Video Volume Equalization


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Video Volume Equalization

Video Volume Equalization
Video Volume Equalization
Video Volume Equalization
Video Volume Equalization

Audio Normalization

Audio normalization is a technique used to adjust the volume levels of different audio tracks to a consistent level. It ensures that all the audio in a video or audio file is balanced and doesn’t have any sudden jumps or drops in volume. By applying audio normalization, you can enhance the overall listening experience and prevent viewers from constantly adjusting the volume. This process is particularly useful when combining multiple audio sources or when dealing with videos that have inconsistent volume levels.
To perform audio normalization, specialized software or video editing tools can be used. These tools analyze the audio waveform and adjust the volume levels accordingly. They can either increase the volume of quieter sections or decrease the volume of louder sections to achieve a more balanced output. The goal is to maintain the original dynamics of the audio while ensuring a consistent volume throughout the video.

Volume Leveling

Volume leveling is a technique used to equalize the volume levels of different audio tracks within a video or audio file. It aims to eliminate any significant differences in volume between different parts of the content. Volume leveling is particularly useful when dealing with videos that have been recorded in different environments or with varying equipment setups.
The process of volume leveling involves analyzing the audio waveform and adjusting the volume levels accordingly. It ensures that all the audio tracks have a similar perceived loudness, allowing viewers to enjoy a consistent listening experience. By applying volume leveling, you can prevent sudden jumps or drops in volume, which can be distracting or annoying to the audience.
Volume leveling can be achieved using specialized software or video editing tools. These tools analyze the audio and apply gain adjustments to bring the volume levels to a desired target. The adjustments are made in a way that maintains the original dynamics of the audio while ensuring a balanced and pleasant listening experience.

Dynamic Range Compression

Dynamic range compression is a technique used to reduce the difference between the loudest and softest parts of an audio signal. It is commonly used in audio production to control the dynamic range and make the audio more consistent in volume. By compressing the dynamic range, the quieter parts of the audio are brought up in volume, while the louder parts are reduced.
The purpose of dynamic range compression is to ensure that all the audio in a video or audio file can be heard clearly without any parts being too soft or too loud. It helps to maintain a consistent volume level throughout the content, making it easier for viewers to listen without constantly adjusting the volume.
Dynamic range compression can be applied using audio editing software or video editing tools. These tools analyze the audio waveform and automatically adjust the volume levels based on predefined settings or user-defined parameters. The compression process involves reducing the gain of the louder parts and increasing the gain of the quieter parts, resulting in a more balanced and controlled audio output.

Audio Leveling

Audio leveling is a process that aims to equalize the volume levels of different audio tracks within a video or audio file. It ensures that all the audio components have a similar perceived loudness, providing a consistent listening experience for the audience. Audio leveling is particularly useful when combining multiple audio sources or when dealing with videos that have inconsistent volume levels.
To perform audio leveling, specialized software or video editing tools can be used. These tools analyze the audio waveform and adjust the volume levels accordingly. They can increase the volume of quieter sections or decrease the volume of louder sections to achieve a more balanced output. The goal is to maintain the original dynamics of the audio while ensuring a consistent volume throughout the video.

Sound Normalization

Sound normalization is a technique used to adjust the volume levels of audio tracks within a video or audio file. It aims to bring all the audio components to a consistent level, preventing any sudden jumps or drops in volume. Sound normalization enhances the overall listening experience and ensures that viewers don’t have to constantly adjust the volume.
To perform sound normalization, specialized software or video editing tools are used. These tools analyze the audio waveform and adjust the volume levels accordingly. They can increase the volume of quieter sections or decrease the volume of louder sections to achieve a more balanced output. The goal is to maintain the original dynamics of the audio while ensuring a consistent volume throughout the video.

Volume Balancing

Volume balancing is a technique used to equalize the volume levels of different audio tracks within a video or audio file. It ensures that all the audio components have a similar perceived loudness, providing a consistent listening experience for the audience. Volume balancing is particularly useful when combining multiple audio sources or when dealing with videos that have inconsistent volume levels.
To perform volume balancing, specialized software or video editing tools can be used. These tools analyze the audio waveform and adjust the volume levels accordingly. They can increase the volume of quieter sections or decrease the volume of louder sections to achieve a more balanced output. The goal is to maintain the original dynamics of the audio while ensuring a consistent volume throughout the video.

