Digital sound quality


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Digital sound quality.

Sound quality

Sound information. Sound is a wave that travels through air, water, or other medium with a continuously varying intensity and frequency.

Digital Sound Quality

A person receives sound waves (air vibrations) supported by hearing in the form of sound of varying volume and pitch. The greater the intensity of the sound wave, the louder the sound, the higher the frequency of the wave, the higher the pitch of the sound

Dependence of the volume and pitch of sound on the intensity and frequency of a sound wave

The human ear receives sound with a frequency of 20 vibrations per second (small sound) to 20,000 vibrations per second (loud sound).

A person can receive sound in a wide spectrum of intensities, in which the highest intensity is 1014 times greater than the lowest (100 thousand billion times). To measure the volume of sound, a special unit “decibel” (dbl) is used (Table 5.1). Decreasing or increasing the sound volume by 10 dB is suitable for decreasing or increasing the sound intensity by 10 times.

The sound volume
sound in decibels
lower limit of human ear sensitivity 0
leaf whisper 10
Conversation 60
Gudok Vehicle 90
Jet engine 120
Pain threshold 140
Sound time sampling. In order for a computer to process sound, a continuous audio signal must be converted to a discrete digital form with support for time sampling. A constant sound wave is divided into small separate time sections, for each section a certain value of sound intensity is set.

Therefore, the constant dependence of the loudness of the sound on time A (t) is replaced by a discrete sequence of loudness levels. On the graph, this appears to replace a smooth curve with a sequence of “steps”

Sampling frequency. To record analog sound and transform it into digital format, a microphone is used, connected to the sound card. The quality of the digital sound obtained depends on the number of measurements of the sound volume level per unit of time, that is, the sampling frequency. The more measurements that are made in 1 second (the higher the sampling frequency), the more accurately the “ladder” of the digital audio signal repeats the curve of the dialogue signal.

Audio sample rate is the number of audio volume measurements in one second.

The audio sample rate can range from 8000 to 48000 sound volume measurements per second.

Audio encoding depth. Each “step” is assigned a specific value for the sound volume level. Loudness levels of sound can be viewed as a set of probable states N, for which encoding a certain amount of information I is required, which is magnified by the encoding depth of the sound.

Audio encoding depth is the amount of information required to encode the discrete volume levels of digital audio.

If the encoding depth is known, then the number of digital sound volume levels can be calculated using the formula N = 2I. Let the sound encoding depth be 16 bit, then the number of sound volume levels is the same:

N = 2I = 216 = 65536.

During the encoding process, each sound volume level is assigned its own 16-bit binary code, the lowest sound level will correspond to the code 0000000000000000, and the highest – 1111111111111111.

The quality of digitized sound. The higher the sound sampling frequency and depth, the higher the quality of the digitized sound. The lowest quality of digitized sound, suitable for the quality of a telephone connection, is obtained at a sample rate of 8000 times per second, an 8-bit sample rate, and by recording an audio track (“mono” mode). The highest quality digitized sound, suitable for audio CD quality, is achieved at a sampling rate of 48,000 times per second, a 16-bit sampling rate, and by recording 2 audio tracks (“stereo” mode ).

It should be remembered that the higher the quality of the digital sound, the greater the volume of information in the audio file. You can estimate the volume of information in a digital stereo sound file with a duration of 1 second with an average sound quality (16 bits, 24,000 measurements per second). To do this, the encoding depth must be multiplied by the number of measurements in 1 second and multiplied by 2 (stereo sound):

16 bits 24,000 2 = 768,000 bits = 96,000 b = 93.75 KB.


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Analog Sound

Analogous means similar, that is, the electrical current that passes through a circuit, such as an audio amplifier or mixing console, varies similarly to the variations in air pressure that sound represents.

codecs

In the case of a vinyl record, the groove shape is similar to the sound waveform.

When the sound presses the membrane of a microphone it produces an alternating electric current (which permanently changes polarity or direction of movement through the conductor or cable). If we plot the sound pressure variations as a function of time it will give a curve similar to the one we get if we plot the alternating current variations. In turn, the speaker that reproduces the sound will move forward or backward following that graph.

In an analog audio system there are no calculations or more processes than simply converting a mechanical energy (sound waves) to electrical energy and vice versa.

In an analog mixing console, the sound undergoes simple processes by crossing circuits that attenuate or amplify it, at most according to each frequency (equalizers or filters), delay it, add it to other sounds, etc.

The old analog synthesizers were called in this way because the resulting sound followed the voltage variations of electronic oscillators or combinations thereof.

AC3 format

Digital sound

Digital systems convert the audio signal into data that can be processed by numerical calculations.

The numbers that are handled are not given in the commonly used decimal system but in the binary system in which a number can be represented as a succession of ones and zeros; a one means “there is voltage” (for example, more than 3 volts), while a zero means “there is no voltage” (or is less than, for example, 3 volts).

When an analog audio signal enters a digital device, the level or amplitude is measured at small intervals of time by assigning a binary number to each one.

This is called the Analog / Digital Converter (A / D).

If you want to recover the sound wave a circuit called Digital / Analog Converter will put in its output a voltage (voltage) that will correspond to the binary numbers that had been measured. This output signal is filtered to smooth out sudden changes in levels and get closer to the original waveform.

When we have the sound represented with binary numbers we can with these do calculation processes as do the DSP (Digital Signal Processor) effect processors to give the sound reverberance, echo, chorus, etc.

The advantage of working with digital equipment is that the noise does not affect the information because its level (voltage) is much lower than that of a binary digit. On the contrary, in an analog system the noise has a level very close to the softer sounds that are handled, for example, in a mixing console in which noises from different sound sources and circuits are added.

Resolution

It is the amount of bits (binary digits) that are used to obtain each binary number that corresponds to each point of the curve.

With 8 bits we can represent values ​​or levels from 0 to 255. With this you get a very precise and noisy digital wave, not at all true to the original sound.

With 24 bits, the most commonly used resolution in professional sound, we can represent the wave with values ​​between 0 and 16,777,215, which gives an extremely accurate sound wave. The 32-bit resolution is also commonly used.

Sample Rate

It is another parameter that determines the quality of digital audio and measures the number of samples (level measurement) that are taken per second. The higher the sampling rate, the higher the audio quality because less time elapses between one measurement and another allowing us greater accuracy.

It is measured in Kbits / sec (kilobits per second – kilo = 1000)

In CD quality 128 kbit / s are taken