Lossy compressed audio formats


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Lossy compressed audio formats

Audio compression
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MP3
In accordance with the MPEG-1 Audio Layer 3 standard, it appeared in 1993 and instantly won universal love precisely because of its economy in memory consumption.

A CD can store the complete discography of your favorite band.
Throw some records in the glove compartment and you can enjoy music from Kaliningrad to Vladivostok.
During this time, you can listen to all the books by all the writers worth listening to.
The MP3 format is such a solid eunuch, from which they cut the most reluctant, but began to show the ability to store and save. So MP3 is a very inexpensive format.

The main advantage is that he leans on everything that he just plays and sings.

ACC
An advanced form of audio encoding. The younger but advanced brother of MP3. It has slightly improved sound characteristics and a higher compression ratio.

Applies to Android, iOS, iTunes, YouTube, Nintendo, and the latest versions of PlayStation.

Also a folk format, but for people a little more advanced. Which is reflected in the title.

OGG
In general, this is not a format, but a container, and in fact the name OGG says nothing about the sound it contains.

However, it usually contains the Vorbis codec.

Significantly improved sound quality relative to other lossy compression formats.
Smaller files can be recorded with the same sound quality.
Even cheaper than MP3.

The problem is that the OGG format is free, so nobody invests in its promotion. Therefore, it may not be compatible everywhere and incompatibilities may arise.

Then you have to convert to MP3.

WMA
Microsoft’s proprietary format, therefore, although it is an improved version of MP3 and OGG, has not received widespread use and is not compatible with most devices and platforms.

Advice. If it is possible to use WMA instead of MP3, use the former. Cheaper and more pleasant to the ear.

Lossless compressed audio formats
For owners of advanced and expensive devices, branded desktops and mobiles, with high-quality headphones and speakers.

The downside to these formats is that file sizes of the same recording length will be roughly two to three times larger.

However, although lossless compression is stated, it should not be confused with high-fidelity audio recordings. There are minimal losses, although notable only for musicians.

FLAC
Free lossless audio codec. Its advantage is its great popularity, almost like MP3.

The compression ratio is up to 60% of the original file.
Compatible with most software platforms and devices.
It can be a profitable alternative when burning CDs. Almost indistinguishable in sound, but the advantage of saving almost half the disk space.

A THE C
Format for owners of Apple branded devices, as others may not be supported.

Slightly less good than FLAC in terms of compression ratio.

But Apple owners simply have no choice: the free FLAC format does not work in principle on iOS and iTunes.

Lossless WMA
An improved version of the aforementioned WMA. Slightly lower than FLAC and ALAC. It has a significant advantage over ALAC, as WMA is compatible with Windows and Mac.

However, it is not very widespread, so if you have many different devices in use, there is likely an incompatibility.

Verdict
Well, we have considered all the most famous, widespread and having the best audio formats and briefly talked about the characteristics of their use.

So now you can confidently decide in which case and in which format it is best to convert your sound recordings, music and audiobooks.


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Compressed audio with loss

Compressed audio with loss

Today we will analyze the audio files that have a loss of quality. Because digital audio files can be divided into two classes, those that are compressed suffer a loss of quality and those that have not had any loss.
The difference We will see later but for now we will be clear that each of the formats offers a different quality according to the algorithm that has been used to compress the music in order to save space on the hard disk.
Some definitely discard information which is normally sought to be inaudible information for the human ear or to be repetitive information, so even when information is discarded, quality is not lost.

Compressed digital sound files fall into two categories: those that have suffered lossy compression and those that have not.

Loss compression means that an algorithm that uses a smaller amount of information has been used. The resulting file differs from the original.

MP3 or MPEG1 Audio Layer 3

It is the most widespread and used compression format, in its various variants. The loss of information that involves the mp3 format passes (almost) unnoticed to the human ear.

An mp3 file can occupy up to 15 times less than its original while retaining high quality. This is why the standard for streaming is considered and is the most suitable type of file for use on the internet and for portable media.

WMA or Windows Media Audio

WMA is the Microsoft audio compression format. It was designed for playback with the Windows Media Player program.

WMA is the direct competitor in mp3 quality and compression with the difference that it adds author information. Its extension is * .wma.

Recently, Microsoft has developed a variant of the WMA format with compression, but without loss.

OGG Vorbis

Ogg Vorbis is a container format developed in open source, freely distributed and without a patent. This is the biggest difference with the rest of compressed audio files.

Files in this format have a high quality and can be played on almost any device. Its use is much less widespread than the previous ones, although, in some cases, it gives better results.

Its use is patent free. Therefore, many media players, such as the popular VLC, include Ogg codecs that, on the other hand, can be freely downloaded from the Xiph.org website. Its extension is * .ogg.