Audio Volume Control

Audio volume control refers to the process of adjusting the volume levels of audio tracks within a video or audio file. It allows you to increase or decrease the volume to achieve a desired listening experience. Audio volume control is essential to ensure that the audio is audible and balanced, preventing any parts from being too soft or too loud.
Audio volume control can be performed using various tools and devices. In video editing software, you can adjust the volume levels of individual audio tracks or apply global volume changes to the entire video. Additionally, audio playback devices such as speakers or headphones often have built-in volume controls that allow you to adjust the output volume.

Volume Equalization Techniques

Volume equalization techniques are methods used to achieve a consistent volume level across different audio tracks within a video or audio file. These techniques aim to eliminate any significant differences in volume between different parts of the content, providing a balanced and pleasant listening experience for the audience.
There are several volume equalization techniques available, including audio normalization, volume leveling, dynamic range compression, and sound normalization. Each technique has its own approach to adjusting the volume levels, but they all share the goal of achieving a consistent volume throughout the video or audio file.

Audio Gain Adjustment

Audio gain adjustment is a process that involves changing the volume levels of audio tracks within a video or audio file. It allows you to increase or decrease the gain of the audio to achieve a desired listening experience. Audio gain adjustment is particularly useful when dealing with videos that have inconsistent volume levels or when combining multiple audio sources.
To perform audio gain adjustment, specialized software or video editing tools can be used. These tools analyze the audio waveform and allow you to manually adjust the gain of individual audio tracks. By increasing or decreasing the gain, you can achieve a more balanced and consistent volume throughout the video.

Volume Control in Videos

Volume control in videos refers to the ability to adjust the volume levels of audio tracks within a video file. It allows you to increase or decrease the volume to achieve a desired listening experience. Volume control is essential to ensure that the audio is audible and balanced, preventing any parts from being too soft or too loud.
In video editing software, you can adjust the volume levels of individual audio tracks or apply global volume changes to the entire video. This gives you control over the audio output and allows you to create a more immersive and enjoyable viewing experience. Volume control is particularly important when combining multiple audio sources or when dealing with videos that have inconsistent volume levels.

Final Words

In conclusion, video volume equalization is a crucial aspect of video production and editing. It ensures that the audio in a video is balanced and consistent, providing a pleasant listening experience for the audience. Techniques such as audio normalization, volume leveling, dynamic range compression, and sound normalization can be used to achieve volume equalization.
By applying these techniques, you can eliminate any sudden jumps or drops in volume, maintain the original dynamics of the audio, and create a more professional and polished video. Whether you’re a content creator, filmmaker, or video editor, mastering video volume equalization will greatly enhance the quality of your videos and improve the overall viewer experience. So, make sure to pay attention to the volume levels and use the appropriate tools and techniques to achieve the desired results.


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Increase Video Sound Quality: Tips and Techniques

Increase Video Sound Quality: Tips and Techniques

Video Sound Quality
Video Sound Quality

Video content has become an integral part of our lives. From entertainment to education, videos are an essential medium for communication. However, poor sound quality can ruin the viewing experience and distract the audience from the video’s message. Therefore, it is crucial to ensure the video’s sound quality is clear, crisp, and loud enough. In this article, we will discuss some tips and techniques to increase the video sound quality and enhance the viewing experience.

Video Sound Quality
Video Sound Quality

Understanding Video Sound Quality

Before we delve into tips and techniques to improve video sound quality, let’s first understand the basics of video sound quality. Video sound quality is determined by several factors, including sample rate, bit depth, and compression. The sample rate refers to the number of audio samples captured per second, while bit depth refers to the number of bits used to represent each audio sample. Compression, on the other hand, refers to the reduction in audio data size to minimize the file size.

Another critical factor that affects video sound quality is the audio codec used to compress the audio data. Different audio codecs have varying levels of compression and affect the audio quality differently. Therefore, it is essential to choose the appropriate audio codec for your video.

