Is listening to music on vinyl really better?


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Vinyl / MP3 theme seems to be all the rage. Some vinyl purists believe that there is no debate. “You understand that when you listen to a vinyl, it is better, cpocomprésséblabla […] blabla”, we all live this type of conversation with an individual with the red label “with (ne) base”.

 

MP3 vs WAV vs VINYL

The “micro-groove” vinyl record was released on June 18, 1948 during a press conference organized by Columbia Records to announce the end of 78 rpm. Format adopted by the general public since the mid-1950s, vinyl will remain the exclusive medium of music for almost 20 years.

The Compact Disc arrives in 1982 and offers quality music transcription based on a sample of 44,100 Hz. Sound is collected 44,100 times per second. This rate gives it an accuracy close to that of vinyl.

Vinyl vs mp3

MP3 was released in the mid-90s. Wanting to reduce the weight of songs and fit on our “smartphones”, it compresses the audio data. This results in loss and degraded sound, provided you listen carefully on a high-quality sound system. Finally, everything also depends on the compression rate mentioned in bitrate per second. Corresponds to a bit rate of binary information (or bits) per second: a bit rate of 320 Kilo-Bits-per second corresponds to approximately 320,000 bits transmitted per second. This is the reason that the less the sound is compressed, the more information the file has and, consequently, the bigger it will be. To listen more or less faithful to the sound, above 256 Kbps, you go alone. It is always possible to choose the so-called “lossless” formats like FLAC,

Sound can be defined as a wave, a signal that vibrates the membrane of the inner ear at a certain frequency. To clarify things, we must quickly analyze the concept of bandwidth, which is the range of reproducible audio frequencies for each medium. The higher the frequency, the higher the note; the lower the frequency, the lower the sound (hence the bass name for bass, little genius). Your broken headphones or your Funktions One are just trying to transcribe this signal.

The vinyl bandwidth is, in principle, unlimited. MP3 seeks to reproduce this signal as faithfully as possible. An excellent quality vinyl record can store sound information at frequencies up to around 50,000 Hz. In lossless mp3, the frequency range generally reaches around 23,000 Hz.

FUN FACT: The human ear can hear frequencies ranging from 16Hz to 20,000Hz. We cannot capture the entire frequency spectrum of a vinyl or MP3.

It is often said (too?) About vinyl that is distinguished from MP3 by its warm sound, by its “grain”. In fact, there is a noticeable difference between listening to an MP3 and a vinyl because the recording techniques are different, hence the famous “grain” of the vinyl, but it is reproducible without problems in numerical format

From a technical point of view, vinyl is no better than an MP3 in the correct format. Surely there are many more emotional considerations to help understand the new vinyl spring.


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Vinyl vs Mp3

Vinyl vs Mp3

It is surprising how a format with as many drawbacks as vinyl was, is held in such high regard. I imagine that partly because of handling it with my hands, I can understand that, but what I don’t understand is how there are still people who defend the sound quality of vinyl over a CD or an mp3.

There is a lot of talk about the sound limitations of an mp3, that if it masks some frequencies with others and if it is not capable of reproducing the treble or bass well … the bass? for the love of God! If there is an audible deficiency, why would it be on the frequencies that need the least amount of information to register? The truth is that in a low quality mp3 such as 128 or 160Kbps, deficiencies in the treble can be noticed, but I personally am unable to hear any difference between a 192Kbps and a WAV.

Vinyl

But let’s go back to vinyl and detail a few flaws of this legendary format, some known, but others mostly not so much:

Clicks and Pops: Vinyl is conducive to charging with static electricity, which causes small audible discharges in the form of pops. Static electricity in turn traps dust, which can also be heard in the form of clicks and other noises.

Abrasion of the groove: The needle, in each reproduction, literally sanding the information contained in the groove. In other words; The more you click it the worse it sounds.

Angular speed (this is my favorite): The vinyl rotates at a constant angular speed (45 or 33 rpm), but the needle travels the groove at a variable linear speed, leading to loss of quality as the needle goes approaching the center. To be more precise, there is about 5o0mm per second on the outside of the disc and about 200mm on the inside. Nobody pays attention to this because the loss is gradual but if you take a record that starts and ends with the same “cymbals” and quickly jumps the needle from the beginning to the end, you will hear a clear loss of treble.

Stereo image loss: Due to physical limitations of the vinyl, the L channel as it leaves the deck, has added 20% of the R channel signal and vice versa.

Foreboding Echo: The longer the recording, the more the grooves have to be tightened, and the closer they are, the more the sound coming from “the next round” can be appreciated in a “foreboding echo” effect. The reverse is also true, hearing the sound of the past groove if the disc suddenly falls silent. It is not that it is the worst defect since it is only heard in large volume changes but there it is. Add and go.

Feedback: The sound at high volume, vibrates the needle while it sounds, thus trapping these vibrations and transmitting them back to the amplification system to be caught again in an infinite regulation creating the typical low hum. Fascinating!

I could go on but, only with those in mind, the only explanation that fits for those who still defend the sound of vinyl is that they base their opinion on the legends and romanticism that are implicit in a piece of circular plastic. Music professionals, please use your ears to hear.