{"version":"1.0","provider_name":"mp4gain.com","provider_url":"https:\/\/mp4gain.com\/mp4gain","author_name":"R. Arias","author_url":"https:\/\/mp4gain.com\/mp4gain\/author\/mp4gain\/","title":"Basics of Digital Sound Theory Part 2 - mp4gain.com","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HLB2grOxwS\"><a href=\"https:\/\/mp4gain.com\/mp4gain\/basics-of-digital-sound-theory-part-2\/\">Basics of Digital Sound Theory Part 2<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/mp4gain.com\/mp4gain\/basics-of-digital-sound-theory-part-2\/embed\/#?secret=HLB2grOxwS\" width=\"600\" height=\"338\" title=\"&#8220;Basics of Digital Sound Theory Part 2&#8221; &#8212; mp4gain.com\" data-secret=\"HLB2grOxwS\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/mp4gain.com\/mp4gain\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Basics of Digital Sound Theory Part 2 A sample rate of 44.1 kHz is not always ideal. When transmitting data over a low-bandwidth network, the quality of the sound must be sacrificed in favor of its size, in practice sampling frequencies two, four and eight times lower than 44.1 kHz are usually used: \u2022 22.05 &hellip; Continue reading \"\"","thumbnail_url":"https:\/\/static1.squarespace.com\/static\/55b64320e4b03d72e247797a\/t\/5cb9db0b8165f50780f1b55a\/1555684136744\/Scope+Sampling+1.gif?format=1500w"}