Optimizing the Audio Recording

The first step to improve video sound quality is to optimize the audio recording. A high-quality audio recording is critical to ensuring that the audio quality remains intact throughout the video production process. Here are some tips for optimizing the audio recording:

  • Use a High-Quality Microphone: A high-quality microphone can significantly improve the audio recording quality. Therefore, invest in a good quality microphone that suits your recording needs.
  • Eliminate Background Noise: Background noise can significantly affect the audio recording quality. Therefore, record the audio in a quiet environment and use a noise-canceling microphone or software to eliminate background noise.
  • Set the Recording Levels: Setting the recording levels correctly can prevent clipping and ensure that the audio remains clear and crisp throughout the recording.

Editing the Audio

After recording the audio, it’s time to edit it to further enhance the sound quality. Audio editing involves removing unwanted noise, adjusting the volume, and applying various effects to the audio. Here are some tips for editing the audio:

  • Remove Unwanted Noise: Use noise reduction software to remove unwanted noise from the audio. Audacity is a free, open-source software that can be used for this purpose.
  • Adjust the Volume: Adjusting the volume levels is crucial to ensure that the audio is loud enough and balanced. Use a compressor to even out the volume levels and a limiter to prevent clipping.
  • Apply Audio Effects: Applying audio effects can significantly enhance the audio quality. For example, use equalization to adjust the frequency levels or add reverb to create a more natural-sounding audio.

Choosing the Right Audio Codec

Choosing the right audio codec is critical to ensure that the video’s sound quality is not compromised during compression. Different audio codecs have varying levels of compression and affect the audio quality differently. Therefore, it is essential to choose the appropriate audio codec for your video. Here are some popular audio codecs used for video production:

  • PCM: PCM is a lossless audio codec that provides the highest audio quality but results in large file sizes.
  • MP3: MP3 is a popular audio codec that provides good quality audio while keeping file sizes relatively small. However, when it comes to video sound quality, MP3 is not the best choice. This is because MP3 was designed for compressing audio only, and when it is used to compress video audio, the quality of the audio is reduced significantly. Therefore, it is best to avoid using MP3 for video sound.
  • AAC: AAC (Advanced Audio Coding) is another popular audio codec that is widely used for compressing audio files. It is known for providing good audio quality while keeping file sizes relatively small. AAC is also commonly used for compressing audio in video files. However, it is important to note that not all AAC codecs are created equal, and some codecs may provide better audio quality than others. Therefore, it is important to choose the right AAC codec when compressing video audio.
  • FLAC: FLAC (Free Lossless Audio Codec) is an audio codec that provides high-quality audio compression without any loss in audio quality. It is a popular choice among audiophiles who value audio quality above all else. However, because FLAC is a lossless audio codec, it is not suitable for compressing video audio, as the resulting file sizes would be too large. Therefore, it is best to use FLAC only for audio files and not for video sound.
  • AC3: AC3 (Audio Codec 3) is a popular audio codec that is commonly used for compressing audio in video files. It is known for providing good audio quality while keeping file sizes relatively small. AC3 is also capable of encoding multi-channel audio, making it a good choice for surround sound audio. However, because AC3 is a proprietary codec, it may not be supported by all devices and software. Therefore, it is important to check whether the target device or software supports AC3 before using it to compress video audio.

    2. Use a High-Quality Microphone

    One of the most important factors that affect video sound quality is the microphone used to record audio. A low-quality microphone can result in poor audio quality, even if the audio codec used to compress the audio is of high quality. Therefore, it is important to use a high-quality microphone when recording audio for video.

    There are many different types of microphones available, each with its own strengths and weaknesses. Some of the most common types of microphones used for recording audio for video include:

    • Shotgun Microphones: Shotgun microphones are directional microphones that are designed to capture audio from a specific direction. They are commonly used for recording audio in outdoor environments or in noisy environments where background noise can be a problem. Shotgun microphones are also commonly used for recording dialogue in movies and TV shows.
    • Lavalier Microphones: Lavalier microphones are small microphones that are worn on the body, typically on the lapel or collar. They are commonly used for recording audio in interviews or in situations where the microphone needs to be hidden from view. Lavalier microphones are also commonly used in TV and film production.
    • Condenser Microphones: Condenser microphones are high-quality microphones that are commonly used for recording audio in studios. They are known for their sensitivity and accuracy and are capable of capturing a wide range of frequencies. Condenser microphones require a power source, either from a battery or from an external power supply.
    • Dynamic Microphones: Dynamic microphones are durable and rugged microphones that are commonly used for recording audio in live performances and on stage. They are less sensitive than condenser microphones but can handle high sound pressure levels without distortion.
    • Microphone placement: Proper microphone placement is crucial for capturing high-quality audio. The distance and angle of the microphone from the sound source can significantly affect the sound quality. Microphones should be positioned close to the sound source for a clear and detailed sound, but not so close that they pick up unwanted sounds or distortions. For example, when recording vocals, the microphone should be placed around six inches away from the singer’s mouth and slightly off-axis to minimize popping sounds.

