<\/span><\/h3>\nIPVM performed a test in 3 different scenarios – during the day, at night and in high traffic complexity. For measuring the differences in bandwidth usage and hardware utilization (CPU) for base and main line H.264 profiles.<\/p>\n
The questions they asked were the following:<\/strong><\/p>\nHow much bandwidth savings, if any, would you have with the main profile compared to the baseline?
\nHow much bandwidth savings would you have depending on the stage type?
\nWhat is the increase in hardware consumption (CPU) when using the main profile instead of the basic line profile?
\nShould we prefer a main profile camera rather than a basic line profile camera?
\nMain conclusions and answers
\nThe bandwidth limitation is modest. The main profile reduced bandwidth consumption by 10-30% in all three tests.<\/p>\n
In all three tests, no noticeable difference in hardware consumption (CPU) was observed between the base profile and the main profile.<\/p>\n
The tests were also performed using MJPEG. Bandwidth usage was 10 to 100 times more than the main profile.
\nFurthermore, it was also very interesting that the hardware consumption (CPU) was generally significantly higher than any of the H.264 sequences.<\/p>\n","protected":false},"excerpt":{"rendered":"
While H.264 is often considered a single format, there are many different types of H.264 formats. Each of these different types of formats has performance advantages and disadvantages. In recent years, most IP camera manufacturers have supported only the most basic type of format – the basic line profile. Now, manufacturers are increasingly supporting the … Continue reading “The different types of format for H.264”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[257],"tags":[30660,30626,30647,30648,30634,30713,30672,30686,30674,30673,30723,30689,30685,30671,30691,30628,30643,11481,30629,30598,30633,30632,30631,30630,30692,30724,30649,30669,30675,30725,11530,11546,11561,30637,30651,30653,30652,30642,11560,30638,30641,30650,11558,11479,30654,30655,30656,30644,30639,30645,30658,30640,30646,30657,30688,30663,30664,30662,30622,30625,30620,30624,30670,30621,30623,30678,30677,30676,30682,30680,30681,30683,30679,30627,30690,30635,30684,30694,30695,30693,30697,30595,30701,30698,30700,30699,30696,30702,30712,30687,30667,30710,30709,30705,30708,30711,30707,30665,30666,30706,30718,30659,30716,11473,30714,30717,11478,30596,11480,30715,30719,30721,30720,30636,30668,30566,30661,30704,30703,30722],"class_list":["post-1205","post","type-post","status-publish","format-standard","hentry","category-audio-normalizer","tag-264-h-into-days","tag-about-h-264","tag-download-h-264","tag-download-h-264-video","tag-export-h-264-after-effects","tag-floureon-h-264-setup","tag-h-264-audio-out-of-sync","tag-h-264-bits-per-pixel","tag-h-264-colors-washed-out","tag-h-264-dvr-out-of-range","tag-h-264-editor-without-re-encoding","tag-h-264-frames-per-second","tag-h-264-gb-per-hour","tag-h-264-set-top-box","tag-h-264-slices-per-frame","tag-h-264-4-1","tag-h-264-5-2","tag-h-264-after-effects","tag-h-264-after-effects-2018","tag-h-264-after-effects-2020","tag-h-264-after-effects-cc","tag-h-264-after-effects-cc-2019","tag-h-264-after-effects-codec","tag-h-264-after-effects-mac","tag-h-264-bits-per-second","tag-h-264-bitstream-without-start-codes","tag-h-264-compliant","tag-h-264-dvr-keeps-turning-off","tag-h-264-dvr-locked-out","tag-h-264-dvr-reset-without-remote","tag-h-264-dvr-setup","tag-h-264-explained","tag-h-264-for-after-effects","tag-h-264-for-firefox","tag-h-264-for-instagram","tag-h-264-for-linux","tag-h-264-for-mac","tag-h-264-for-opera","tag-h-264-for-remote-console-connections","tag-h-264-for-ubuntu","tag-h-264-for-ubuntu-18-04","tag-h-264-for-windows-10","tag-h-264-for-youtube","tag-h-264-format","tag-h-264-from-after-effects","tag-h-264-from-mp4","tag-h-264-in-mov-format","tag-h-264-in-after-effects","tag-h-264-in-after-effects-2019","tag-h-264-in-after-effects-cc-2019","tag-h-264-in-firefox","tag-h-264-in-premiere-pro","tag-h-264-in-sony-vegas","tag-h-264-in-windows-media-player","tag-h-264-mb-per-minute","tag-h-264-of","tag-h-264-of-dvr","tag-h-264-of-type-exporter","tag-h-264-on-after-effects","tag-h-264-on-fedora","tag-h-264-on-firefox","tag-h-264-on-linux","tag-h-264-on-mac","tag-h-264-on-ubuntu","tag-h-264-on-vlc","tag-h-264-over-ethernet","tag-h-264-over-http","tag-h-264-over-ip","tag-h-264-over-mpeg-2-ts","tag-h-264-over-rtp","tag-h-264-over-rtsp","tag-h-264-over-sip","tag-h-264-over-udp","tag-h-264-overview","tag-h-264-packets-per-second","tag-h-264-parameters","tag-h-264-password","tag-h-264-plus","tag-h-264-plus-vs-h-264","tag-h-264-plus-vs-h-265","tag-h-264-pro-encoder","tag-h-264-pro-recorder","tag-h-264-pro-recorder-alternative","tag-h-264-pro-recorder-blackmagic","tag-h-264-pro-recorder-not-detected","tag-h-264-pro-recorder-obs","tag-h-264-pro-recorder-software","tag-h-264-pro-recorder-streaming","tag-h-264-setup","tag-h-264-size-per-minute","tag-h-264-to-avi","tag-h-264-to-dvd","tag-h-264-to-gif","tag-h-264-to-h-265","tag-h-264-to-hdmi-decoder","tag-h-264-to-hevc","tag-h-264-to-mov","tag-h-264-to-mp4","tag-h-264-to-mp4-converter","tag-h-264-to-mp4-converter-free","tag-h-264-via-http","tag-h-264-video","tag-h-264-vs-h-264h","tag-h-264-vs-h-265","tag-h-264-vs-hevc","tag-h-264-vs-mjpeg","tag-h-264-vs-mp4","tag-h-264-vs-mpeg4","tag-h-264-vs-prores","tag-h-264-vs-x264","tag-h-264-with-alpha","tag-h-264-with-mov","tag-h-264-with-svc","tag-h-264","tag-h-264-hikvision-on-or-off","tag-how-does-h-264-work","tag-import-h-264-into-premiere-pro","tag-is-h-264-better-than-mkv","tag-is-h-264-better-than-x264","tag-trim-h264-without-re-encoding"],"yoast_head":"\nThe different types of format for H.264 - mp4gain.com<\/title>\n<meta name=\"description\" content=\"While H.264 is often considered a single format, there are many different types of H.264 formats. Each of these different types of formats has performance advantages and disadvantages. In recent years, most IP camera manufacturers have supported only the most basic type of format - the basic line profile. Now, manufacturers are increasingly supporting the more 'advanced' format types, including high profile and main. 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In this article, we share the results of the baseline profile tests against the largest profile differences in bandwidth and hardware (CPU) usage.","breadcrumb":{"@id":"https:\/\/mp4gain.com\/mp4gain\/the-different-types-of-format-for-h-264\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/mp4gain.com\/mp4gain\/the-different-types-of-format-for-h-264\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/mp4gain.com\/mp4gain\/the-different-types-of-format-for-h-264\/#primaryimage","url":"http:\/\/mp4gain.com\/mp4gain\/wp-content\/uploads\/2020\/05\/ceros.png","contentUrl":"http:\/\/mp4gain.com\/mp4gain\/wp-content\/uploads\/2020\/05\/ceros.png"},{"@type":"BreadcrumbList","@id":"https:\/\/mp4gain.com\/mp4gain\/the-different-types-of-format-for-h-264\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/mp4gain.com\/mp4gain\/"},{"@type":"ListItem","position":2,"name":"The different types of format for H.264"}]},{"@type":"WebSite","@id":"https:\/\/mp4gain.com\/mp4gain\/#website","url":"https:\/\/mp4gain.com\/mp4gain\/","name":"mp4gain.com","description":"Mp4 Gain Official Website","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/mp4gain.com\/mp4gain\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/mp4gain.com\/mp4gain\/#\/schema\/person\/36ffddda9988e565bd4a9013324ce2cc","name":"R. Arias","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/8ca03263e87418cfde07c571c83fa172297ce230085e4f181b9e5f9af745d6be?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/8ca03263e87418cfde07c571c83fa172297ce230085e4f181b9e5f9af745d6be?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8ca03263e87418cfde07c571c83fa172297ce230085e4f181b9e5f9af745d6be?s=96&d=blank&r=g","caption":"R. Arias"},"description":"R. Arias is the author of this article and has extensive experience for more than 30 years as a recording engineer and audio specialist, as well as more than 20 years of experience creating algorithms related to audio and video. 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