The higher the kbps of the music file, the better the sound quality?


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The higher the kbps of the music file, the better the sound quality?

Audio Lossy vs Lossless
Audio Lossy vs Lossless

Because I use my mobile phone to listen to songs, the memory is small, so I try to download songs with small files, but small files in kbps are also small. Generally speaking, the bit rate of MP3.WMA is normal and high.

Audio Lossy vs Lossless
Audio Lossy vs Lossless

The higher the kbps, the better the sound quality (under the same encoding format, different formats cannot be compared).

The higher the kbps, the higher the sample rate per unit time, the higher the precision, and the closer the processed file is to the original file, but file size is proportional to sample rate, so almost all encoding formats focus on how to use The lowest bitrate achieves the least distortion In terms of audio, the higher the bitrate, the lower the compressed ratio, the less loss of sound quality, and the closer will depend on the sound quality of the audio source.

 

extended information
There are many types of sample rates for compressed music. You can save space with a sample rate of 64 Kbps or less, or you can use a standard of 320 Kbps for extremely high sound quality.

As a benchmark for the efficiency of digital music compression, bitrate typically uses kbps as the unit. The bit rate of digital music on CD is 1411.2 kbps (that is, to burn 1 second of CD music, 1411.2 × 1000 data bits are required), the high BIT RATE of the digital music file music means that it should be processed in a unit of time (1 second) The amount of data (BIT) is large, which means that the sound quality of the music file is good.

When the BITRATE is high, the file size increases, which will occupy a large amount of memory capacity. The most commonly used bitrate for music files is 128kbps, MP3 files generally can use 8-320kbps, and 320Kbps is the highest level temporarily.


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Author: R. Arias

R. Arias is the author of this article and has extensive experience for more than 30 years as a recording engineer and audio specialist, as well as more than 20 years of experience creating algorithms related to audio and video. Linkedin