{"id":2621,"date":"2020-11-27T23:17:29","date_gmt":"2020-11-27T23:17:29","guid":{"rendered":"http:\/\/mp4gain.com\/mp4gain\/?p=2621"},"modified":"2020-11-27T23:17:29","modified_gmt":"2020-11-27T23:17:29","slug":"things-you-should-know-about-digital-music-quality-part-2","status":"publish","type":"post","link":"https:\/\/mp4gain.com\/mp4gain\/things-you-should-know-about-digital-music-quality-part-2\/","title":{"rendered":"Things You Should Know About Digital Music Quality (Part 2)"},"content":{"rendered":"

Things You Should Know About Digital Music Quality (Part 2)<\/strong><\/p>\n

\"digital<\/p>\n

4. The search for an ideal is harmful.
\nEach of us wants the world and its components to be ideal; this is the axiom. Any DJ wants to have speakers in clubs connected and in tune, every track in the collection shines with quality mastering, and so on. But only the results of the work done are taken into account, each of us is forced to make commitments every day.<\/p>\n

\"DIGITAL<\/p>\n

So interestingly, this also applies to the quality of the music. We already noted at the beginning that this is an important point, but not enough to deny the space of options and the possibilities of making decisions, perfectionism is completely out of place here. For example, an original underground producer puts out a new track at 128 KBPS, and it will definitely break the crowd. A dilemma arises: to play it or not?
\nPurists will answer negatively. But you have to be honest with yourself and judge by the emotions you want to convey through music. If the cumulative mass of factors exceeds five minutes of not-so-high-quality sound on your computer, the doubt can be dismissed. Don’t let dogma and the false pursuit of perfection damage your mission as an artist. You can buy the version in the best quality later. For now, do your thing.<\/p>\n

5.Music is created with the playing environment in mind.
\nGood sound producers listen to the tracks as if they are making them in every possible system: in earplugs, cheap plastic speakers for a computer, etc., with the idea of \u200b\u200bhow other people will eventually hear it.
\nThis brings us back to the first point: the work of the producer and the mastering engineer decides much more than the minor aspects. Club tracks with abundant bass sub-registers sound bad on the radio, and loud, howling radio mixes with tight dynamic range sound bad in the club. And the file format is irrelevant here. Producers are forced to compromise – this is an integral part of their workflow, and no expensive equipment or ghost software can affect this like you can.<\/p>\n

6. The “golden age of audio” is fiction.
\nPeople ooze feelings or chant mantras too often, as was good in the past. That, in general, does not stand up to criticism: Stereo as such did not exist until the late 1960s, and the golden age of declining pop music gave rise to formats as unhealthy as eight-track cassettes.
\nAmplifiers and monitors have changed dramatically for the better, keeping pace with advances in technology. Yes, in the 70s and 80s it was possible to achieve good sound from high quality printed records, but in proportion to them there were many terrible circulations and publications that just sounded disgusting, ask older DJs and music lovers.<\/p>\n

7. Technology comes first.
\nThanks to technological progress, we can listen to as much music as ever, good or bad, until we can tell. The most suitable music fans are happy to listen to a variety of genres and styles in different formats on different devices and have fun. Because the main thing is the music, if it is good in itself, you can abstract from background noise and interference from shortwave radio, a joke club stereo system, and excessive volume.
\nSo, gentlemen, intellectual audiophiles and expensive equipment manufacturers, we perfectly feel the difference. A hamburger eaten at the race on Wednesday does not prohibit a gourmet restaurant on Saturday. Everything must have its place and its time
\nWireless audio systems, streaming, portable players … all have contributed to making music available to more people than ever. But even such a positive dynamic meets fierce resistance from fans of luxury sound at any price and sacrifice.
\nYou have the option to choose between two completely contradictory situations. In the first, you find yourself in a sound-dampened listening room, where a stereo system is playing for thousands of dollars, and your friends stroking their beards and curling their mustaches, praising the “delicious” sound of the hi-hat and noticing \u201cTexture\u201d of the percussion nuances in the bass player’s performance. And in the second, you’re tearing up a crowded little bar, playing your set on lousy gear at full volume, where the girls start turning the tables because you’ve just started a crazy 128 kilobits-per-second remix.<\/p>\n","protected":false},"excerpt":{"rendered":"

