{"id":1809,"date":"2020-08-30T22:15:02","date_gmt":"2020-08-30T22:15:02","guid":{"rendered":"http:\/\/mp4gain.com\/mp4gain\/?p=1809"},"modified":"2020-08-30T22:15:02","modified_gmt":"2020-08-30T22:15:02","slug":"the-sample-rate-looking-for-the-best-sound","status":"publish","type":"post","link":"https:\/\/mp4gain.com\/mp4gain\/the-sample-rate-looking-for-the-best-sound\/","title":{"rendered":"The sample rate: looking for the best sound"},"content":{"rendered":"<p>When it comes to digital music and sound effects, the sample rate plays an important role. This applies to both CDs and file formats like MP3 and network players. The values \u200b\u200bspecified for the height or frequency of the removal rate differ significantly from each other. An important reference value is 44.1 kHz. We explain why this is so.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/blog.teufel.de\/wp-content\/uploads\/2016\/12\/Teufel-Blog-Titelbild-Abtastrate-750x400.jpg\" alt=\"Sample rate\" width=\"750\" height=\"400\" \/><\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_81 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/mp4gain.com\/mp4gain\/the-sample-rate-looking-for-the-best-sound\/#What_is_sampling_frequency_about\" >What is sampling frequency about<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/mp4gain.com\/mp4gain\/the-sample-rate-looking-for-the-best-sound\/#441_kHz_is_not_the_end_of_the_story\" >44.1 kHz is not the end of the story<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/mp4gain.com\/mp4gain\/the-sample-rate-looking-for-the-best-sound\/#Sample_rate_isnt_the_only_measure_%E2%80%93_bit_depth\" >Sample rate isn&#8217;t the only measure &#8211; bit depth<\/a><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"What_is_sampling_frequency_about\"><\/span>What is sampling frequency about<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>For a guitar voice or riff to be stored on a CD or hard drive, the sound must be digitized. To do this, samples of the analog signal are taken at constant time intervals (discrete time). These are used to convert the recorded information into a code.<\/p>\n<figure style=\"width: 300px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blog.teufel.de\/wp-content\/uploads\/2013\/10\/raumfeld-connector-2-300x300.jpg\" alt=\"Raumfeld connector\" width=\"300\" height=\"300\" \/><figcaption class=\"wp-caption-text\">Raumfeld connector<\/figcaption><\/figure>\n<p>If the signal is digital, such as MP3, it can also be converted back to an analog signal, such as fluctuating current intensity, to make the membrane of a speaker sound. The frequency of these samples or samples is indicated by the sampling frequency. In general, the more samples there are, the more detailed the sound can be digitally reproduced.<\/p>\n<p>A CD accepts signals that have been digitized with a sampling frequency of 44,100 Hz or 44.1 kHz. That corresponds to 44,100 samples per second. Of course, this frequency was not determined by chance. Such a resolution takes into account the maximum audible audio frequency of about 20 kHz and an important rule of data processing: the Nyquist-Shannon theorem. From this it can be deduced that the sampling frequency must be at least twice as high as the highest frequency of the signal to be digitized. So if the highest tones we can hear vibrate at 20 kHz, according to this theorem, the sample rate must be at least 40 kHz in order to digitize and decode all the tones correctly. Otherwise, the digitized signal can only be incorrectly converted to analog.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"441_kHz_is_not_the_end_of_the_story\"><\/span>\n44.1 kHz is not the end of the story<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The sampling frequency development did not stop at 44.1 kHz. Modern data carriers and transmission methods now make it possible to process significantly larger amounts of data. Lossless formats like FLAC or high resolution multi-channel standards exceed this value many times over.<\/p>\n<p>Dolby TrueHD, for example, supports very high sample rates. Thus, significantly finer digitized signals can be processed. Additionally, audio masters can use better reconstruction and anti-aliasing filters.