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Bit rate as a characteristic of digital video and audio

Concept

Bitrate: literally, the information bit rate. It is common to use the bit rate when measuring the effective information transmission rate through the channel, that is, the “payload” transmission rate (in addition to that, the channel can transmit service information, for example symbols start and stop for asynchronous transmission or control symbols for redundant coding). The baud rate, which takes into account the total bandwidth of the channel, is measured in baud.

Bit rate is the number of units of information required to store (transmit) one second of a stream of data (generally audio and video files). It is generally measured in ‘kbps’, kilobits per second.

The term bit rate is used in two basic meanings
: channel or device characteristic: the maximum number of bits that can be transmitted per unit of time.
– The amount of data stream transmitted in real time (the minimum channel size that this stream can pass through without delay).
– A special case is the compressed video or audio bit rate.
Bit rate is expressed in bits per second (bit / s, bps), as well as values ​​derived with the prefixes kilo, mega, etc.

The term bitrate (along with subjective quality criteria) is often used as a characteristic to evaluate the performance of lossy compression algorithms.

Bitrate characterizes both the density of the information package and its quality. For example, out of two MP3 files compressed with different bit rates, a file with a higher bit rate will have higher sound quality (close to the original). At the same time, a file of a different format, with the same bit rate, can offer both better and worse sound quality.

On audio CDs, information is losslessly encoded at a constant 1407 kbps bit rate.

The MP3 format allows encoding audio information with constant or variable bitrate from 32 to 320 kbps, that is, they provide five times the compression compared to CD.

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Bitrate and its calculation Bit rate (bit rate) Part 3

coding.

Codecs and Media Containers

Since 2014, the most common high definition video format is HD (Full HD), with a screen resolution of 1920 x 1080 pixels and a screen aspect ratio of 16 x 9. (This format is compatible with most modern LCD and plasma televisions, but not all are capable of providing a high quality picture.
The fact is that most of these televisions have a lower screen resolution than is necessary for viewing in Full HD, for example 1280×720. The HD format has varieties: 1080i and 1080p. As with other formats, the letters i and p represent progressively scanned or interlaced images.

But, unlike the usual PAL and NTSC formats, here with interlaced scanning the frame rate is 60 and with progressive scanning 50 frames per second. This is a standard, you can stick to it, but you can work around it too. The fact is that today a full HD format can only be played on a computer, there are no special devices (players) to watch it (HD DVD (gradually dying) and Blu-Ray disc players do not provide Full HD quality, but more on that later), therefore full compliance with the rules is no longer as important. The next most common high definition video quality and format is HDV, with a screen resolution of 1440 x 1080, but also with a 16×9 aspect ratio. This ratio is achieved by “stretching the pixels” horizontally, from 1440 to 1920. Therefore, for a Full HDV display, a FullHD television with a screen resolution of 1920×1080 is also required. Of course, the video quality in HDV format is lower than HD, but still, HDV format is quite common among users. The reason is that the HDV format was invented before HD, and even before the latter came out, a lot of video equipment was developed and released that only supports 1440×1080. High definition movies, generally recorded on HD DVD and Blu-Ray discs, also have an HDV resolution of 1440 x 1080. Even before the advent of HDV and HD, the 720p “high definition” format appeared. The resolution is 1280×720, the aspect ratio is 16×9. It is essentially a transitional format, from standard PAL to HDV and HD. The world’s first “high definition” hobby camcorder produced by JVC recorded at 720p. Even earlier, the PAL television format appeared in 720×576 resolution with 50 Hz interlaced scan. Now, this format is used in digital and satellite television (not HD). Now (2014-2017) I use mp4 format: mp4 – Full HD – 1920 x 1280, 16×9 variable bit rate 10 – 15 mbps for home viewing on 64 inch Full HD TV, this is enough. mp4 – HD – 1280 x 720, 16×9, variable bit rate 4-6 mbps. – if you need to save disk space, or if quality doesn’t really matter (or if you need to speed up rendering).
Источник: https://vseprost.ru/vybor-bitrejta-dlya-zapisi-multimedia.html

Bitrate and its calculation Bit rate (bit rate) Part 2

Let’s go back to the DVD story for a moment.

When the first analog-to-digital converters appeared in capture card form, it was claimed that 60 minutes of video could be put on a DVD-R with no loss of quality. In the claimed presentation data of the DVD format, the maximum bit rate of the multiplexed stream is 9.8 Mbit / s. When DVD recorders appeared that were capable of digitizing an analog signal in high quality, it was said that the recorder could fit up to 125 minutes on a disc without losing quality and up to 90 minutes if you wanted to save sound in PCM format.

We test, we verify, we write from both disk and videotapes; there is no visual difference even during pauses and in frame by frame mode (if the recorder is good). The bit rate that the recorders give to the output of the digitized image is 9000 Kbps and sometimes a little more. Why is the math not the same as the DVD burner result?

