Definition and explanation of the term bit rate


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What is bitrate

Bit rate denotes a unit in which the relationship between the amount of data and time occurs. It is measured in the unit of bits per second. Common abbreviations for bit rate are bit / s or bps. The output quantity of information units in relation to digital multimedia formats limited by a constant output time is designated on a timeline.

Bit rate

Bit rate is used in video and audio compression. Encoding is possible with constant (short CBR) and variable (short VBR) bit rate. The variable bit rate aligns the encoding with the content of the multimedia content. In the case of a predominantly quiet scene in a movie, for example, fewer units of information are required relative to time. However, in scenes with a lot of movement, the bit rate increases. This is intended to allow optimal use of storage space with high image quality at the same time when compressing with a codec. Often times the required memory space is also less when encoding with a variable bit rate compared to a fixed rate.

Constant bit rate

Constant bit rate describes a compression method for video and audio content during storage and transmission. A constant data rate is used, regardless of the complexity of the respective signal. The same amount of data is always produced per unit of time.

Constant bit rate is often used in multimedia broadcasts. The reason for this is the limited streaming capabilities. By using constant bit rate, optimal quality is achieved with the same data throughput. In some cases, however, it may also happen that amounts of data are “given away”. This is the case when the content to be encoded requires a lower rate than specified. This is especially true for videos with quiet scenes or very quiet audio files. The constant bit rate is used, for example, for video CDs or Internet radio.

Variable bit rate

In addition to the constant bit rate, encoding with a variable bit rate is also possible. Here is audio and video content in constant quality at different bit rates depending on the content stored or transmitted.

This solution has established itself in the media storage field as it offers higher quality with less memory consumption at the same time. When encoding with a variable bit rate, individual sections of a medium receive different compressions depending on the complexity of the content. This enables the highest possible quality to be achieved with low memory consumption.

For a long time, encoding with the help of variable bit rates was considered insecure. In the meantime, however, the technology has matured, so good results can also be achieved by converting a medium with a variable bit rate. The downside of this method is that you cannot predict before conversion how big the file will be in the end. In most cases, only a minimum and maximum bit rate can be set. Individual encoders also offer the option of specifying how large the file should be before converting it.

Average bit rate

A third compression method is the definition of an average bit rate. A medium is converted at a variable bit rate. This enables a fixed file size to be achieved while maintaining high quality. For this variant of media compression, some codecs offer the option to compress in two passes. This allows the average bit rate to be reached very precisely.

In the first pass, the material is analyzed and then compressed in the second. Basically the method corresponds to that of variable bit rate, but an average bit rate allows you to calculate the size of a file. A deviation tolerance can be specified for individual programs.

Nominal bit rate

Nominal bit rate indicates the average bit rate that is achieved by encoding with a variable bit rate. Despite the possible fluctuations that arise in the various VBR modes, a quality assessment can be made.

The nominal bitrate concept was introduced by the developers of the OggVorbis codec. This should make it easier for MP3 users to start using variable bit rate. Many Mp3 codec users were only used to compressing an audio file with a fixed bit rate.


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VBR vs CBR

At the beginning of 2002 other compressed audio formats such as Windows Media Audio and Ogg Vorbis began to be massively included in programs, operating systems and autonomous players, which made it anticipate that the MP3 was gradually falling into disuse, in favor of other formats, such as those mentioned, of much better quality.

One of the factors that influences the decline of MP3 is that it has a patent. Technically it does not mean that its quality is inferior or superior, but it prevents the community from continuing to improve it and may force you to pay for the use of some codec, this is what happens with MP3 players.

New formats, such as OGG Vorbis, are not licensed, but are free SOFTWARE. That is why they can be used and improved without conditions. Even so, at the beginning of 2008, the mp3 format continues to be the most used and the one that enjoys the most success.

 

Mp3 – The psychoactive model and masking threshold

The psychoacoustic model and masking threshold

Compression is based on the reduction of irrelevant dynamic range, that is, on the inability of the auditory system to detect quantification errors under masking conditions.

The human ear has a perceptual masking threshold for its characteristics. If an airplane passes by us while we speak, the sound it produces is able to “cover” our voice. The same happens if a very strong DO note, on a trumpet, sounds at the same time as a pianisimo DO note on a violin: the DO of the trumpet, masks the DO of the violin, which is not heard.

This is due to the anatomy of the human auditory system: if two sounds of equal frequency are emitted, one with greater amplitude (volume) than the other, the sound of greater amplitude will mask that of amplitude (volume) than the other.

The psychoacoustic model is an average standard that divides the signal into approaching frequency bands, and then quantifies each subband based on the threshold of noise detection within that band. This model analyzes the audio signal and calculates the amount of noise that can be introduced based on the frequency, that is, calculates the “amount of masking” or
masking threshold as a function of frequency. Then, the encoder uses this information to decide the best way to spend the available bits.

Studies show that the distortion generated is imperceptible to the ear experienced in an optimal environment from 256 kbps and under normal conditions. For the non-experienced ear, or common, with 128 kbps or up to 96 kbps it is enough for it to be heard “well” (unless you have a high-quality audio equipment where the lack of bass is noticeably noticed and the sound is highlighted of “frying” in the treble).

In people who listen to a lot of music or who have experience in the auditory part, from 192 or 256 kbps it is enough to hear well. The music that circulates on the Internet is mostly encoded between 128 and 192 kbps.

MP3 – BItrate, CBR and VBR

CONSTANT AND VARIABLE BITRATE

CBR (constant bit rate)

It encodes the entire entire file with a single bit rate.

This method is the most common, and it becomes more predictable, always according to a file size and bandwidth. The file will be compressed to weigh a number of bits per second.

The bitrate is then measured in kbps (kilobites per second), the quality being better as much more bits per second weigh the file. In general, the most basic quality is
Around 128kbps, and the highest (for more educated ears) around 320kbps.

VBR (variable bit rate)

It encodes with a higher bit rate when the material is more complex, and a smaller amount of bits for simpler materials. By relying not only on the statistical references of the threshold of
average masking, but also of the source material, the .mp3 files compressed with VBR tend to be smaller than those compressed with the CBR method (they are the same quality) to have a more variable weight,

The quality is therefore no longer measured in kbps, but in levels (100 for the best quality – highest quality – and decreasing in the number for lower quality 10- lowest quality,)