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Sample_rate_isnt_the_only_measure_%E2%80%93_bit_depth\"><\/span>Sample rate isn&#8217;t the only measure &#8211; bit depth<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>While the sample rate describes the frequency of the samples, the bit depth indicates how many bits are used per sample. In other words, the bit depth tells you how accurate or how high the resolution is for each individual sample. The amplitude or dynamic range of the analog signal at the time of the sample is determined. So the area between the weakest and strongest sound pressure level. On a CD, each sample is 16-bit deep, although this value is also exceeded by modern digital standards. Dolby TrueHD reaches 24 bits.<\/p>\n<p>The Raumfeld connector brings out what is digitally possible<br \/>\nThe raumfeld connector supports a sampling rate of 192 kHz.<\/p>\n<p>\u25b6 Hardly anyone makes bits sound as good as the Raumfeld plug. Because it plays high-resolution formats up to 96 kHz and 24-bit. An integrated high-end converter from Cirrus Logic converts digital data into analog. The Raumfeld connector has a powerful WLAN module for wireless data transmission. Thanks to Google Cast, multi-room speakers can also be conveniently controlled via the connector. If you connect the network player to a conventional system via Cinch or Toslink, it will be integrated into the local network.<\/p>\n<p>Conclusion: sample rate as a bargaining chip for digital sound formats<br \/>\nThe sampling rate indicates how often signals are sampled from an analog signal for digitization.<br \/>\nThe Nyquist-Shannon theorem states that for the digitization to be true to the original, the sample rate must be at least twice the highest analog frequency.<br \/>\nCDs support sample rates up to 44.1 kHz. Modern formats, on the other hand, can reproduce 96 kHz and more.<br \/>\nBit depth indicates how individual samples are resolved and influences the digitized dynamic range.<br \/>\nWhile CD samples have a 16-bit resolution, Dolby TrueHD, for example, reaches 24-bit.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When it comes to digital music and sound effects, the sample rate plays an important role. This applies to both CDs and file formats like MP3 and network players. The values \u200b\u200bspecified for the height or frequency of the removal rate differ significantly from each other. An important reference value is 44.1 kHz. We explain &hellip; <a href=\"https:\/\/mp4gain.com\/mp4gain\/the-sample-rate-looking-for-the-best-sound\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The sample rate: looking for the best sound&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[39066,39469,39463,39470,39467,39465,39466,39468,39464,39471,39481,39480,39478,39476,39479,39477,39493,41142,39475,39482,39483,39460,39492,39461,39498,39504,39462,39472,39473,39474,39503,39494,39495,39487,39488,39491,39490,39485,39484,39501,39500,39489,39486,39499,39496,39497,39506,39505,39508,39507,39514,39512,39509,39510,39511,39513,39515,39522,39523,39518,39520,39521,39519,39516,39517],"class_list":["post-1809","post","type-post","status-publish","format-standard","hentry","category-audio-video","tag-as-sample-rate","tag-can-bus-sample-rate","tag-can-sampling-rate","tag-cant-change-microphone-sample-rate","tag-cant-change-sample-rate","tag-cant-change-sample-rate-and-bit-depth","tag-cant-change-sample-rate-pro-tools","tag-cant-change-sample-rate-studio-one","tag-cant-change-sample-rate-windows-10","tag-do-higher-sample-rates-sound-better","tag-does-sample-rate-affect","tag-does-sample-rate-affect-bitrate","tag-does-sample-rate-affect-file-size","tag-does-sample-rate-affect-latency","tag-does-sample-rate-affect-output","tag-does-sample-rate-affect-pitch","tag-does-sample-rate-affect-sound-quality","tag-does-sample-rate-affect-volume","tag-does-sample-rate-matter","tag-does-sample-rate-mean","tag-have-a-sampling-rate","tag-is-sample-rate-bandwidth","tag-is-sample-rate-the-same-as-bitrate","tag-is-sampling-rate","tag-sample-rate-should-i-use","tag-sample-rate-when-recording","tag-what-are-sample-rate-and-bit-depth","tag-what-do-sample-rate-mean","tag-what-does-sample-rate-do","tag-what-does-sample-rate-do-in-audacity","tag-what-happens-when-sample-rate-is-increased","tag-what-is-sample-rate","tag-what-is-sample-rate-in-audio","tag-what-sample-rate-and-bit-depth-to-use","tag-what-sample-rate-does-spotify-use","tag-what-sample-rate-is-spotify","tag-what-sample-rate-should-i-export-at","tag-what-sample-rate-should-i-record-at","tag-what-sample-rate-should-i-use","tag-what-sample-rate-should-i-use-ableton","tag-what-sample-rate-should-i-use-for-gaming","tag-what-sample-rate-should-i-use-windows-10","tag-what-sample-rate-to-record-at","tag-what-sample-rates-are-supported-by-dante","tag-what-should-my-sample-rate-be","tag-what-should-the-sample-rate-be-set","tag-where-is-sample-rate-in-logic","tag-where-is-sample-rate-in-logic-pro-x","tag-where-is-the-sample-rate","tag-where-to-change-sample-rate","tag-which-sample-rate","tag-which-sample-rate-for-recording","tag-which-sample-rate-is-best","tag-which-sample-rate-is-best-for-mp3","tag-which-sample-rate-is-best-to-record-at","tag-which-sample-rate-should-i-use","tag-which-sample-rate-to-use","tag-why-44-1-khz-sample-rate","tag-why-48000-hz-sample-rate","tag-why-96khz-sample-rate","tag-why-audio-sampling-rate","tag-why-choose-sampling-rate","tag-why-does-sample-rate-matter","tag-why-sample-rate-44100","tag-why-sampling-rate-conversion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The sample rate: looking for the best sound - mp4gain.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mp4gain.com\/mp4gain\/the-sample-rate-looking-for-the-best-sound\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The sample rate: looking for the best sound - mp4gain.com\" \/>\n<meta property=\"og:description\" content=\"When it comes to digital music and sound effects, the sample rate plays an important role. This applies to both CDs and file formats like MP3 and network players. The values \u200b\u200bspecified for the height or frequency of the removal rate differ significantly from each other. An important reference value is 44.1 kHz. We explain &hellip; Continue reading &quot;The sample rate: looking for the best sound&quot;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mp4gain.com\/mp4gain\/the-sample-rate-looking-for-the-best-sound\/\" \/>\n<meta property=\"og:site_name\" content=\"mp4gain.com\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/mp4gain\" \/>\n<meta property=\"article:published_time\" content=\"2020-08-30T22:15:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blog.teufel.de\/wp-content\/uploads\/2016\/12\/Teufel-Blog-Titelbild-Abtastrate-750x400.jpg\" \/>\n<meta name=\"author\" content=\"R. 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Linkedin\",\"sameAs\":[\"https:\/\/www.linkedin.com\/in\/ricardoariaszorrilla\/\"],\"url\":\"https:\/\/mp4gain.com\/mp4gain\/author\/mp4gain\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The sample rate: looking for the best sound - mp4gain.com","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/mp4gain.com\/mp4gain\/the-sample-rate-looking-for-the-best-sound\/","og_locale":"en_US","og_type":"article","og_title":"The sample rate: looking for the best sound - mp4gain.com","og_description":"When it comes to digital music and sound effects, the sample rate plays an important role. This applies to both CDs and file formats like MP3 and network players. The values \u200b\u200bspecified for the height or frequency of the removal rate differ significantly from each other. An important reference value is 44.1 kHz. We explain &hellip; Continue reading \"The sample rate: looking for the best sound\"","og_url":"https:\/\/mp4gain.com\/mp4gain\/the-sample-rate-looking-for-the-best-sound\/","og_site_name":"mp4gain.com","article_publisher":"https:\/\/www.facebook.com\/mp4gain","article_published_time":"2020-08-30T22:15:02+00:00","og_image":[{"url":"https:\/\/blog.teufel.de\/wp-content\/uploads\/2016\/12\/Teufel-Blog-Titelbild-Abtastrate-750x400.jpg","type":"","width":"","height":""}],"author":"R. Arias","twitter_card":"summary_large_image","twitter_creator":"@mp4gain","twitter_site":"@mp4gain","twitter_misc":{"Written by":"R. Arias","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/mp4gain.com\/mp4gain\/the-sample-rate-looking-for-the-best-sound\/#article","isPartOf":{"@id":"https:\/\/mp4gain.com\/mp4gain\/the-sample-rate-looking-for-the-best-sound\/"},"author":{"name":"R. 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