Probably because we do the calculation for a constant bit rate, and the recorders can already digitize video with a variable bit rate and have appropriate compression algorithms. By setting the upper limit of the bit rate at 9000 Kbps, you can achieve a good picture in video segments with dynamic actions, while in other parts of the same video the value of the bit rate can reach 2000 Kbps. noticed that when you record a video or a photo with a digital camera, the files have different sizes? Once the initial parameter is set, the codec itself chooses the value of the bit rate. Optimal bit rate for DVD video Considering the fact that up to 120 minutes of video can be recorded on DVD-R without quality loss, we ask ourselves: how to do this? Let’s consider 2 ways: 1. If you are using a DVD burner, set it to “lossless quality” mode and set to record. If your video is 60 minutes long, the recorder will not stretch it by 4. 36GB and it will only take up half the free space. 2. If you use a capture card or TV tuner, first capture as described here and then compress the resulting file with a quality program with modern codecs and multiple passes (at least the same Freemake Video Converter) at the speed of dvd5 for 120 minutes (don’t forget the menu). Consider an option when your video is short and you are not going to burn it to DVD-ROM or if you want to burn multiple MPEG-2 files to disc at once without losing quality. Below is a table calculated mathematically on the basis that you can fit 120 minutes of video on 4464MB of disk space (no menus). There are a few things to keep in mind: The table is written for MPEG-2 files. The table is not written for previously compressed videos. These values ​​do not include a menu. Using different programs, you can get different results. The values ​​in the table may vary depending on the content of the video. If the program has a bit rate option then you need to set “VBR” (variable). The values ​​in the table are based on “lossless compression”. In this article, “lossless compression” refers to the viewing experience. In fact, in the analytical version, the word “compression” already denotes a loss of quality.
Источник: https://vseprost.ru/vybor-bitrejta-dlya-zapisi-multimedia.html

Bitrate and its calculation Bit rate (bit rate)

Flow rate data per unit of time.

Information flow is normally measured in bits and transit time in seconds (bit / s, bps). There are other quantities derived with the prefixes kilo- and mega- (kbit / s, kbit / s, kbps, Mbit / s, Mbps, Mbps). Bit rate is one of the main parameters of a video. Its value affects the size and quality of the video file. The bit rate is directly proportional to the quality and size of the file. The higher the bit rate, the better its quality and the larger the file size. Two types of speed must be distinguished: maximum bit rate: the maximum number of bits that can pass per unit of time, and bit rate: the bandwidth of the channel without delay.

Data stream compression modes

Constant Bit Rate Constant Bit Rate (CBR) is the encoding of the data stream, specified by the user and has a constant value throughout the length of the file. This mode improves compatibility and the ability to calculate more accurately, but can increase the size of the output file. Do not use this mode for dynamic scenes (sports programs, action movies, etc.) and when objects are moving in different directions. Variable Bit Rate (VBR) Variable Bit Rate is a mode in which the codec determines the amount of information stream transmitted based on the complexity of a given file segment. This mode produces the best quality in an optimal size and prevents flickering. The disadvantages of this method include only the unpredictability of the output file size and the possibility of incompatibility. Variable bit rate is actively used for burning Blu-Ray and DVD discs, where there is no limitation on the size of the file as such. Average Bit Rate (ABR) Average Bit Rate is a combination of variable and constant bit rates set by the user. Unlike variable bitrate, the data stream varies within strict limits and does not reach the minimum and maximum values. This allows you to predict the output file size much more accurately than VBR and improve video quality in fast-moving video scenes. The method was applied in the network. This mode is sometimes used to compress audio.

Bitrate calculation

Having mastered what the bit rate is and having disassembled the compression modes of the flow of information, we can proceed to the independent calculation of the bit rate. Let’s establish the conditions of the problem: video: home video 120 minutes long sound: present; menu: necessary; DVD-R Media (DVD + R) 4.36 GB; Output format: DVD (MPEG-2) DVD-R size: 4.36GB = 4464MB. Size is critical, so we will be calculating from 4300MB for several reasons: 1. Bitrate cannot be accurately calculated and the file may be larger than planned. All full disk space sometimes leads to improper disk startup. 3. Many programs are recoding based on this value. We subtract another 300MB for the menu and the audio track (if your sound is not in PCM format, whose bit rate is much higher, and if you don’t plan to create multiple audio tracks) and we get 4000MB. 4000: (120 * 60) = 0.556 Mbps = 0.556 * 8 = 4.444 Mbps = 4.444 * 1024 = 4551 Kbps. For a high-quality DVD-Rip, this value is ideal, but for MPEG-2 it is barely supportable. The fact is, different video formats need different bitrate values ​​for an acceptable picture. You can try to play this video and if there are dynamic moments, you will see artifacts in the shape of squares in the video. It follows from this that you need to reduce the length of the file to about 60 minutes or look for other compression methods.