Things You Should Know About Digital Music Quality (Part 2) 4. The search for an ideal is harmful. Each of us wants the world and its components to be ideal; this is the axiom. Any DJ wants to have speakers in clubs connected and in tune, every track in the collection shines with quality mastering, … Continue reading “Things You Should Know About Digital Music Quality (Part 2)”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[22888,28067,22897,22895,22901,22902,22903,22899,43025,43026,22933,22909,22910,22920,22922,22921,22919,22940,22939,22938,22935,22936,22943,22907,22946,22944,41197,22913,22918,22916,22914,22925,22923,22891,15335,22949,22948,22950,22892,22889,28075,22890,22947,28077,41194,22934,22937,22932,22929,41201,22953,47818,22924,22928,28071,28088,28072,41198,28073,28087,28074,41199,41200,43027,41195,22905,22908,22958,22957,22956,43028,41202,22955,22959,22960,50676],"class_list":["post-2621","post","type-post","status-publish","format-standard","hentry","category-audio-video","tag-are-digital-audio-and-optical-the-same","tag-are-digital-audio-players-worth-it","tag-can-a-digital-audio-cable-go-bad","tag-can-digital-audio-be-converted-to-analog","tag-can-dogs-hear-digital-audio","tag-can-midi-transfer-digital-audio","tag-can-you-convert-digital-audio-to-analog","tag-can-you-convert-digital-audio-to-rca","tag-can-you-split-digital-audio-signal","tag-can-you-splitter-digital-audio-output","tag-digital-audio-has-no-sound","tag-do-digital-audio-cables-go-bad","tag-do-digital-audio-converters-work","tag-does-digital-audio-cable-make-a-difference","tag-does-digital-audio-carry-video","tag-does-digital-audio-software-needs-magnetism","tag-does-digital-audio-support-5-1","tag-does-displayport-have-digital-audio","tag-does-imac-have-digital-audio-out","tag-does-ipad-have-digital-audio-output","tag-does-ps4-have-digital-audio-out","tag-does-roku-have-digital-audio-out","tag-does-xbox-one-have-digital-audio","tag-how-did-digital-audio-start","tag-how-digital-audio-system","tag-how-digital-audio-works","tag-how-do-digital-audio-files-work","tag-how-do-digital-audio-filters-work","tag-how-do-digital-audio-systems-work","tag-how-do-digital-audio-work","tag-how-do-digital-audiobooks-work","tag-how-does-digital-audio-out-work","tag-how-does-digital-audio-work","tag-is-digital-audio","tag-is-digital-audio-analog","tag-is-digital-audio-better-than-analog","tag-is-digital-audio-better-than-hdmi","tag-is-digital-audio-cable-same-as-rca","tag-is-digital-audio-coaxial","tag-is-digital-audio-out-the-same-as-optical","tag-is-digital-audio-out-the-same-as-toslink","tag-is-digital-audio-output-the-same-as-optical","tag-is-digital-audio-the-same-as-optical","tag-is-digital-audio-workstation","tag-is-digital-audio-workstation-free","tag-piotr-has-digital-audio","tag-tv-doesnt-have-digital-audio-out","tag-tv-has-digital-audio","tag-tv-only-has-digital-audio-out","tag-what-digital-audio-is","tag-what-digital-audio-output","tag-what-do-digital-audio","tag-what-does-digital-audio-out-mean","tag-what-does-digital-audio-output-raw-mean","tag-what-is-digital-audio","tag-what-is-digital-audio-broadcasting","tag-what-is-digital-audio-out","tag-what-is-digital-audio-out-optical","tag-what-is-digital-audio-output","tag-what-is-digital-audio-output-on-tv","tag-what-is-digital-audio-s-pdif","tag-what-should-digital-audio-output-be","tag-what-should-my-digital-audio-output-be","tag-whats-digital-audio-out","tag-when-did-digital-audio-begin","tag-when-did-digital-audio-recording-begin","tag-when-did-digital-optical-audio-come-out","tag-where-is-the-digital-audio-output-on-a-samsung-tv","tag-which-digital-audio-cable-is-best","tag-which-digital-audio-format-is-best","tag-which-digital-audio-player","tag-which-digital-audio-recorders","tag-which-digital-audio-workstation-is-best","tag-why-digital-audio-is-better-than-analog","tag-will-rca-cable-work-digital-audio","tag-xbox-have-digital-audio"],"yoast_head":"\nThings You Should Know About Digital Music Quality (Part 2) - mp4gain.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mp4gain.com\/mp4gain\/things-you-should-know-about-digital-music-quality-part-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Things You Should Know About Digital Music Quality (Part 2) - mp4gain.com\" \/>\n<meta property=\"og:description\" content=\"Things You Should Know About Digital Music Quality (Part 2) 4. 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