Sound quality of Vinyl vs CD


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Sound quality of Vinyl vs CD

Vinyl vs CD

Short answer: NO !!

At the moment, the best sound quality is HD audio formats such as DVD or Blu-ray Audio.

CD VS VINYL

So now we are faced with the problems of the skeptics, like you can’t hear the difference between audio CDs and HD audio, because audio CDs can play louder sounds than anyone else, or vinyl records they sound so much better. But just ignore these people as I explain how digital audio works, which most people don’t understand.

Uncompressed digital audio has two components. One is the sample size, the other is the sample rate.

The sample size determines how loud the music can be, or more precisely, the dynamic range, the difference between the quietest and the loudest parts (you can always turn the stereo up to 11 for more volume). It turns out that people can easily hear more than 16-bit dynamic range than a 16-bit audio CD provides. What this really means for HD audio is that you can have a very quiet section (and not hear noise) and then play loud music. In practice, extremely loud sounds are just instantaneous peaks, but you can, if you wish, record something with a large difference in volume, for example, next to an emergency siren. You will hear the background sounds of the birds and then the siren. If you turn up the volume to hear the birds well enough to hear them during playback,

Another component is the sampling rate, the frequency with which you sample the sound to reproduce the sound wave. The higher the sample rate, the more realistic the recording will be. Since CDs are played 44.1K times per second, sounds can be played up to 20 kHz, which is louder than most people can hear (I can only hear up to 17 kHz), so in In theory, a CD can reproduce a wider frequency range than people can listen to. … But sadly, this does not account for all the people who can hear. People have a highly developed sense of stereo sound. We can easily determine the direction of the sound. This is the result of very small differences in the time it takes to reach each of our ears. The brain processes this and produces spatial awareness of where the sound is coming from, and that’s pretty accurate. So this is where HD (high definition) audio comes in. With a higher sample rate, you can get a more refined waveform with enough detail to reproduce these subtle differences, which make the sound more vivid and lifelike than typical CD recordings.

When it comes to analog audio sources, the main problem with all analog formats (tape and vinyl) is that they degrade with each playback (and not even playback). Vinyl is famous for the awe, the thrill, the shock, and of course the scratches, cracks, and pops when the needle goes through the grove. The tape is elastic, has speed issues, and only sounds great at 15IPS or higher. Neither is perfect.

A few things to consider when considering HD audio.

Never discuss HD audio with someone who has never heard it. A complete waste of time arguing with idiots. This is the main rule of HD audio.
Most of the commercially available audio is already compressed for CD and radio playback. They deliberately remove dynamic range so music sounds clearer and better on low-quality systems (like phones).
The higher the sample rate, the more natural the sound will be. Good uncompressed 24/192 sound sounds open and natural, like you’re in the room listening with headphones. Compare the same recording on HD and CD if you can. You want to listen to uncompressed music, not a rap or pop cut. The quality of the CD is good enough for this.
Ignore those who say you have to spend a lot of money to listen to HD sound. You can use any analog amp (most of them), a DVD or Blu-ray player (make sure it can handle up to 192), and decent speakers or headphones. Good speakers and headphones can be bought for less than $ 300 if you look around. Obviously, you can spend more, but that will get you to the door. And, of course, a DVD or Blu-ray disc. Look for full digital recordings with a sample rate of 96 or higher. 48k is not much different from 44.1 except for the dynamic range (which can be significant). I have created new systems for $ 500 and even novice listeners can tell the difference.

Answer 2:
No, but that’s more than enough if you haven’t spent thousands on a listening room / system.


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Is listening to music on vinyl really better?

Vinyl / MP3 theme seems to be all the rage. Some vinyl purists believe that there is no debate. “You understand that when you listen to a vinyl, it is better, cpocomprésséblabla […] blabla”, we all live this type of conversation with an individual with the red label “with (ne) base”.

 

MP3 vs WAV vs VINYL

The “micro-groove” vinyl record was released on June 18, 1948 during a press conference organized by Columbia Records to announce the end of 78 rpm. Format adopted by the general public since the mid-1950s, vinyl will remain the exclusive medium of music for almost 20 years.

The Compact Disc arrives in 1982 and offers quality music transcription based on a sample of 44,100 Hz. Sound is collected 44,100 times per second. This rate gives it an accuracy close to that of vinyl.

Vinyl vs mp3

MP3 was released in the mid-90s. Wanting to reduce the weight of songs and fit on our “smartphones”, it compresses the audio data. This results in loss and degraded sound, provided you listen carefully on a high-quality sound system. Finally, everything also depends on the compression rate mentioned in bitrate per second. Corresponds to a bit rate of binary information (or bits) per second: a bit rate of 320 Kilo-Bits-per second corresponds to approximately 320,000 bits transmitted per second. This is the reason that the less the sound is compressed, the more information the file has and, consequently, the bigger it will be. To listen more or less faithful to the sound, above 256 Kbps, you go alone. It is always possible to choose the so-called “lossless” formats like FLAC,

Sound can be defined as a wave, a signal that vibrates the membrane of the inner ear at a certain frequency. To clarify things, we must quickly analyze the concept of bandwidth, which is the range of reproducible audio frequencies for each medium. The higher the frequency, the higher the note; the lower the frequency, the lower the sound (hence the bass name for bass, little genius). Your broken headphones or your Funktions One are just trying to transcribe this signal.

The vinyl bandwidth is, in principle, unlimited. MP3 seeks to reproduce this signal as faithfully as possible. An excellent quality vinyl record can store sound information at frequencies up to around 50,000 Hz. In lossless mp3, the frequency range generally reaches around 23,000 Hz.

FUN FACT: The human ear can hear frequencies ranging from 16Hz to 20,000Hz. We cannot capture the entire frequency spectrum of a vinyl or MP3.

It is often said (too?) About vinyl that is distinguished from MP3 by its warm sound, by its “grain”. In fact, there is a noticeable difference between listening to an MP3 and a vinyl because the recording techniques are different, hence the famous “grain” of the vinyl, but it is reproducible without problems in numerical format

From a technical point of view, vinyl is no better than an MP3 in the correct format. Surely there are many more emotional considerations to help understand the new vinyl spring.