WMA – Everything about WMA (1)


Free Download Mp4Gain
picture

Windows Media Audio (WMA) is an audio codec (in addition to an audio container format) developed by Microsoft Corporation to end MP3’s hegemony as the standard codec for consumer audio. In fact, the format promised the Same quality as MP3 using only half the bitrate and, in addition, it claimed to achieve CD-Audio quality with a bitrate of only 64Kbps.

Files encoded with this codec and stored in the WMA container have the .wma extension.

It was created in the late 90’s at the Microsoft Signal Processing Center and was initially known as MSAudio 4.0 (released in 1999) and later renamed WMA version 1. Numerous versions followed one another until reaching the current version, version 9. (released in 2003). Today it is one of the most popular because it is the standard format of the Windows Media player (included in the ubiquitous Windows operating system), one of the most popular at the user level. This program allows both the reproduction and the creation of files (only from version 7 of this program) encoded with this format. It is also the standard format for the Zune Portable audio player, the popular competitor to Apple’s even more popular Ipod.

Currently there are 4 different versions of Windows Media Audio:

Windows Media Audio: Currently in its version 9 (released in 2003) it is the best known of the 4 codecs that make up the WMA family. It is a lossy codec that bases the elimination of information from the original signal on psychoacoustics and the “defects” of the human ear (those sounds that are considered inaudible are eliminated in the coding process). If the bitrate is low, a lot of information from the original signal will have to be discarded which can cause the sound of the signal encoded in wma to be different from the original and present some errors.

To implement WMA coding, a sampling rate of up to 48,000Hz is used with two independent stereo channels, variable bitrate (VBR, which assigns a higher bitrate to the more complex sections (transitions from bass to treble faster, sudden volume changes etc)) and the average bitrate technique in which not all sections are transmitted to the same bitrate (as in VBR) but in every second the same information is always transmitted in total (as with bitrate constant) .Thanks to these 2 techniques we will have the same quality throughout the audio file. Both VBR and medium bitrate are only available as of WMA 9.

In addition there is a low delay version (only from WMA 9.1) for bidirectional (Full-duplex) applications such as VoIP.

Like the rest of the audio codecs for music such as MP3, Vorbis, AAC or ATRAC, it is based on the Modified Discrete Cosine Transform (MDCT) to transform the signal from the temporal domain to the frequency one. Finally, the samples are encoded with the Huffman algorithm. In addition, a joint audio technique known as stereo M / S encoding is used (see description) .In addition, when the bitrate is extremely low, sample prediction techniques such as LSP (Line Spectral Pairs) or LSF (Line Spectral Frequencies) are used. .
All these characteristics are reflected in the conclusions of some studies on audio codecs:
For a 32Kbps bitrate the quality is better than that of its direct competitor: Mp3.
For 48kbps bitrate the WMA Pro quality is the second best of all codecs, just behind HE-AAC version 2.
At 64Kbps WMA Pro Bitrate Outperforms HE-AAC in Quality
At a bitrate of 80Kbps and 96Kbps WMA lost in quality compared to HE-AAC, Vorbis and AAC-LC
At 128Kbps the quality of WMA Pro is equal to that of its competitors AAC, MP3 and Vorbis
At 768Kbps bitrate WMA Pro gets spectral response across the spectrum while DTS (Digital Theater Systems) needs twice the bitrate to do it. At these high bitrates, all lossy codecs achieve transparency, that is, a totally perfect quality where the differences from the original signal are imperceptible to the human ear.
For a much more extensive comparison, SoundExpert can be consulted.

Being a format developed by a multinational as powerful as Microsoft, almost all the players allow you to work with WMA, both portable, desktop and computer players, although the ideal WMA environment is to use the Zune portable player and the player for the Windows operating system, Windows Media player (its latest version is 11).

One of the most controversial aspects of the format is that it incorporates DRM (Digital Rights Management), which limits the distribution of copyrighted files encoded with this format.


Free Download Mp4Gain
picture


Mp4Gain Main Window
picture


Mp4Gain Features
picture


Free Download Mp4Gain
picture

WMA and AAC

What is WMA?

Windows Media Audio

It is also known as standard WMA. Microsoft created this format to compete with MP3. Fast WMA became a standard format for lossy compression.
Microsoft claims that WMA guarantees the same quality as MP3 with medium bitrate, although this statement is not correct. The same quality is achieved with 25% lower bitrate and is applied only with low bitrate. At 128 kbps it is easily compressed by Lame.

WMA Std ranks second among the known formats with loss yielding only to ubiquitous MP3. This merit is mainly due to the aggressive marketing section of Microsoft.

Windows Media Audio Professional

Windows Media Audio Professional (WMA Pro) released to skip limitations in WMA Standard supports multichannel encoding and high resolution (24bit, high sampling rate).
As WMA Pro is incompatible with WMA Std, Microsoft took the opportunity to create a high quality encoder. Meanwhile WMA Std loses to MP3 after a non-formal public test, WMA Pro occupies a high position (next to other high quality formats) when passing the same test.

Windows Media Audio Lossless

It is a mathematically lossless codec of the same Windows Media family. For being the first lossless codec supported by most players, it was accepted favorably after its launch. High compression of WMA can be compared with that of High WavPack and Monkey’s Audio between fast and normal.

AAC

AAC (Advanced Audio Coding) is a computerized digital audio signal format based on a lossy compression algorithm, a process by which some of the audio data is eliminated in order to obtain the highest degree of compression possible, resulting in an output file that sounds as close as possible to the original.

characteristics

The AAC uses a variable bit rate VBR, an encoding method that adapts the number of bits used per second to encode audio data, depending on the complexity of the audio transmission at a given time. ACA is an encoding algorithm Broadband audio that has superior performance than MP3, which produces better quality in small files and requires less system resources to encode and decode. This codec is oriented to broadband uses and is based on the elimination of redundancies from the acoustic signal, as well as compression by means of the modified discrete cosine transform (MDCT), very similar to that of the MP3.

Advantage

Superior audio quality for the same bitrate (kbps) your 32kbps Radio will sound like 128kbps in mp3. Stereo sound support from 16 kbps unlike the MP3 that supports it from 40 kbps. Support in Blackberry, Iphone, Smartphone devices. The members of the codec aacPlus aacPlus v1 family is the combination of AAC and SBR, as the high-efficiency standardization profile in MPEG-4 (HE AAC). aacPlus v2 is based on the strong success story of aacPlus v1 and adds value in all fields where higher compression efficiency of stereo signals is mission critical. aacPlus v2 is a true superset of aacPlus v1, aacPlus v1 is from AAC. With the addition of Parametric Stereo in MPEG, aacPlus v2 is the current state of the art of low-speed standard open bit audio codec. Not compatible with MPEG-1. Sampling frequency: 96 KHz, 88.2 KHz, 48 KHz, 44.1 KHz, 24 KHz, 22.05 KHz, 16 KHz. Maximum quality between 320 and 448 kbps (5 channels) and between 128 and 192 (2 channels) Maximum bitrate Supported: From 12 kbps (in HE-AACv2 profile) up to 448 kbps (in AAC-LC profile)