Varieties of digital audio formats.


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Varieties of digital audio formats.

Audio Formats

There are several concepts of audio format.

Audio Format

The audio data presentation format in digital form depends on the quantization method of a digital-to-analog converter (DAC). The sound equipment at the present time the most common two types of quantization:

Pulse – code modulation
sigma – delta – modulation
Often bit quantization and frequency sampling point for various audio devices that record and play back as digital audio presentation format (24-bit / 192 kHz, 16-bit / 48 kHz).

The file format determines the structure and presentation of the audio characteristics of the data when stored on a PC storage device. To eliminate redundancy of audio data using audio codecs, with the help of which compression of audio data is carried out. There are three groups of audio file formats:

uncompressed audio formats, such as WAV, AIFF
lossless compressed audio formats (APE, FLAC)
audio formats, with the use of lossy compression (mp3, ogg)
There are only modular music format files. By synthetically or sampled pre-recorded live instruments, they are, in the main, used for the creation of modern electronic music (MOD). Also here the format of MIDI can be attributed, which is not a sound recording, but in this with the help of a sequencer it allows to record and play music, using a specific set of commands in the form of text.

Sound digital media formats are used as that of mass-propagated sound recordings (the CD, the SACD), so and in a professional recording (the DAT, MiniDisc).

For surround sound systems and you can select sound formats, in a multi-channel accompaniment largely without sound for movies. Such systems have a set family of two large formats that compete the companies of the Digital Theater then Systems Inc. – DTS and Dolby Laboratories Inc. – Dolby Digital.

Also called format the number of channels in multi-channel sound systems (5. 1; 7. 1). Initially, this system was designed for the cinema, but later it was extended to home theater systems.


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What formats are used to represent digital audio?

What formats are used to represent digital audio?

Audio Formats

The format is used in two different ways.

Digital Audio Formats

When using a specialized medium or recording method and special read / write devices, the concept of format includes both physical characteristics of a sound carrier: the dimensions of a cassette with a magnetic tape or disk, the tape itself, or a disc, recording method, signal parameters, encoding and error protection principles, etc. .P. When using a universal information medium of wide application, for example, a flexible computer or a hard disk, the format is understood only as a method of encoding a digital signal, the peculiarities of the arrangement of bits and words and the structure of service information; all the “low-level” part directly related to working with the media, in this case, remains under the control of the computer and its operating system.

Of the specialized digital audio formats and media, the following are the best known today:

CD (Compact Disc) is a 120mm or 90mm single sided optical laser read / write disc, containing a maximum of 74 minutes of stereo sound at 44.1 kHz sampling rate and 16 linear quantization bits. The system is offered by Sony and Philips and is called CD-DA (Compact Disc – Digital Audio). For error protection, Cross Interleaved Reed-Solomon code (CIRC) and Hamming code 8-14 modulation (Eight to Fourteen Modulation, EFM) are used. A distinction is made between stamped compact discs (CD) write-only (CD-R) and rewritable (CD-RW).
PCM decoder (PCM deck): a system for converting the digital audio signal into a pseudo-video signal compatible with popular video formats (NTSC, PAL / SECAM) and vice versa. PCM decoders are used in combination with home (VHS) or studio (S-VHS, Beta, U-Matic) VCRs, using them as read / write devices. The devices operate with 16-bit linear quantization at sample rates of 44.056 kHz (NTSC) and 44.1 kHz (PAL / SECAM) and can record a two- or four-channel digital signal. In fact, such a decoder is a modem (modulator-demodulator) for a video signal.
S-DAT (Fixed Head Digital Audio Tape – Fixed Head Digital Audio Tape) is a system similar to a conventional cassette recorder, in which recording and reading is performed by a block of thin film fixed heads in a 3.81 mm wide tape in a double-sided cassette with dimensions of 86 x 55.5 x 9.5 mm. It implements two- or four-channel 16-bit recording at 32, 44.1, and 48 kHz.
R-DAT (Rotating Head Digital Audio Tape) is a VCR-like system with cross-tilted rotating head recording. The most popular tape-based digital recording format, R-DAT systems are often referred to simply as DAT. The R-DAT uses a 73 x 54 x 10.5mm cassette, with a 3.81mm wide tape, and the cassette and tape system itself is very similar to a typical VCR. The basic belt speed is 8.15mm / s, the rotation speed of the main unit is 2000rpm. R-DAT operates with a two-channel signal (on some models, four channels) at sample rates of 44.1 and 48 kHz with 16-bit linear quantization and 32 kHz with 12-bit non-linear quantization. To guard against errors, a double Reed-Solomon code and modulation with an 8-10 code are used. Cassette capacity – 80. .240 minutes depending on speed and belt length. Domestic DAT recorders are usually equipped with a phonogram illegal copy protection system, which does not allow recording from the analog input at a frequency of 44.1 kHz, as well as direct digital copying in the presence of SCMS prohibition codes (Serial Code Managenent System). Studio tape recorders have no such restrictions.
DASH (Digital Audio Stationary Head) is a 6.3 and 12.7 mm wide magnetic tape recording system with fixed heads. Belt speed is 19.05, 38.1, 76.2 cm / sec. Implements 16-bit recording with sample rates of 44.056, 44.1 and 48 kHz from 2 to 48 channels.
ADAT (Alesis DAT) is a proprietary system for recording eight-channel audio on S-VHS videotape, developed by Alesis. It uses linear quantization of 16 bits at 48 kHz, the capacity of the cassette is up to 60 minutes per channel. ADAT tape recorders can be cascaded so that a 128-channel synchronous recording system can be assembled.