Highest quality music format. – Part 2
AMR standard
As for this format, it may be one of the lowest quality. Its origin is related to the appearance of the first clumsy mobile phones, which still could not set ringtones in .mp3 format to ring.
So AMR was still able to replace natural sound with a certain amount of quality loss. But this quality cannot be compared with that offered by the more “advanced” formats.
MIDI
Interestingly, MIDI can also be attributed to what are commonly called “audio formats”. Although it is generally accepted (and many, in fact, still believe it) that the MIDI system is just a set of commands, you can argue with that. Decoding the MIDI abbreviation is actually a system for recording and editing certain keystrokes, pitch, tempo, key, effects, etc.
However, there are files with the .mid or midi extension that can be played quite easily in modern sequencers or studio recording software using Roland’s standard set of GM (General MIDI), GS (which is the same) sounds. or XG. (Extended MIDI) from Yamaha Corporation. The first two sets have 128 standard sounds, not counting the effects, and the third has almost three times as many.
FLAC
Now we come to one of the most modern and unique formats of our time. Music in FLAC audio format is gaining popularity today. This is due to the quality that true music lovers pay attention to in the first place.
If you look at it, this format was created on the basis of the well-known MP3. But if split-track layout was used before, there is no such thing in this format (at the moment, at the moment). The structure consists of one or two files, one of which is informational. Only specialized software audio players can play this format. The most famous can be called AIMP. Only when the main file is opened does the list of recorded tracks appear in the main bin. In such a player, switching between tracks is done in the same way as in any other. But there is no possibility of accidental deletion of a particular composition (as already mentioned, the information about them is contained in a single file).
Format compatibility
Naturally, all audio formats are compatible with each other today. In other words, any standard DVD player or home software can handle this effortlessly. The same goes for sound processing programs. The semi-professional and professional programs recognize all the formats known today (even in spite of the specifications of the operating systems). Audio editors, sequencers, plug-ins such as VST, RTAS (for Windows systems) or AU (for Mac OS X) can work with these formats in the so-called cross-platform mode.
Format conversion
There are several ways to change the audio. For example, you can open the “native” format and save the file in a different one. You can make it even easier. There are special converters for this. In them, you can simply load the desired initial format file from the list, and then just select the end. As they say, nothing at all.
Sound quality processing
Another thing is when it comes to changing part of the frequency of the original file. Here you cannot do without specialized software packages. It is with its help that you can change the quality of audio files. In this case, you can change not only the standard sample rate of 44100 Hz, increasing it, say, up to 96000 Hz, but also adjust the depth of the same 16 to 24 or 32 bits. And we are not talking about the fact that you can also adjust the bit rate, that is, the reproducible bandwidth, expressed in kilobits per second. The standard value is considered to be 128 kbps. The bit rate can be changed at your discretion, but the best sound quality is achieved at around 320 kbps. Of course, not everyone can tell the difference between standard sound and peak performance. However, it is worth trying to play an audio track with different data on good equipment. Here the difference will not keep you waiting.
Also, in addition to all these parameters, you can edit and much more. What is the software use of equalizers, limiters, compressors, crossovers, normalizers, de-essers, etc., etc. Each of these modules allows you to customize the sound, as they say, “on its own”. And absolutely all the formats known today can be processed by programs of this type.
Final comparison
Let’s try to make some kind of comparison between the formats used (although this is far from being all there is in the world of sound).
