Bit depth, an important factor almost unknown


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Bit depth, an important factor almost unknown

Very often we see people talking about topics that are important, like bitrate for example. Most of the time without understanding exactly what that means. Sometimes they even do trial and error and for various reasons it may be that the result they obtain is misleading, since they are not considering that modifying the bitrate without looking at the sample rate and the bit depth, is to act blindly and therefore the Results will always be misleading and we should not draw definitive conclusions from them.

We have detected that many people instead of giving a reading that allows them to understand what bitrate, sample rate or bit depth are, prefer to manipulate them without understanding them and, based on the result of one or two songs, they often reach conclusions. wrong about what is the right combination.

Bitrate

It is bitrate It is the amount of information that passes per second, that is, the amount of detail that an audio file can contain in a video. The bigger the bitrate means what will be passing more information per second; therefore the file will be bigger but it will contain more details, which will give it a higher quality. We will put an example to understand it very easily. Images that we have a great draftsman or painter and that we ask him to make a portrait of a person but we tell him that I can only use 5 colors and he cannot mix them.

As a result we will obtain practically a caricature and not a portrait itself. In other words, it will have less quality if we understand quality to be a faithful copy of the original.+

On the other hand, if that same painter asks you to make a portrait, but we stop using the entire color palette, you will be able to make a very realistic portrait, of very high quality, very faithful to the original.

Why did this happen? Because it contains much more information. There are many more shades. That explains exactly how bitrate affects the quality of a video or audio file.

Sample rate

When we record a video, for example, it is as if we were taking a series of photographs and then quickly saw them one after the other and that would give us the illusion of movement. In exactly the same way that cartoons worked in ancient times. Obviously if we only use three drawings per second the quality of the cartoon will be very low because you will see a series of jumps and not an action continues. If instead we use 24 drawings per second we will see a very high quality cartoon where we will seem to see an action continue without any Jump.

The sample rate is the number of samples per second that are taken to form a video or an audio file. Audio on a professional CD uses 44100 samples per second. If we lower that quantity we will notice a loss of quality and if we increase it to more than 44100 samples we will be able to obtain a very high quality HD.

Bit depth

The bit depth determines how many “steps” the curve or wave will contain that will contain our audio or video file. Obviously, the more steps the wave pattern has, it will be more faithful and, on the contrary, if it contains few steps, the wave pattern will be very rough.

So here we are understanding the importance of bit depth that for example in music affects even the dynamics of music. That is, how much can the volume of an instrument rise and fall in different passages. At different bit depth rates we will obtain different levels of decibels


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Dynamic Range and Bit Depth, those great strangers

Many times we listen to songs and they seem like absolute songs and other times they seem like a waste of time. To some extent it is because of the music that is heard. But today we are going a little further. I dare say that part of the fact that we end up liking it is due to the fact that there are two concepts that have not been taken into account in production lately.

I mean the Dynamic Range.

What is it? Well, it’s just the difference between the highest possible peaks and the noise threshold. Yes, there is always a noise basis, even in the best soundproof studio. And how does that affect what you hear is a great song? Very easy, since this variation in amplitude influences the sound intensity, how the song flows, the difference between strong and weak. The specific nominal amplitude of each equipment must also be taken into account, which is called the dynamic ceiling or Headroom. Normally it stays at 120Db, since it is the limit that integrated circuits allow. What we hear from all this is the SNR, signal noise ratio, that is, the relationship between residual noise and the average signal of the subject.

If we transfer this to our tasks as musicians, it means that no frequency that we are using within our theme should be fixed, which is called average, and that too much compression is bad too, since it can crush the sound, since applying a compressor decrease dynamic differences. This also includes mixing and normalization (which we will talk about later) where some resources can help us to make our theme cover the widest dynamic range in all its frequencies. For example: If the amplitude of the mid frequencies is reduced, approximately the frequencies of 250Hz, it is possible to boost frequencies of 5KHz.

Another resource that sometimes we fail when we are playing a synthesizer, whether analog or digital, or when we are mixing is Bit Depth or Bit Resolution / Quantization.

Bit Depth is the amplitude of variations of a sound wave. Translated into Christian, the number of bits recorded per sample. This affects the previously explained concept, dynamic range, since the greater the bit depth, the greater the possibility of working with wide dynamic ranges, which is called the rule-of-thumb. Since for example, if we work with 8-bit synthesizers, which are so fashionable, we are saying that this synthesizer, the wave that sends the output, only allows to register 256 variations in the amplitude of the wave. Let’s remember that 8 bits = 2 to 8. With this I don’t mean that an 8-bit synthesizer is bad, each one does its job, but there are many cases where pears are asked from the elm, when we all know that you have to go to the pear tree. I would like to emphasize this concept especially for we use analog synthesizers, drum machines, samplers. Since the bit depth within a PCM, the digital representation of an analog sound, recreates the maximum dynamic range, which means that the sound will be more real.

So let us return to the question asked above. How does this affect my theme to sound good? Well the bit depth limits the amount of dynamic range and signal noise ratio. This means that if we cover a higher bit resolution we will be able to interact with more precision within the theme that we are composing and therefore improve the output signal of the set.

Even so, I am sorry to be this party pooper, the bit depth problem comes from the fact that nowadays we use a format that has very low and bad compression, such as MP3 or WMA. Although you export at 24 bits, it does not mean that the MP3 / WMA has a bit depth of 24 bits, since you have mastered them at 24 bits but then it has been compressed and that is where it fails. This also happens even if we copy directly to a CD, since CDs are burned at 16 bits.