Bit rate in DVR. What is it and what does it affect?


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Bit rate in DVR. What is it and what does it affect?

Bitrate

In a conversation about digital video recording, the term bit rate will surely ring a bell. This is an important parameter that affects image quality. Including filming on a video recorder.

BITRATE

If you are afraid of foreign words, then the bit rate can be called the recording speed or the compression ratio in another way. Because that’s exactly what happens: the compression of the video stream. How? Let’s take a look.

After the light hits the matrix and the subsequent digitization of the image, a very dense stream of digital video signal is obtained at the output. Also, the higher the video recording resolution and frame rate, the bulkier this stream will be. You cannot write it directly to a memory card; It will fill up very quickly with huge video files and you may just not be able to cope with such a flow of information. This is why the original video stream is compressed to an acceptable bit rate. This parameter is just the output data rate. Basically it reflects the speed at which the video is written to the memory card.

Bit rate can be calculated in bits, kilobits, and megabits per second – (bit / s, bps, b / s), (kbps, kbit / s, kbps) (Mbps, Mbit / s, Mbps). Most of the time, in megabits. The bit rate of the recorded video can be checked on a computer with a video editor or through the file properties menu. By dividing the figure by 8, you can determine it roughly in megabytes per second; it will be more convenient to compare it with the speed of your memory card.

The bit rate indicator is dependent, as you might guess, on the processor and intelligently optimized hardware and software to process the video stream. If all the conditions are met, the video stream will be compressed with high quality and with minimal loss. Otherwise, the video will contain noise, blurry images, artifacts, and other nasty distortions.

The bit rate also affects the size of the file. For example, at a relatively low bit rate (less than 10 megabits per second) more clips can fit on the memory card and cheap low speed cards can be used, but the video quality and details will be low. At a higher bit rate (10-20 begabits per second and more), the image will be of higher quality and more detailed. But the file size will also increase, so you need a memory card of the appropriate size and speed (16GB and above, class 10).

Manufacturers rarely indicate the bitrate on the box, therefore it is almost impossible to find out this indicator before buying. However, sometimes on the packaging you can see promises, for example, “8 hours of video in maximum quality at 32 GB”. And in this case, the bit rate can be roughly calculated. The formula is not complicated:
We took 32 gigabytes and, using the school’s computer skills, we converted them to megabits by multiplying them by eight and by 1024. Then we divided the resulting number by the number of seconds in eight hours.
– (32x8x1024) / (8×3600) – We get the result of 9.1 megabits per second.

Let’s clarify that the result will be conditional. First, because the actual volume of any card is always less than indicated. Second, the promises in the box can be just promises. Therefore, before buying, it is better to carefully study the selected model, having learned the speed of writing in the reviews.
So what bit rate should I be aiming for?

Given the adequate quality of the filling of the recorder (matrix + processor + lens + software), according to our practice, let’s say that this indicator is in the region of 15-45 megabits per second. This bit rate allows you to get a fairly adequate video quality during the day. Again, only during the day, because night photography, as we all know, is still a weak point of many recorders due to insufficient lens aperture and small matrix pixel size.

Note that DATAKAM has currently reached the maximum bit rate for recorders: 45 megabits per second, but only when working with a card with a capacity of 32 gigabytes or more. Some companies, notably Datakam and BlackVUE, are implementing bit rate selection options in settings. We find this option controversial. In our opinion, all drivers are initially interested in the highest quality videos, and it is easier to set the maximum bit rate for the recorder right away and simply choose the right memory card in terms of speed and volume.

And the last thing: they are unlikely to increase the bitrate incessantly on DVRs.


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But what role does the bit rate play?

This term is known primarily for describing the quality of lossy compressed audio (eg MP3). Unfortunately, this makes it even more difficult than with channel-separated compression, the bit rate is split between the two channels: stereo MP3 (not to be confused with dual channel) with a 320 kBit / sec bit rate. uses only 160 kBit / sec per channel.

Bit Rate

Or different bit rates per channel: set stereo (mono signal calculated with additional stereo information), on the other hand, it works with volume differences between the two channels and therefore can use the bit rate much more efficiently .

Bitrate

DAC, bit rate

What exactly is the obviously so essential bit rate? For a CD based on the Red Book standard, the bit rate is calculated as follows: 2 channels * 44,100 Hz sample rate * 16 bit depth per sample results in 1,411,200 bits / sec., That is, 1.4112 Mbit / sec. Bit rate. Obviously, this is considerably more than what compressed formats (should) provide. You can see how the compression processes work: last but not least, they more or less cleverly reduce the bit depth per sample at a given sample rate of 44.1 kHz, for example. The amount of data decreases, and that is exactly the goal of every data compression: halving the bit rate means exactly halving the amount of data.

