Encode MP3 correctly


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Encode MP3 correctly

encode mp3

If the audio files are saved in MP3 format, signals inaudible to humans are cut off. We will tell you how to encode MP3 correctly to achieve the best possible quality.

ENCODE MP3

What is MP3

To optimally encode an MP3, it is important to have an idea of ​​how MP3 works:
MP3 is an audio codec developed by the Fraunhofer Institute, in particular Karlheinz Brandenburg, for the MPEG I standard.
MP3 is a compression method that Psychoakustig uses: The audio signal is divided into narrow frequency bands. Spectral components that humans hear partially or completely are stored with less precision.
The lower the specified bit rate, the more inaccurate the mapping, and the more likely frequencies above the masking threshold are also stored imprecisely.

Encodes MP3 optimally

Depending on whether you extract music from a CD, voice recordings, or analog media recordings, those records would be encoded, they are partly different settings. Others always make sense. You can do all the settings, for example, in XMedia Recode, which CHIP Online offers for free.
In general, it makes sense to keep the sample rate of the file to be encoded. With audio CD, this is 44100Hz. For recordings on discs or cassettes, 32000Hz is sufficient, speech is still clearly understandable even at 22050Hz.
For pure voice recordings, mono is sufficient; for music, joint stereo is usually more efficient than single stereo, as some bits can be saved losslessly through mid-side encoding.
As a bit rate mode, VBR-ABR (Variable Bit Rate – Average Bit Rate) is always the method of choice: in regions where frequency ranges are clearly masked or where there is absolute silence, an extremely large amount of data is saved that makes sense elsewhere. It can be used. Depending on the type of signal, an MP3 with an average VBA-ABR bit rate of 128 kbps can be significantly more accurate than a constant bit rate (kBR) file of 160 kbps. In any case, with the same file size, it is always at least as good as a KBR file with the same bitrate.
To take advantage of this potential, you should set the VBR quality to the maximum, the minimum bit rate to 32 kbps, and the maximum to 224.
Depending on the nuances of your music, an average bit rate of 128 to 192 kbps is usually ideal. Of course, mono files only need half the bit rate. For speech, 32 to 48 are sufficient for comprehension, up to 64 kbps for slightly clearer sound. Here you can also use a high pass of about 90 Hz.
Of course, you will get the best quality if you set the quality to “high”. Encoding takes a bit longer, but with current processor performance this is not significant.
It is completely useless to encode an MP3 with better quality later or to save a mono file in stereo.


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Codecs: an introduction – MP3

Two ways to assign information: CBR and VBR

Recall that it is possible to have an approximate appreciation of the quality of an audio (or also video) file based on the amount of kilobits per second (kbps) with which that file is encoded – although, as stated in the previous post, Making comparisons considering this single parameter is not the best. We can define the measure of kbps as the amount of information that is allocated for each second of audio or video: if a song is encoded at 256 kbps, it means that for every second of audio 256 kilobits of information have been assigned (eye, which we are talking about kilobits, not kilobytes).

To determine how much information is going to be assigned to each second, there are mainly two methods: Constant Bitrate (CBR) and Variable Bitrate (VBR). As their names indicate, in the first one the data assignment is done in relation to a constant measurement, that is, if we want to obtain an audio file at 320kbps, the codec will assign this amount of data to every second of the song, without import its level of complexity (it is different to compress the acoustic information of a silent passage or one with many instruments playing simultaneously). The VBR method works in another way: quality is prioritized, so the amount of data to be assigned depends on the complexity of the piece of song being encoded. For example, in a part where there is silence, less information will be assigned, while in a part that for example has sounds of trumpets, violins, etc., the assigned information will be greater; Of course this range is determined by certain parameters.

There is a third method, “Average Bit Rate” (ABR), which is not so much a different method but rather a mixture of the previous two: a certain Bit Rate (a certain amount of kbps) is set, the which would be the average Bit Rate that will be assigned to the fragments of the file to be processed.

MP3: MPEG Audio Layer 3

For many reasons (and even when there are many arguments against it), MP3 is the king of lossy audio compressors. It is so widely known that it hardly needs an introduction, it has been going around a lot of time, and although many competitors (some of them very good) have come to the fore, its end is not seen at all near.

MP3 was born in 1987, mainly thanks to the research of the Fraunhofer Institute for Integrated Circuits IIS. In 1995 the files generated with this codec began to carry the extension .mp3, name with which this specification was popularized.

The rise of the internet and this format went hand in hand: the explosion of Napster and the P2P exchange programs during the second half of the 90s can be counted as one of the most important causes for the development of the network.

As of 2002, a series of competitors began to emerge, which have slowly caused this format to have lost some ground against formats such as AAC and WMA (introduced and backed by brands such as Apple and Microsoft, respectively), although it remains As the leader in presence.

Pros:

It requires little processing power for reproduction.
It is widely known, so there is a wide range of decoders
It is an ISO standard, part of the MPEG specification
Easy adjustment of compression quality, there are several options depending on whether you decide to privilege the resulting size or audio quality
Most (all?) Of today’s computers come with software to play MP3s, as well as the wide range of portable players

Cons:

Performance / efficiency lower than more modern codecs
There are no implementations for multiple channels (cannot generate 5.1 audio, for example)
The maximum bitrate (320kbps) is sometimes not enough
Unusable for high definition audio