      Improving Video Sound Quality in Post-Production

      After recording the audio, the next step is to enhance the audio quality in post-production. Here are some ways to improve video sound quality in post-production:

    • Noise reduction: Background noise such as hum, hiss, and air conditioning noise can be reduced or eliminated using noise reduction software. Many video editing software tools have built-in noise reduction plugins that can help to reduce unwanted noise.
    • Equalization: Equalization or EQ is the process of adjusting the frequency balance of audio to improve its quality. With EQ, you can boost or reduce specific frequencies to improve the overall sound quality. For example, boosting the bass frequencies can add warmth and depth to the audio, while reducing the high frequencies can eliminate harsh sounds.
    • Compression: Compression is the process of reducing the dynamic range of audio by lowering the volume of loud sounds and increasing the volume of soft sounds. This can help to even out the audio levels and make the sound more consistent. However, over-compression can result in a flat and lifeless sound, so it’s important to use compression carefully.
    • Loudness normalization: Loudness normalization is the process of adjusting the audio levels to ensure that they are consistent and compliant with industry standards. This helps to avoid sudden changes in volume between different videos or audio tracks. Many video editing software tools have built-in loudness normalization features that can help to achieve consistent audio levels.

      Conclusion

      Improving video sound quality is essential to creating a high-quality video. By using the right equipment, recording techniques, and post-production tools, you can significantly improve the audio quality of your videos. Remember to consider factors such as microphone type, placement, and environment when recording audio, and use post-production techniques such as noise reduction, EQ, compression, and loudness normalization to further enhance the audio quality. Finally, while there are many software tools available to help improve audio quality, be sure to use them judiciously and focus on getting the best possible audio quality during recording to avoid having to rely too much on post-production editing. One tool that you might find helpful for improving audio quality is MP4Gain, which can help to normalize audio levels and improve the overall sound quality.

The concepts of pixel, video pixel, point.

The concepts of pixel, video pixel, point.

Pixel

In computer graphics, the term “pixel”, broadly speaking, can mean different concepts: the smallest element of the image on a computer screen; a separate bitmap element; dot of the image printed on the printer.

pixel

Therefore, to avoid confusion, use the following terminology: in ideopixel: the smallest element of the image on the screen; pixel – a separate element of the raster image; dot is the smallest item produced by the printer.

The display screen is divided into a fixed number of video pixels, which form a graphical grid (raster) of a fixed number of rows and columns. The size of the graphics grid is generally expressed in the form NxM, where N is the horizontal number of video pixels and M is the vertical number. On modern displays, graphical grids are used: 640 x 480, 800 x 600, 1024 x 768, 1240 x 1024, etc. The image on the display screen is created by selectively illuminating certain video pixels on the screen with an electron beam. For an image to be perceived by the eye, it must be made up of hundreds or thousands of video pixels, each of which must be illuminated. ”

Raster graphics are photo quality images. If the pixel sizes are small enough (close to the size of video pixels), then the raster image looks no worse than a photograph. Raster graphics effectively represent photo-quality images.

A large amount of memory is required to store bitmaps.

The bitmap file stores the color information for each video pixel as a combination of bits. Simple bitmap images take up a small amount of memory (several tens or hundreds of kilobytes). Photo-quality images typically require several megabytes. Therefore, a large amount of memory is required to store bitmaps.

Bitmap becomes distorted when scaling.

The bitmap may lose its appeal after scaling or rotating it. For example, areas of solid color can take on an odd pattern (“moire”); curves and straight lines that seemed smooth can suddenly become sawtooth. If you reduce and then enlarge the bitmap to its previous size, it will become blurry and uneven, and the filled areas may be distorted. Bitmaps have very limited options for scaling, rotating, and other transformations

Tasks for which raster programs are used.

Raster graphics allow you to create photo-quality images. After all, what are raster graphics? It is an image that consists of pixels, small squares, each of which is assigned a specific color. On any screen, the information is displayed exactly in raster form.

