality!

I think there are many such people. I am the same.

This time, I would like to roughly examine the differences between mp3 and AAC.
I don’t know because it’s a bit of a snob for a hobbyist.

Table of Contents
Effect
Frequency analysis
Let’s listen and compare
conclusion
Effect
Since this is a compressed sound source, casual listening is an important premise.

First, let’s abandon the stereotype that “AAC is better.”

Looking at the net, there are people who write that “AAC is better because it came out later” or “AAC is better because it is an improved version of mp3”, but the compression efficiency is good and the sound you can really hear I don’t think always be the same to improve.

This study then only confirms the “objectively understandable difference” for each format and does not determine the superiority or inferiority of sound quality.

Personally, assuming 320 kbps, even if it is a compressed sound source, be it mp3 or AAC, the audible range is perfectly suppressed, so I think the sound you hear is the same, and I only listen casually. I don’t even have to hear the slightest difference.

Honestly, 128 kbps is fine for portable use (although the audible range changes significantly compared to 320 kbps), but if you’re looking for a premium music experience with home audio, you should use a compressed sound source first. use time.

Frequency analysis
There are many other people who do the same, but I’ll check it out myself.
Note that the vertical and horizontal widths differ for each graphic.
All encoding to mp3 / AAC is done with iTunes.

First, I prepared a FLAC sound source sample. The genre is rock.
The characteristics of 4608 kbps bit rate / 96 kHz sampling rate / 24 bit bit depth of
frequency are as follows. This is the original way.

Generally, the human audible range is said to be around 20Hz to 20kHz *, but with FLAC, you can see that information is also included in the ultra-high range above 20kHz.

* Actually, it seems that most people have a hard time distinguishing between 15 kHz and higher.

Then AAC / 320 kbps
* Sampling frequency 44.1 kHz / Bit depth 16 bit

AAC improvements over MP3

Advanced Audio Coding is designed to be the successor to MPEG-1 Audio Layer 3, known as MP3 format, which was specified by ISO / IEC at 11172-3 (MPEG-1 Audio) and 13818-3 (MPEG-2 Audio).

AAC

Blind tests in the late 1990s showed that AAC demonstrated higher sound quality and transparency than MP3 for files encoded with the same bitrate.

The improvements include:

higher sampling frequencies (8-96 kHz) than MP3 format (16 to 48 kHz);
up to 48 channels (MP3 supports up to two channels in MPEG-1 mode and up to 5.1 channels in MPEG-2 mode);
Arbitrary bit rates and variable frame length. Standardized constant bit rate with bit deposit);
higher efficiency and simpler filter bank (instead of hybrid MP3 encoding, AAC uses pure MDCT);
higher coding efficiency for stationary signals (AAC uses a block size of 1024 or 960 samples, allowing more efficient coding of sample blocks than MP3 576);

Aac Logo Vectors Free Download
higher coding precision for transient signals (AAC uses a block equal to 128 or 120 samples, allowing more precise coding of blocks of MP3 192 samples);
possibility of using derivatives of the Kaiser-Bessel window function to eliminate spectral dispersion at the expense of enlarging the main lobe;
much better management of audio frequencies above 16 kHz;
more flexible joint stereo (different methods can be used in different frequency ranges);
additional modules (tools) added to increase compression efficiency: TNS, Back Prediction, PNS, etc. These modules can be combined to form different encoding profiles.
In general, the AAC format allows developers more flexibility in codec design than MP3 and corrects many of the design choices made in the original MPEG-1 audio specification. This increased flexibility often leads to multiple simultaneous encoding strategies and consequently more efficient compression. However, in terms of whether AAC is better than MP3, the advantages of AAC are not entirely conclusive, and the MP3 specification, while dated, has proven surprisingly robust despite notable flaws. AAC and HE-AAC are better than MP3 at low bit rates (typically less than 128 kilobits per second). This is especially true at very low bit rates where superior stereo, pure MDCT encoding, and better transform window sizes let MP3 compete.

While the MP3 format has almost universal hardware and software support, mainly because MP3 was the format of choice during the crucial early years of music sharing / distribution over the Internet, AAC is a strong competitor due to some unwavering support from the industry.

How AAC works

AAC is a wideband audio coding algorithm that takes advantage of two main coding strategies to dramatically reduce the amount of data required to represent high-quality digital audio:

Components of the signals that are perceptually irrelevant are discarded.
Excess in the encoded audio signal is removed.
The actual encoding process consists of the following steps:

The signal is converted from the time domain to the frequency domain using the Forward Modified Discrete Cosine Transform (MDCT). This is done using filter banks that take an adequate number of time samples and convert them to frequency samples.
The signal in the frequency domain is quantized based on a psychoacoustic model and encoded.
Internal error correction codes are added.
The signal is stored or transmitted.
To avoid corrupted samples, a modern implementation of the luhn mod N formula is applied to each frame.
The MPEG-4 audio standard does not define a single or small set of highly efficient compression schemes, but rather a complex set of tools to perform a wide range of bitrate encoding operations, from low speech to audio encoding. high quality and musical synthesis.

The ‘MPEG-4 family audio coding algorithm covers the range from low speech coding bit rate (up to 2 kbit / s) to high quality audio coding (at 64 kbit / s per channel and higher).
AAC offers sample rates between 8 kHz and 96 kHz and any number of channels between 1 and 48.
In contrast to MP3’s hybrid filter bank, AAC uses Modified Discrete Cosine Transform (MDCT) in conjunction with increasing window lengths of 1024 or 960 points.