What format do you choose when copying? AIFF, ALAC, AAC … Check the sound quality of each one by “appearance” Part 2


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What format do you choose when copying? AIFF, ALAC, AAC … Check the sound quality of each one by “appearance” Part 2

Sample Rate

The “lossless compression” method, to which Apple Lossless and FLAC belong, is a method that can completely restore the original audio data during playback, at the cost of a low compression rate.

Sample Rate

The file size is large, but the sound quality is equivalent to that of a CD. The bit rate fluctuates automatically according to the content of the audio data, and the compression rate is not constant accordingly.

AIFF and WAV are “uncompressed” methods. Extract the original audio data and create a file as is. It does not compress, so it has a lot of capacity, but the sound quality is perfect.

Let’s take a closer look at the table.

■ Don’t say it again … Considering the playback environment, the format selection criteria for copying are as follows: As

You can see from the “Compression rate” and “Sound quality” items in the table, both are highly rated. It has around “AAC / 256kbps” and “MP3 / 192kbps”, which is a Rossy format with a higher bit rate. While ensuring good sound quality, the file size can also be reduced. It also has an excellent balance with the capacity of the integrated SSD / HDD of PC, iOS devices, smartphones, etc.

The default setting for iTunes is AAC / 256kbps, and the specifications for music files sold on the iTunes Store are the same. You can tell that the current standard is around here. In terms of playback compatibility, AAC and MP3 are widespread, and no matter which one you choose, you don’t have to worry about the playback environment.

On the other hand, it is the lossless format that Apple Lossless and FLAC belong to that can reduce the file size to some extent while maintaining the best sound quality equivalent to that of a CD. If you want to give the highest priority to sound quality from an audio point of view, I would like to select this. It will be a bit difficult to balance it with the capacity of SSD / HDD, smartphone, etc. from the PC, but if it can be erased, it is convenient to use this format.

For example, if you don’t have that many CDs, creating a library in a lossless format will not put too much pressure on your PC’s SSD / HDD and you will be able to sync all the songs on your iOS device. Alternatively, you can deal with this by coming up with sync settings for iOS devices, etc. (I’ll explain later). If so, it is better to have a lossless format that can maintain the best sound quality, and there are few errors in the long run.

Just keep in mind that Apple Lossless and FLAC are a bit difficult to choose in terms of the playback environment. Until now, iTunes and iOS devices do not support FLAC, and many other devices and software do not support Apple Lossless. As of June 2012, at the time of writing, many network players only support FLAC. However, with Apple Lossless opening font in October 2011, support for the same format is expanding, so I’d like to keep an eye out for this trend as well.

AIFF and WAV are uncompressed formats. Of course, the sound quality remains the same as that of a CD. However, the data capacity is not compressed at all. In other words, the uncompressed format “has the same sound quality as the lossless format and has a larger file size than the lossless format.” In that sense, there is no reason to choose it unless you are particular about it.

Well finally the highlight of this era. Let’s review the “appearance” of “what is the actual deterioration in sound quality for each compression format?”


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What format do you choose when copying? AIFF, ALAC, AAC … Check the sound quality of each by “appearance”

What format do you choose when copying? AIFF, ALAC, AAC … Check the sound quality of each by “appearance”

Bit Rate

Music files are the mainstream of Imadoki’s audio playback sources.

bitrate

Except when purchased from an online distribution, the sound quality of the music files used here is largely related to the work of reading audio data from a CD to a PC, the so-called “ripping” setting. This time I would like to review that part in a little more detail.

The first half of this article describes the basics of the extraction format for those who want to know what sound quality to choose when extracting. Perhaps this first half is common information to many file and web readers.

However, the highlights are beyond that. “Really Terrifying Audio Compression” … So, in the second half of the article, “How much does the compressed file actually deteriorate the sound?” And “How much does the sound quality change depending on the bit rate value?” you will check with (→ Visually check the sound quality of AIFF, ALAC, AAC!). I would like you to stay with us until the end.

■ Don’t say it’s time to change … First, let’s review the basics

The scheme of the options for copying is “compression format (file format)” and “bit rate”. These two determine the sound quality and file size, which is another important factor.

“Compressed format (file format)” refers to formats such as AAC, MP3, Apple Lossless, and FLAC. This selection determines the sound quality, file size, and playback environment.

The “bit rate” is the amount of data allocated per second of audio. The higher the value (kbps), the higher the sound quality, but the larger the file size.

In the case of iTunes, call this screen “Load Settings” from the environment settings and configure the extraction.

Please refer to the following table based on that. We have summarized the characteristics of typical compression formats and bit rate settings.

The item “Sample Bitrate Settings” in the table is quoted from the default settings provided in iTunes (* iTunes does not support FLAC)

First of all, pay attention to the second item from the left of the table. Compression formats can be broadly classified into “lossy compression”, “lossless compression” and “uncompressed”.

The “lossy compression” method, to which AAC and MP3 belong, achieves a high compression rate = a significant reduction in file capacity by reducing some of the data when compressing audio data. In contrast, the original audio data cannot be fully restored during playback and deterioration in sound quality is inevitable. The degree of deterioration in sound quality changes depending on the bit rate setting. The lower the value of the bit rate, the greater the deterioration in sound quality and, conversely, the higher the value of the bit rate, the more mitigated.