What do the concepts of pixel, video pixel, point mean?

In computer graphics, the term “pixel”, in general terms, can mean different concepts:

· The smallest element of the image on the computer screen;

· A separate element of the bitmap image;

· Dot of the image printed on the printer.

Therefore, to avoid confusion, we will use the following terminology:

· Video pixel: the smallest picture element on the screen;

· Pixel: a separate element from the raster image;

· Dot: the smallest element produced by the printer.

In this case, for the one-pixel image on the computer screen, one or more video pixels can be used.

WHAT ARE VIDEO RESOLUTIONS? Part 2

WHAT ARE VIDEO RESOLUTIONS? Part 2

Video Resolution

Choosing HD CCTV Camera

Video Quality

Besides image resolution, what else should you consider when choosing HD network cameras? Here we will share information on how to choose the right HD cameras from the installer’s point of view.

Poor light
As you know, a CCTV camera works differently from a home camera – a CCTV camera cannot use a flash when capturing an image / video. If the camera performs poorly in low light, its use is limited. When working in low light conditions, said camera “ fades ”, despite its very high resolution.

High resolution is a double-edged sword: the sensor manufacturer does not have the ability to infinitely increase the area of ​​the matrix, therefore the increase in resolution is associated with a decrease in the size of the pixel itself with the Same size of the sensor array (usually 1/3 ”), so there is less light for each pixel, leading to decreased sensitivity with increasing resolution (megapixels).

Currently, the optimal value for most areas of video surveillance is the resolution of 2MP (1080p / FullHD), it is for this resolution that most of the sensors of the Low Illumination series exist.

Time delay
All network (IP) CCTV cameras have some latency compared to real time, and the cost or quality of the camera is not a determining factor in this latency. For example, for the same 720p image, the video delay time for some cameras is 0.1 s, and for some other network cameras this time can be 0.4 s, or even more than 0.7 s. Why is the video delay time different? Unlike an analog camera, a network camera compresses video (a process called encoding) and user devices decode the video for display, resulting in video lag. Generally, the lower the latency, the better the image processor’s capabilities. This means choosing the network camera with the lowest video latency.

Heat dissipation
When the CCTV camera is in operation, it generates heat, especially when the infrared light is turned on at night. This rule is valid for any CCTV camera. Excessive heat generation increases the likelihood of overheating and consequently damage to the camera. When choosing megapixel cameras, pay attention to:

Choose a camera with lower power consumption. Low power consumption means that the camera saves energy and generates less heat. The downside: in winter, a camera with low heat emission can freeze (it is usually about the infrared filter), and also low consumption means that weak infrared illumination is installed, this must also be taken into account.

Consider using a camera with improved performance in low light conditions (no infrared or other artificial lighting). Such a camera in low light conditions can capture images even in the dark (> 0.009 – 0.001 lux).

Choose a camera with good heat dissipation. A metal box is preferable to a plastic one. To ensure reliable performance, the Elite series network cameras use a finned heat sink in the housing to maximize heat dissipation, greatly helping the camera to ensure reliable performance.

Price
“High price = high quality” – In most cases, this rule is true. Based on research reports, it can be said that the consumer often believes that a higher price of a product indicates a higher level of quality. But price is not the only indicator of good quality, especially when buying Made in China products. I have been in the video surveillance industry for more than five years and I can affirm that end users, integrators and installers can get high quality products from Chinese suppliers / manufacturers at a very competitive price. High-end cameras can have unique body designs, offering special features not found in other products.

Technical support
In conclusion, I would like to say that network cameras should also have good technical support. Although IP cameras are becoming easier to set up and operate, end users may encounter technical problems that require third party assistance. Faced with such problem, you will receive our technical support within 1-2 days, this is quite acceptable. This is why I personally do not recommend buying CCTV cameras on Aliexpress, as in the future you are unlikely to receive technical support from online sellers.

WHAT ARE VIDEO RESOLUTIONS?

WHAT ARE VIDEO RESOLUTIONS?

video resolution

1. What is a high definition CCTV camera?

Video Resolution

All image formats with a resolution of 1280×720 are considered high definition (HD) format. In the modern world of video surveillance, there are two areas: analog and digital. Consequently, there are analog and network (IP) HD cameras. 960H (NTSC: 960×480) resolution is not HD. Current HD resolution formats include: 1.0 megapixels (720p), 1.3 megapixels (960p), 2 megapixels (1080p), 3 megapixels, 5 megapixels, 8 megapixels (4K UHD), 12 megapixels, 33 megapixels (8K UHD) .. .
Typically, HD network cameras provide slightly better image quality than analog HD cameras of the same resolution (eg 720p).
Recently one of our customers reported that they installed a video surveillance system on 720p AHD cameras (the manufacturer said 1000TVL) and was not satisfied – the image quality of these 720p AHD cameras was even worse than that of the old 960H cameras. Why this happened, we will tell in the fourth part of the article.

2. Advantages of high definition
Compared to standard definition, HD technology has increased image detail. Image quality is further enhanced by various enhancement technologies such as progressive scan, 2D / 3D dynamic noise reduction, wide dynamic range (WDR), etc. In short, HD offers excellent image quality. A typical 960H analog camera offers a resolution of 960H / WD1, which is 960×480 pixels (for NTSC) or 960×576 pixels (for PAL). Once the signal is digitized in the DVR or HVR, the image will be a maximum of 552960 pixels (0.5 megapixels).
A high definition camera can cover a much larger area than a conventional camera. Take, for example, a 12MP fisheye lens panoramic camera with a 360-degree field of view. With an integrated 12 megapixel image sensor and ePTZ (virtual pan / tilt / zoom) and split image capabilities, it can replace multiple conventional CCTV cameras, significantly reducing installation costs and subsequent maintenance fees.
Excellent compatibility is another advantage of HD. Whether you shop online or go to your local electronics store, you will notice that all televisions, camcorders, and digital cameras support HD 1080p (FullHD). Consequently, if you want this equipment to work with your CCTV system, you should choose a CCTV system that supports 1080p. We also understand that 4K is the current trend, it is logical to expect 4K UHD video surveillance system to become popular in the future.

5MP resolution

3. Various HD resolution formats
High definition IP cameras are at the forefront of video surveillance systems. They can provide higher quality video with greater image detail and wider coverage than standard definition cameras. You can select the desired format of network (IP) cameras according to your requirements. For example, for license plate or facial recognition applications, choose megapixel network cameras with a resolution of 1080p or higher. For the resolution of a particular HD format, see the following table:

Format Resolution (pixels) Aspect Ratio Scan
1MP / 720P 1280 x 720 16: 9 Progressive
SXGA / 960P 1280 x 960 4: 3 Progressive
1.3 MP 1280×1024 5: 4 Progressive
2MP / 1080P 1920 x 1080 16: 9 Progressive
2.3 megapixels 1920×1200 16:10 Progressive
3MP 2048×1536 4: 3 Progressive
4MP 2592×1520 16: 9 Progressive
5MP 2560×1960 4: 3 Progressive
6MP 3072×2048 3: 2 Progressive
4K Ultra HD 3840×2160 16: 9 Progressive
8K Ultra HD 7680×4320 16: 9 Progressive

Video quality evaluation. Subjective evaluation of video quality Part 2

Video quality evaluation. Subjective evaluation of video quality Part 2

Video Quality

Although subjective testing was carried out many times by various organizations, until recently there were no stable testing programs designed to work with personal computers in the public domain.

video quality

This was the reason for the development of MSU’s perceptual video quality tool, which implements various methods for subjective comparison and analysis of results.

The subjective test method is a combination of methods to demonstrate sequences, gather expert opinions, and process the results.
Let us consider, using an example of video codec comparison, the test procedure by the SAMVIQ method, recently developed at the EBU (European Broadcasting Union), the implementation of the MSU Perceptual Video Quality tool. This method was used in the subjective comparison of modern video codecs.

SAMVIQ method diagram
Test stages:

1. Expert enters her name (any unique sequence of characters).

2. Color perception test (standard Ishihara charts are used).

3. For each test sequence:

The reference video (original) is shown.
Whenever there are unseen compressed versions of this video, the expert selects the next version of the video, watches it, and rates it. The movie rating belongs to the 0-100 segment, the higher the better. The evaluation of the sequence variants already reviewed can be changed at any time, it is also possible to review any of the variants.
If all variants of the video have been viewed, the expert can proceed to the next test sequence.
Different variants of the compressed sequence are hidden behind the letter designations, so the expert does not know which codec he is evaluating at the moment. The reference video is explicitly available, it is also hidden under one of the letter designations and is rated on a par with the compressed video streams.

