
Introduction to digital audio
Digital audio is the representation of sound signals through a set
of binary data. A complete digital audio system usually begins
with a transceiver (microphone) that converts the pressure wave that represents the
Sound to an analog electrical signal.
This analog signal goes through an analog signal processing system, in
which can be made limitations on frequency, equalization, amplification and
Other processes such as compassion. Equalization aims
counteract the particular frequency response of the transceiver used of
so that the analog signal closely resembles the original audio signal.

After analog processing, the signal is sampled, quantified and encoded. The
sampling takes a discrete number of analog signal values per second
(sampling rate) and quantification assigns discrete analog values to those
samples, which means a loss of information (the signal is no longer the same
than the original). The encoding assigns a sequence of bits to each value
discrete analog The length of the bit sequence is a function of the number of
analog levels used in quantification. The sampling rate and the
number of bits per sample are two of the fundamental parameters to choose from
when you want to digitally process a certain audio signal.
Digital audio formats try to represent that set of samples
digital (or a modification) of them efficiently, so that it is optimized
depending on the application, either the volume of the data to be stored or the
processing capacity necessary to obtain the starting samples. In
in this sense there is a very extended audio format that is not considered audio
digital: the MIDI format. MIDI does not start with digital sound samples, but
stores the musical description of the sound, being a representation of the
score of them.
The digital audio system usually ends the reverse process to that described. From
the stored digital representation is obtained the set of samples that
represent. These samples go through a process of digital analog conversion
providing an analog signal that after processing (filtering,
amplification, equalization, etc.) affect the output transceiver (speaker)
which converts the electrical signal to a pressure wave that represents the sound.
Fundamental parameters of digital audio
The basic parameters to describe the sequence of samples it represents
The sound are:
ƒ The number of channels: 1 for mono, 2 for stereo, 4 for sound
quadraphonic, etc.
ƒ Sampling rate: The number of samples taken per second in each
channel.
ƒ Number of bits per sample: Usually 8 or 16 bits.
As a general rule, multichannel audio samples are usually organized in
frames A plot is a sequence of as many samples as channels,
each one corresponding to a channel. In this sense the number of samples per
second matches the number of frames per second. In stereo, the channel
Left is usually the first.