As an example, I have compared some common file formats for digital audio:

Format

Codec (s)

Multichannel

Sampling rate

Bit depth or resulting bit depth from bit rate

Compression
/
subject to acoustic losses

Wav

PCM et al.

yes

any

any

Optionally, depending on the codec, also lossless

AIFF

PCM et al.

Not

any

any

Not

FLAC

FLAC (Free Lossless Audio Codec)

yes

0.001 kHz-655.350 kHz

4, 8, 16, 20, 24, 32

without losses

Apple loses
less
MP4

ALAC (Apple Lossless Audio Codec)

yes

0.001 kHz-384,000 kHz

16, 20, 24, 32

without losses

MP3

MPEG I Layer 3 in various incarnations
as B. LAME

Not

8-48 kHz

8-320 kBit / sec. CBR / VBR or 640 CBR for free MP3 format

with mandatory loss

Most readers will know that lossy compression is often based on psychoacoustic models or natural limitations of human hearing: what humans cannot (should) hear is not stored in the musical signal and is irretrievably lost, apparently not. you need it. The most popular example of this is the old MP3 format already mentioned. For some audiophiles, lossy compression is by definition useless for serious music listening, regardless of whether or not they would notice the loss of compression. For others, the sound is 320 kBit / sec. MP3 encoded for pop music are identical to CDs, they are satisfied.

DAC bit rate

Lossless compression, on the other hand, has become increasingly popular since Internet bandwidths and storage capacities have steadily increased. An example is the FLAC format, which fortunately is also “open source”, which means that it can be used freely and even changed in terms of the program. Meanwhile, most of the time it is directly compatible with proprietary audio hardware, so FLAC files can be played without the help of a computer, and in some cases even created (ripped CDs). As the table above shows, FLAC supports very high sample rates and bit depths, as well as multi-channel sound.

With FLAC, the audio signal is encoded based on computable fixed-point algorithms that conserve computational power, in which blocks are formed step by step and stereo separation is converted to mid-side separation and performed the remodeling of the signal with differential storage. No information is lost, it is stored more efficiently than, for example, on a CD; Depending on the complexity of the audio signal, compression rates of up to 30% can be achieved.

FLAC

It should be clear once again that FLAC or MP3 are file formats and therefore cannot be directly compared to the PCM of the Red Book encoding of a CD or DSD (see next section). Let’s leave it at that on the subject of data compression.

What is bitrate?

Good and technological days surely you have heard the word bitrate when an expert talks about videos in digital format, but if you don’t know what is what it consists of we tell you the same as the resolution and the final format of digital video another factor determinants to obtain an excellent image quality is the bitrate specifically the bit rate is the flow or the data rate, that is the amount of information when playing a video that reads on our computer per second.

For that reason and in the same way that happens with the size of the image how much the greater the data flow the greater the quality of the material in fact the bit rate can be even more decisive than the size of the image to define its quality the breed even though we have a great video size if the data flow is poor the material will be of poor quality by example a 352 x 288 resolution vcd with 1150 kilobits per second will be of higher quality than one of 720 x 576 resolution and 300 kilobits per second in this example.

 

If one of them has a screen size the greater its bandwidth is scarce because this data stores the information referred to the luminaire and the color of the video for that reason. When the flow of data is poor the computer will have to group a lot of pixels that contain the same information this generates a redundancy that affects the video quality but as always it is better to put a practical example.

Now we are going to lower the bit rate to this video that is the number of ones and zeros that are being used to encode it and as you can imagine youtube is going to change this as soon as we upload it to the channel but you cannot put the details again in the video, so even though you are watching it at the highest quality allowed between what you’re seeing is a version limited.

 

Right now we have a reasonable bit rate although it’s almost not looks so bad with modern rating and some details may be missed but still you can perfectly see what is going on now let’s add a few stars all of a sudden all those bits are not getting using to represent me but the opposite actually are used to keep track of everything around me now we add many more stars As you can see, the more things there are in the background, the more demanding the video with the bitrate we add a few more right now no matter how much I tried the encoder to optimize my face or skin tone just not it has enough if you look it’s not about if there are many or few stars but of movement if we freeze this whole scenario and what we treat as a background the quality of the video will return and if we upload again the bitrate we will have an ops video quality