Why are such complications necessary? There are several problems that subjective testing techniques should solve. The first of these is to create a common rating scale for all experts, that is, so that the “good” rating means roughly the same for different experts. This is achieved through a technique called “anchoring”: during the test, both the video with the highest quality (“high anchor”, must be associated by all the experts with the maximum score), and with the lowest (“low anchor “, should be associated with a minimum score).

Another task is to minimize the memory effect, the influence of the sequence in which the video is shown on the expert evaluations. In some test methods, this problem is solved by displaying the reference video (original) together with each processed video sequence. In the SAMVIQ method, which we used in the comparison, the first problem is solved using a hidden and explicitly available reference video, and the second, using a more flexible evaluation procedure than in other methods (an expert can review the video and change your evaluations).

With any test method, subjective test results can be influenced by many external factors. It is essential that all testers are instructed on how to pass the test, that there is adequate lighting in the room, and that the tests should not tire the experts. Anything from the gender of the experts to their professions to the timing of testing can make a difference in results. Interestingly, compared to all other factors, monitor characteristics (resolution, LCD / CRT, etc.) do not significantly affect results (see M. Pinson, S. Wolf, “The impact of monitor type and resolution in the subjective video Quality tests “NTIA TM-04-412). Processing of results

The main results are obtained after a simple average of the evaluations by experts. The resulting score is called the MOS (Mean Opinion Score). In addition, to evaluate the dissemination of opinions, a confidence interval is usually given (the interval in which the real mean opinion is located with a certain probability). There are techniques to exclude experts that give results that are unstable and very different from the average.

At the end of 2005, our laboratory carried out subjective tests of video codecs. The test tasks were the subjective comparison of new versions of popular codecs, the comparison of results with objective metric data, and the development of subjective test technology. This article contains only a part of the results obtained.

Video quality evaluation. Subjective evaluation of video quality

Video quality evaluation. Subjective evaluation of video quality

Video Quality

What is quality?

video quality

Dahl’s dictionary contains the following definition: “quality is a property or belonging, everything that constitutes the essence of a person or thing”. What if we need to evaluate the visual quality, for example, of a video compressed with a codec? You can understand the quality of a video as an average rating of the opinions of the people who watch that video. It is this indicator that the creators of video processing systems ultimately want to improve, so I would like to be able to estimate it numerically. There are two approaches to solving this problem: subjective and objective evaluation of video quality. In the first part of this article, we will talk about these approaches, and in the second, we will present the results of our subjective comparison of modern video codecs.

Objective test
You can evaluate video quality using a formula or algorithm such as PSNR, VQM, or SSIM (see Comparing Video Codecs to PSNR Metrics). The main advantage of this approach is the ability to automate the testing process, allowing you to measure the rendering quality of a video system with a large number of different settings and test videos, or measure the quality in real time. The measurements also provide accurate and reproducible data. The downside to this approach is that automated metrics can misrepresent the subjectively perceived quality. This can lead, for example, to an erroneous conclusion about the superiority of one codec over another.

An alternative way to get an estimate of the video quality is to perform subjective tests. The idea behind this method is to get the quality score directly from the viewers who are evaluating the video. A similar approach has long been used to evaluate sound quality. For example, the hydrogenaudio.org forum regularly hosts subjective tests of audio codecs. What is needed to perform subjective tests?

Select video footage to test. Typically, a video of about 8-10 seconds is used to prevent experts from dispersing attention and shortening the overall time of the experiment.
Select the settings for the video processing systems you want to compare.
Choose a test method.
Invite a sufficient number of experts (at least 15 recommended).
Based on your opinion, get final grades.
In 1974 the first version of ITU-R BT.500 “Methodology for the subjective assessment of the quality of television pictures” was published. These guidelines provide a complete description of how all of the above issues should be addressed. Since then, many subjective tests have been carried out, the most recent of which is the Subjective Quality Assessment of the Emerging AVC / H.264 Coding Standard, Subjective Quality of Internet Video Codecs. Volumetric subjective tests are performed by VQEG (Video Quality Experts Group).