Digital Video, its main features


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Digital Video, its main features

digital video

Until recently, few people could have imagined that with an ordinary home computer it would be possible not only to watch your favorite movies, but also to create your own video library, digitize the content of old videotapes, edit family videos, and even create your own. movie masterpieces.

DIGITAL VIDEO

It all started in 1992, when IBM and Intel developed the Indeo software technology (short for Intel Video). With its help, users have the opportunity to digitize video and create video files on a PC, with subsequent playback on the monitor screen.

Initially, digital video was an analog signal converted to digital format. Furthermore, the conversion procedure itself inevitably led to a certain loss of quality. Today, VCRs and old VHS cameras are a thing of the past, and modern digital video cameras, DVD and Blu-Ray players, which allow you to receive a signal immediately in digital form, rule the ball. And analog television is gradually giving way to more progressive digital.

Key features of digital video
Digital video has five main characteristics: screen resolution, frame rate, color depth, bit rate (video transmission width), and image quality.

Screen resolution (resolution): indicates the number of dots (pixels) horizontally and vertically that make up the image (video frame) on the screen. When recording resolution, the value of the number of dots per line (horizontal resolution) is indicated first and then the number of lines involved in the image (vertical resolution). For example, for the European PAL video standard, the frame size is 720×576 pixels, for the North American NTSC standard – 720×480, for high definition video (HD 720p) – 1280×720, and for the new HDTV standard (Full HD) – 1920×1080 pixels. As you probably understand, the higher the screen resolution, the better the video quality.

The frame rate is a value that indicates how many frames are changed per second. The standard video playback speed is considered a value equal to 30 frames / s. For cinema, this figure is slightly lower and amounts to 24 frames / s.

Color depth (color resolution) is a characteristic that indicates the number of colors that can participate in the formation of a video image. The number of colors in digital video is measured in bits. So 1 bit can take two different values ​​(0 or 1) and it only allows encoding two colors (usually black and white), respectively. With two bits, you can encode 4 colors (2 2 = 4), with three bits – 8 colors (2 3), four – 16 (2 4) and so on.

Typically, color resolution is described by special color models. In computer technology, the RGB (red-green-blue) model is used, which can be represented by the following most common color depth modes: 8-bit (256 colors), 16-bit (65,536 colors), and 24-bit (16,777 .216 colors). By the way, the human eye, according to various opinions, can perceive 5-10 million shades of color.

Bit rate (video stream width): Shows the number of video bits processed per second of time. In other words, this is the video transmission speed, which is measured in megabits per second (Mbps). The higher it is, the better the quality. For example, for the DVD video standard, the bit rate is about 5 Mbps and for the HDTV format, it is already 10 Mbps. By the way, most of the time the bit rate value is used to evaluate the quality of the video transmitted over the Internet.

Image quality is a characteristic designed to evaluate the quality of processed video compared to the original and is determined by a set of values ​​for resolution, color depth, and video transmission speed.

Compression standards
One minute of pure, uncompressed and digitized sound takes up about 10MB on a computer’s hard drive, as a result of which, for the vast majority, music files are stored in a compressed form to save space. How long does a minute of uncompressed video take? For example, to place a 60-second video with a rate of 30 frames per second, a resolution of 720×576 pixels, and a color depth of 16-bit, you will need approximately one and a half gigabytes of free disk space. And this without taking into account the audio track. After these numbers, it is probably not necessary to explain why digital video is stored on our computers exclusively in compressed form.

There are several dozen popular compression formats that use different compression algorithms.


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Digital video: an overview of formats

Digital video: an overview of formats

Digital Video

Recently, home users have the opportunity to create digital videos with their own hands. It goes without saying how convenient it is to store family video files in this way. Digitized records do not deteriorate over time, do not lose quality when copied, and can be easily edited. Video compression technologies, which continue to improve even now, played an important role in its distribution.

Digital Video

First, let’s find out why compress video. To understand this, let’s move on to the basic principles of digitizing moving images.

The video sequence is formed from consecutive 720 x 576 pixel frames, which are changed 25 times per second (according to the PAL standard). If you scan them with 16-bit color depth, each frame will take up about 1.2MB, which means that to store 1 second of video, you’ll need about 30MB of disk space, and about 150GB will go to one movie. 1.5 hours. This is at least five times the capacity of hard drives found in modern home computers. Try to figure out how many 650MB CDs you need to burn one of these movies. To reduce the size of files containing digitized video, various data compression algorithms are used. There are two types of algorithms that work, respectively, without loss of information and provided.

Lossless compression (with virtually no degradation of image quality) in digital video is done using methods similar to those used in archivers such as WinZIP or WinRAR. However, due to some peculiarities of the video information, such algorithms in this case are not efficient enough (the minimum size of a compressed file is 1/3 of the original) and therefore it is practically not used.

Lossy compression is the main method of reducing the size of video files. These algorithms allow us to determine that part of the information that the viewer, most likely, will not notice when watching a movie, and remove it from the file. The main digital video formats using lossy compression today are Apple QuickTime, Intel Indeo, MPEG-1, MPEG-2, MJPEG, and MPEG-4. The specifications of the MPEG-7 standard are also under development, but it is still too early to talk about it.

Apple QuickTime

The MOV file format was developed by Apple for Macintosh computers and later ported to the PC platform. From 1993 to 1995, this format was dominant. Its latest version, number 4.1, allows you to transfer data in streaming mode. This means that you don’t need to fully download the file to start watching the video. However, with the advent of MPEG specifications, this format is gradually losing popularity. Its main problem is that the QuickTime standard is closed. Apple keeps secret the methods by which video is encoded. Consequently, third-party programmers cannot write programs that compress video in this format.

Intel Indeo

This format was developed by Intel Corporation to compress video data using the new capabilities of the Intel Pentium MMX processor. In addition to supporting streaming and copyright protection features, this standard implements several features that were innovative at the time of its introduction. It allows you to apply various effects to a video sequence (for example, change the brightness or contrast) in real time, decode not the whole frame, but, for example, the central fragment, make part of the frame of a video transparent and superimpose two videos one on top of the other. The latter effect is often used in television news programs, when a commentator is depicted in front of a video report of the scene.

However, the Indeo format is not widely used. And with the release of MPEG-4, which also contains all these features, this standard generally doesn’t work.

MPEG-1

The MPEG-1 video compression format was developed by the Motion Picture Expert Group, an international organization that creates video compression standards. It supports a maximum frame resolution of 4095 x 4095 pixels at a frame rate of up to 60 times per second.